Radical Theatrics. Craig J. Peariso

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      RADICAL THEATRICS

      PUT-ONS, POLITICS, AND THE SIXTIES

       Craig J. Peariso

      University of Washington Press Seattle & London

      © 2014 by the University of Washington Press

      Printed and bound in the United States

      Design by Dustin Kilgore

      Composed in ITC Century, a typeface designed by Tony Stan

      18 17 16 15 14 5 4 3 2 1

      All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher.

      UNIVERSITY OF WASHINGTON PRESS

      www.washington.edu/uwpress

      Library of Congress Cataloging-in-Publication Data

      Peariso, Craig J.

      Radical theatrics : put-ons, politics, and the sixties / Craig J. Peariso.

       pages cm

      Includes bibliographical references and index.

      ISBN 978-0-295-99411-6 (hard cover : acid-free paper) 1. Protest movements—United States—History—20th century. 2. Radicalism—Social aspects—United States—History—20th century. 3. Radicals—United States—History—20th century. 4. Political activists—United States—History—20th century. 5. Art—Political aspects—United States—History—20th century. 6. Performing arts—Political aspects—United States—History—20th century. 7. Street theater—Political aspects—United States—History—20th century. 8. Political culture—United States—History—20th century. 9. Counterculture—United States—History—20th century. 10. United States—History—1961–1969. I. Title.

      HN59.P43 2014

      303.48’4—dc23

      2014025249

      The paper used in this publication is acid-free and meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48–1984.∞

      ISBN-13 978-0-295-80557-3 (electronic)

       To Larry and Sharon

      1  Cover Page

      2  Title Page

      3  Copyright

      4  Dedication

      5  Contents

      6  Acknowledgments

      7  Introduction: Stereotypes, Opposition, and “the Sixties”

      8  1. Monkey Theater

      9  2. “Watch Out for Pigs in Queen’s Clothing”: Camp and the Image of Radical Sexuality

      10  3. “Erect . . . Strong . . . Resilient and Firm”: Eldridge Cleaver and the Performance of “Black” Liberation

      11  Afterword

      12  Notes

      13  Bibliography

      14  Index

       Acknowledgments

       Introduction: Stereotypes, Opposition, and “the Sixties

       1. Monkey Theater

       2. “Watch Out for Pigs in Queen’s Clothing”: Camp and the Image of Radical Sexuality

       3. “Erect . . . Strong . . . Resilient and Firm”: Eldridge Cleaver and the Performance of “Black” Liberation

       Afterword

       Notes

       Bibliography

       Index

      1  i

      2  ii

      3  iii

      4  iv

      5  v

      6  vi

      7 

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