Live Forever. Mylon Le Fevre

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a musical prodigy at 8 years old, had started playing the pump organ at

      the church when she was so small she needed help to reach the foot pump. She was self-taught on the piano.

      Daddy decided at this very first meeting, he had met his future wife. He told his brother, Alf, he would marry

      her as soon as she came of age. Dad stayed true to his word and in 1934 Mom and Dad were married. While

      they attended Lee Bible College, Mom took Aunt Maude’s place in The Le Fevre Trio and sang about heaven

      until she moved there 75 years later.

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      In their first years of marriage and music, my

      parents’ future looked as bright as the stars.

      Daddy saw my mother’s exceptional gift for

      playing piano, singing, and especially for

      speaking, so he appointed her MC of the

      group which, at the time, was unheard of for a

      woman. Dad kept playing and singing and

      became the group manager. In 1940, they

      gained some notoriety playing on WGST, a

      local radio show in Atlanta sponsored by the

      NuGrape soft drink company.

      Then the shadow of World War II fell over the

      nation and everything changed.

      My mother, already busy raising three

      children, became pregnant yet again with me.

      Then my father was shipped off to duty in the

      U.S. Navy. While my dad served our country

      on a ship somewhere near the Philippines, my

      mother delivered me at the U.S. Naval Base

      Hospital on Oct. 6, 1944, in Gulfport,

      Mississippi. At 26 years old, she managed to

      raise four small children on her own until

      Daddy finally came home from the war when I

      was 2 years old.

      At Right: The Le Fevre Trio

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      ON THE ROAD AGAIN

      With the nation at peace and our family back together again, The Le Fevre Trio expanded. The children—Pierce,

      Meurice, Andrea, and eventually me—joined in and the group became simply The Le Fevres. Daddy insisted on it.

      He made all his kids sing, whether they were talented or not. I don’t think he believed God would give him a child

      who couldn’t sing. The first time I sang publicly at 5 years old, I was so little I had to stand on the piano bench to

      reach the microphone!

      Even with some of us singing on tiptoe, The Le Fevres’ music found an audience. In the 1950s, we began

      appearing on local TV. Videotape hadn’t yet been invented so we broadcast every show live. After performing the

      show in Atlanta, our family traveled each week to do shows in Augusta, Macon, Columbus, and Savannah,

      Georgia. Friday and Saturday nights we sang concerts; then we started the whole process over again on Sunday.

      When video was introduced, we began taping the broadcasts at Ted Turner’s very first TV station in Atlanta.

      From there, copies of the tapes went out to 126 cities, one at a time, to make our show the first syndicated

      Christian TV show in the world! Courtesy of Martha White Flour Company, it also became the first Christian

      show to have national sponsorship. Eventually, the show grew to include three other gospel groups and became

      The Gospel Singing Caravan with my mom as the MC.

      HEALING, HOLINESS, AND HYPOCRISY

      The Le Fevres, launched into the spotlight through television, soon became famous in Southern Gospel music.

      With my mom well on her way to becoming the queen of the genre, our family performed in some of the largest

      auditoriums and arenas in the country.

      We also sang for some of the biggest revival crusades and TV evangelists of the 1950s. During those years of the

      great healing revival, I watched with utter amazement as God worked mighty miracles through such men as Oral

      Roberts, A.A. Allen, Rex Humbard, and Jack Coe. Afterward, laughing and playing backstage with their children,

      I never suspected I’d someday need such a miracle myself.

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      My family not only sang for truly great ministers of God but also for some ministers who weren’t really serving

      Him with their whole hearts. So I saw a lot of holy stuff and a lot of hypocrisy. I didn’t intellectually understand the

      difference. But, as most children do, I sensed in my spirit that one was right and the other wrong. And like the world

      war that had once darkened my parents’ life, the wrong I saw cast a shadow over mine.

      A battle began inside me. Shaken by the good and bad I’d seen existing side-by-side in God’s people, I started to

      question the possibility of ever really walking close to Him.

      How can the sky be so dark and the stars so bright at the same time? It started out a kid’s question but as the

      years passed it became a major spiritual dilemma. Although I would struggle with it for decades, when I finally

      found the answer, it would keep me singing for the rest of my life.

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      CHAPTER TWO

      MUSICAL DREAMS

      GOSPEL SHIP

      I

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