The Well. Catherine Chanter

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The Well - Catherine Chanter

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with intent to cause grievous bodily harm or death;
(ii) that Ruth Ardingly was derelict in her duty towards a minor, resulting in death.

      I put my hands over my ears. I will not listen to that. I will not have that said.

      The small man drones on.

      Under the civil jurisdiction of the Emergency Drought Protection Orders, it is confirmed that the property known as The Well shall remain the principal domiciliary residence for Ruth Ardingly, but that under the terms of the Occupation Order 70/651, Ruth Ardingly agrees for the said property to be temporarily used for the purposes of research and development, including, but not limited to: soil sampling; the planting, management and harvesting of crops; the drilling and sampling of, but not extraction of, bedrock water as defined under the Extraction for Use Act (amended); the collection, sampling and testing (but no distribution of) rainwater run-off.

      Despite the small print of my Faustian pact, they don’t own The Well – I won that much. It is still mine; underneath the wire and the helicopters and the men in brown, The Well is still mine. Half mine. It is not clear to me what has happened to Mark’s share.

      ‘That’s the legal status. Have you got any questions?’ he asks.

      Sinking a little, I shrug. He hands over the file to the fat, anonymous man who is apparently going to deal with the ‘nitty-gritty’ of house imprisonment. He reads haltingly, finding it hard to make sense of the interminable regulations. It is as if I am listening to a foreign language, but the broad message is clear. They are my guards. This is my home. Words slide across the paperwork and set off randomly around the room, sliding down the sink, fluttering up the cold chimney, trying to crawl their way out like wasps from a jam jar. The photo we took of Heligan Gardens in the spring and hung to the side of the kitchen window is tilted and this makes it look as if the lake is flowing over the banks and about to trickle down the cream walls and onto the vegetable rack, empty except for the brittle brown flakes of the outer layer of an onion.

      Curfew

      Bread

      Electronic

      Rights

      Request

      Exercise

      A sort of Kim’s Game, by which a large number of disparate things are being laid out before me and named in expectation that when they take the tray away, I will remember them.

      ‘No need to worry about all of this tonight.’ That is the first time the thin one with glasses has spoken since we sat down. He is also the only one who has looked me in the eye.

      ‘I won’t,’ I reply.

      ‘Goodnight then,’ he says, for apparently it is bedtime.

      ‘Goodnight,’ I reply.

      I stare after them. ‘I’m sorry, where did you say you were sleeping?’ I ask.

      The small one stops at the door. ‘We didn’t,’ he says and he and Mr Anonymous leave.

      The thinner, short-sighted one lingers for a couple of seconds. ‘We’re in the barn,’ he says. ‘Not far away.’ He is just a boy. I shall call him Boy.

      Little did I know when we ploughed our time and money into renovating the barn that we were building a barracks for my own guards. They’re not the first to move in there and try to control me; they are following in Mark’s footsteps and his footsteps went out of the gate and straight on till morning and I haven’t seen him since. I doubt the guards will forget me so easily.

      These guards of mine, what will they do all day? What do they eat? What do I eat? Now their commands have receded, questions appear in their place: thousands of questions about blankets and the internet and food and telephones and children and tomato plants and sheep and baths and books and cutting the grass and, oh my God, everything. I am a toddler again. I want to run after them and hold onto their legs and ask them why, when, how, who. I am in my own house, but I have no idea how I am going to live.

      Bedtime. It seems I am going to have to force myself to go upstairs. My fingers remember where the light switches are, but I prefer the dark. I find my way to my bed and, still fully dressed, slide stiffly between the sheets and the duvet which do not smell of prison, but do not smell of home either. Even though it is cold, I leave the shutters open just so I can see the moon over Montford Forest. I will lie here and ask The Well what it thinks of the day just gone and we will reach our conclusions. I will count the sheep I have lost as a way of avoiding sleep, because sleep avoids me. I will compose letters to the ones who are no longer here, because they are no longer here. They no longer hear. I like that pun. I will allow myself the pleasure of the occasional pun. Mark, for instance. I say his name very loudly to confirm his absence. Mark my words. Marking time. And despite the silence, despite the fact that only a wall separates me from the fathomless emptiness of a dead child’s bedroom, I am suddenly knocked sideways with happiness because I am back.

      I wonder if it will rain.

      Stiff in my stale clothes, I wake. I could lie here all day, all week, all year and the hairs on my skin would grow through the wool of my sweater, like the tendrils of ivy through a green knitted jumper, dropped in a wood. The sun would make its rounds, from the fairground picture above the bed, to the chest of drawers, to the blue, painted mirror and back again and I would still be here, thinking and getting thinner, until one day I would have found the answer, but by then there would be nothing left of me, just an imprint, the shell of a tall woman as brittle, straight and empty as the hollow stalks of the Queen Anne’s lace that lines the drive in summer . . .

images

      Your search has found 83 matches.

      Click. ‘A little piece of paradise on the banks of the Severn . . .’

      Click. ‘Want to get away from it all? Look no further than this 3 bed, 2 recep . . .’

      Click. ‘Looking for a project? Turn this barn into your castle and be lord of all . . .’

      That’s how it started. Mark and I in London, hunchbacked slaves to the laptop, squabbling over control of the mouse, believing that the bricks and mortar and land just a virtual second away would eradicate the bickering and divisions which had increasingly become our coat of arms after twenty-two years of marriage.

      ‘It can’t be that hard to find somewhere,’ said my colleagues at school.

      ‘With the price you’ll get for this . . .’ said our neighbours.

      Moving out of London, living off the land, that was the dream. It always had been Mark’s dream, but he had mortgaged it for me and, although he never put it this way, he was calling in the debt. He had paid out for so long and now he was bankrupt, whereas I had been investing and accumulating in people and work and ways of living that to sell out now seemed, at the very least, daunting.

      Standing like a child on tiptoe at the edge of the diving board, I wanted to jump and yet was terrified of jumping; I wanted to grasp the handrail and walk back down and yet the cold concrete world at the bottom was also slippery with fear. To plunge into a new, freshwater pool, live with a different energy in a world unpolluted

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