The Terror of the Unforeseen. Henry Giroux
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Timothy Snyder is right in arguing that “to abandon facts is to abandon freedom. If nothing is true, then no one can criticize power because there is no basis upon which to do so. If nothing is true, then all is spectacle.”153 More startling is the assumption that in an age of deep divisions, exploitation, and precarity what matters is not only whether something is true or false but also the willingness of people to identify with the seductive lure of a consistent fascist narrative in which people willingly suspend “their capacity for distinguishing between the truth and falsehood, between reality and fiction.”154 Hannah Arendt rightly argued that “what was new and dangerous to the American republic was not lying, but a situation in which lies had become indistinguishable from the truth.”155 Needless to say, there is more at stake here than the creation and normalization of a culture of lying and what Walter Benjamin, Guy Debord and others identified as the theatricalization of politics, there is also the threat to democracy itself.
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