Open Design. Bas van Abel

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Open Design - Bas van Abel

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DOLLAR LEG PROSTHESIS / ALEX SCHAUB ET AL

       FORM FOLLOWS USER / DEANNA HERST

       FRITZING / ANDRÉ KNÖRIG ET AL

       IDEO & OPENIDEO.COM / TOM HULME

       IKEA HACKERS / DANIEL SAAKES

       INSTRUCTABLES RESTAURANT / ARNE HENDRIKS

       MEDIALAB PRADO / LAURA FERNÁNDEZ

       OHANDA / JÜRGEN NEUMANN

       OPEN RE: SOURCE DESIGN / SOENKE ZEHLE

       OPEN STANDARDS / THOMAS LOMMÉE

       PONOKO / PETER TROXLER

       REDESIGN ME / MAXIM SCHRAM

       REPRAP / ERIK DE BRUIJN

       SHAREABLE / NEAL GORENFLO

       THINGIVERSE / ZACH SMITH

       (UN)LIMITED DESIGN CONTEST / BAS VAN ABEL

       (UN)LIMITED DESIGN CONTEST / MARIA NEICU

       VISUAL INDEX

      ACTIVISM / AESTHETICS: 2D

      / AESTHETICS: 3D

      / AMATEURISSIMO /

      ARCHITECTURE / BLUEPRINTS

      / CO-CREATION / COMMUNITY

      / CREATIVE COMMONS / CROWDSOURCING

      / DESIGNERS /

      DIY / DOWNLOADABLE DESIGN

      / EVENTS / GRASSROOTS INVENTION

      / HACKING /

      HACKING DESIGN / HELLO WORLD

      / KNOWLEDGE / MANIFESTOS /

      MASS CUSTOMIZATION /

      OPEN EVERYTHING / PRINTING /

      RECYCLING / REMIX /

      REPAIRING / REPRODUCTION /

      REVOLUTION / SHARING /

      SOCIAL DESIGN / STANDARDS

      / TEMPLATE CULTURE /

       TREND: GLOBALIZATION /

       TREND: NETWORK SOCIETY /

       TREND: SCARCITY OF RESOURCES

      / WYS ≠ WYG

      / BAS VAN ABEL,

      LUCAS EVERS,

      HENDRIK-JAN GRIEVINK,

      AART HELDER

       IMAGE CREDITS

       COLOPHON

       PREFACE

       BAS VAN ABEL, LUCAS EVERS & ROEL KLAASSEN

      Open design existed before the publication of this book, of course. At the end of the last century, it was defined as design whose makers allowed its free distribution and documentation and permitted modifications and derivations of it. More than a decade later, open design is developing actively and constitutes an influential trend in the world of design.

      Bas van Abel, Lucas Evers and Roel Klaassen represent different perspectives on design: respectively emphasizing innovation, sharing and design itself. They agree that open design brings these three qualities together in a natural way. Bas is Creative Director at Waag Society and is passionate about developing a wide variety of projects based on open design principles. Lucas is Head of the e-Culture Programme at Waag Society and is involved in projects at the intersection of art, science, design and society. Roel used to be Programme Manager and Interim Director at Premsela, Dutch Platform for Design and Fashion and is a design enthusiast who worked on People’s Republic of Design, an initiative that has successfully stimulated the development of an open design culture.

       www.waag.org/persoon/bas

       www.waag.org/persoon/lucas

       http://nl.linkedin.com/in/roelklaassen

      Open design existed before the publication of this book, of course. The term first appeared at the end of the last century with the founding of the non-profit Open Design Foundation, which attempted to describe this new phenomenon.1 The organization proposed necessary conditions for open design rather than attempting to comprehensively define it: open design was design whose makers allowed its free distribution and documentation and permitted modifications and derivations of it.2 Around the same time, Reinoud Lamberts launched the Open Design Circuits website3 at Delft University of Technology for the purpose of developing integrated circuits in the spirit of open source software. The fashion industry was a notable early adopter of open design.4 More than a decade later, open design is actively developing and has become an influential trend in the world of design. Open Design Now looks ahead to the future of design. Using key texts, best practices and a visual index, we sketch a picture of open design based on the knowledge and experience of the present moment. In doing so, we seek to contribute to the development of design practice and at the same time draw attention to the importance of open design among a broad audience of design professionals, students, critics and enthusiasts.

      USING KEY TEXTS, BEST PRACTICES AND A VISUAL INDEX,

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