Berlin Notebook. Joshua Weiner
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THE PROBLEM OF THE “PROBLEMATIK”
Wednesday, October 7, 2015
Die Flüchtlinge = the refugees. You see and hear the word everywhere. (You can hear it at the beginning of the new opening montage for the fifth season of Homeland). The Flüchtlingskrise (crisis) has created a stage for the virtuosity of the German language to invent compound-nouns, new substantives that one keeps stumbling over in German newspapers and magazines.
We are involved in this new Flüchtlingewerk (work), to provide Flüchtlingshilfe (help) to those Flüchtlinge making their way on the divergent Flüchtlingsroute, at least when they don’t run up against a Flüchtlingssackgasse (impass). The Flüchtlings have created a Flüchtlingsproblematik, by virtue of the Flüchtlingsandrangs (crush), the Flüchtlingssturm (onslaught).
Both Flüchtlings fleeing existential threat and what they call the Wirtschaftsflüchtlinge (economic refugees, those from the Balkans seeking better wages and working conditions) are living in Flüchtlingsunterkunft (camps). The new situation in Germany is driven by Flüchtlingspolitik, and is leading to what they’re calling the Flüchtlingsfrage (question).
This last neologism is the most troubling in light of German history, the great problem of the problematik, and it echoes down the worst of the nation’s tragic corridors. For prior to the current Flüchtlingsfrage, there was, and still is, in Germany, the Ausländerfrage (the foreigner question), and before that, the more pointed Judenfrage (the Jewish question). The Jewish question, which had been floating through European anti-Semitism (and its corresponding Zionism) since the 18th century—what to do with Jews, what to do to them, and to what degree they belonged to any nation—culminated in a solution to the question, the Final Solution of the Wansee Conference in 1942.
The see (pronounced zay) in Wansee means “lake.” Into it flowed the question, which resulted in an abyss we call the 20th century, home of Leviathan, the monster of our methods. Is it any wonder that now we face what we’ve become, a Flüchtlingsströmen (ceaseless streaming). 60 million displaced, globally, and growing ...
GERMANY IS MY DESIRE
Thursday, October 8, 2015
I head back to to Lageso. It’s been raining on and off for the last 36 hours, not hard, but hard enough to make a day standing outside waiting absolutely miserable. The grounds have turned muddy; large puddles have joined to create even larger pools that the refugees work around as they navigate each other’s haphazard maneuvering. Bassel and Sami spot me; we shake hands. They’re surprised to see me again. Journalists covering this complicated fast-moving story have so many aspects and pieces to put together, they keep moving on to the next site, the next conflict, tension, announcement, ineptitude, disaster ... Today there are so many television reporters and cameramen on the grounds with their equipment, you can feel how curtains have parted on a new theater of the situation. What publication do you write for, what kind of writing are you doing, asks Bassel. I’m writing for a journal in the US, I say, and show them a letter from Tom Lutz, the editor in chief of LARB, confirming my assignment. I’m a poet, I add, I teach at the university.
Hamraz, a 39-year old mechanic from Herat, Afghanistan, overhears and approaches. I also am teacher. We shake hands. What do you teach, I say. English, he says. He is here with his wife and two daughters, ages 7 and 13. They’ve travelled for three weeks to get to Germany, through Afghanistan and into Iran (where his parents live), Turkey, Greece, to Hamburg, and onto Berlin.
A non-believer, Hamraz is fleeing religious persecution. In Afghanistan, his atheism puts him in life-threatening danger; were he to move his family in with his parents, his life would be in danger there as well. Here in Germany, he says, is democracy, freedom of speech, freedom of opinions. Germany is my desire. My mind is like the culture of Europe, my opinions are the same. I like the law, my security here is good. I am relaxed here. I cannot be persecuted for what I think. I can wait here. Twenty days. One month. Two month. It’s not a problem. My children are safe. They play every day. My future is here. I want to work. I have to continue my lessons. What is your work, I ask (maybe he teaches English on the side, or as a public service). Big autos, he says, trucks and vans. My father is a mechanic; I learned from him. I learned English in Kabul. You speak well, I say. I reach into my bag. Here, I say. I put a Langenscheidt German-English dictionary into his hand. The bright yellow cover of durable plastic is practically an icon of foreign language study. For me? he says. His gratitude for so little embarrasses me. In an instant three more guys join us, talking to Hamraz in Dari and gesturing at me. They want to know if you have more, he says. I wish I did, I say. I get a troubling cold stare from a square-jawed big-boned guy. I don’t like the look of him. I say good luck and call it a day.
STILL AS A TOMB
Friday, October 9, 2015
I ride my bike down Friedrichstrasse to the Checkpoint Charlie area to find the United Nations High Commission on Refugees. Originally established by the League of Nations, it was reiterated by the United Nations after World War II, with the idea that it would work hard for a few years to solve the crisis of European refugees after the war. But the need for it during that period was renewed when the Soviets crushed the Hungarian Revolution in 1956. Since then, it’s never been out of commission.
I realize quickly after parking my bike and wandering around a courtyard area on Zimmerstrasse that I’ll have to sneak in the building with some other visitors. I loiter a while, and join a small group that gets buzzed in. Luckily, I’ve donned a button-down shirt and sport jacket—my official costume—and look like I might have a reason to be there. But I don’t know what floor the office is on. I walk up five stories and find it. Door locked. On either side of the door is a thick glass wall. I peer in. Standing flags and open office doors. A few attempts at ringing the bell with no results. I wait outside the door for 15 minutes, staring intently through the glass. I can’t see into any of the office spaces, even with the doors open, but I can see the sun coming in from the exterior windows, sending shafts of light through the rooms and out the thresholds. I study the dust motes to see if I can make out any swirling disturbances that would suggest a moving body inside. Nothing. Still as a tomb.
THE INSIDER OUTSIDE AND THE OUTSIDER INSIDE
Sunday, October 11, 2015
Pedaling through the Tiergarten on a bright Sunday in October, you would expect to see plenty of others enjoying the day; but today the park is teeming with thousands of stragglers still in town after yesterday’s massive demonstration against the US-EU trade pact (TTIP/CETA). Hundreds of thousands came out, by the literal busload. The speeches and music floated up several kilometers and over the roofs of the Naturkundemuseum and the new CIA building to tickle my ear through the open window.
I’ve stayed inside, working on these journal entries, studying some German, and losing myself in Joseph Roth’s Weimar-era writing about the city (collected under the title, What I Saw: Reports from Berlin 1920-1933, translated by Michael Hofmann). Though these dispatches originally appeared in newspapers, they transcend their immediate genre. As flâneur, Roth was not only observant, sympathetic, ironical, and intrepid, paying close attention to the lives of struggling immigrants, displaced Jews, and homeless in the mechanical metropolis with its seedy glamour—his vision is penetrating, his comprehension indelible. “Phenomena and atmospheres and experiences differ,” he writes, “not in their essence, but in secondary qualities like scale.” Everywhere in these reports from the streets of Berlin, Roth shifts the