Swan Bones. Bethany Bowman

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Swan Bones - Bethany Bowman

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few days later, the carcass was covered

      in vultures. My friend hoped they’d pick it

      to bones, didn’t want her kids to know

      that like Cain, they’d taken an innocent life.

      (The brood was gone without blood

      or feathers. Only a hawk could have

      accomplished such a thing.)

      But the vultures left the dead alone;

      apparently hog cholera’s easier to digest

      than swollen possum. Husband away at school,

      my friend mowed circles around it for weeks.

      Maybe next year they’ll try an orchard, a garden.

      Their apples won’t be scabby, get crown gall

      or fire blight, and the cherry tomatoes—

      God they’ll be small and red

      and we’ll pop them into our mouths

      like atomic fire balls, seeds and juice

      exploding, mushroom clouds rising

      as we watch the sun go down in the country.

      Early Summer Prayer

      The gray bobbed woman

      calls common loons

      with her hands at the bonfire,

      lips pressed to thumbs.

      Fingers open, close,

      up and down like a kestrel’s tail

      or blue fan in the relief

      at the lower northern portico

      of Hatshepsut’s temple.

      In a boat the queen fishes,

      fowls in kilt and crown

      for as long as the colors

      hold true or until the usurper

      erases her inscriptions.

      Like the first female pharaoh,

      the gray woman would like

      to remove the feminine “t”

      from the end of her name

      or float into some tundra pond,

      evicting territorial owners.

      Instead she’ll moan

      as smoke and early summer

      ascend like red granite obelisks,

      each rich yodel a prayer

      the pair will mate for life.

      Lock 18

      A flaming sword would block the perimeters

      of our hometown and unlike the first couple,

      we couldn’t have been more corybantic.

      Summers, constructing clay diyas we’d one day

      fill with oil, light, and let loose on the Ganges

      or any river wider than the Mohawk.

      Winters, recreating silent films in the attic;

      if our lives were black and white, at least

      lips and violins, muted gestures, leitmotif.

      You followed these dreams. Traveled, studied,

      saw clearly the forces that shape the universe.

      Or maybe nothing so Faustian, but you got out.

      I broke covenant, stayed in the Valley:

      waited tables, folded negligees. I learned

      first names, favorite drinks, tastes in underthings.

      The hills became sacrosanct with their cornflowers

      and seasonal roads, during thunderstorms, coruscating.

      At some point I stopped wishing for something else.

      Kukicha

      Twig tea. I sip you and I’m wild again,

      bringing my master gifts.

      I read that you’re brewed in Liji,

      just south of Kyoto,

      from discarded stems, stalks,

      leftovers from more rife greens;

      that you’re not a “true” tea.

      This makes me sad.

      How can anything so woody,

      so vegetal emerge from waste,

      have secrets to hide?

      Clearly you come from the land

      of higuma, the Hokkaido brown bear.

      I’m in need of a near-death experience;

      I will drink.

      I’ll put my trust in records,

      since 1962: 86 attacks and 33 passings.

      Steaming earth aromas.

      I inhaled them while pregnant

      and found myself singing

      the song of a creek bed.

      Brook trout so brown, like home,

      one modest female mallard

      swimming away from the bridge

      with her mate, and yellow celandine—

      blossoms I’ve known since childhood

      which, if you rip the stem,

      drip with nitid paint.

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