The Lighthouse. Alison Moore

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The Lighthouse - Alison  Moore

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says Futh, catching the smell of the man’s supper coming from his mouth, ‘me too.’

      ‘I get a little . . .’ says the man, pressing the palm of his hand soothingly against his large stomach.

      ‘Yes,’ says Futh, ‘me too.’

      ‘I’m worse on aeroplanes.’

      Futh and his companion stand and watch Harwich receding, the black sea rising and falling in the moonlight.

      ‘Are you on holiday?’ asks the man.

      ‘Yes,’ says Futh, ‘I’m going walking in Germany.’

      When Futh tells the man that he will be walking at least fifteen miles a day for a week, doing almost a hundred miles in total, the man says, ‘You must be very fit.’

      ‘I should be,’ says Futh, ‘by the end of the week. I don’t walk much these days.’

      The man reaches into the inside pocket of his coat, takes out a programme and hands it to Futh. ‘I’m on my way to a conference,’ he says, ‘in Utrecht.’

      Futh glances at the programme before passing it back – carefully in the bluster – saying, ‘I don’t really believe in that sort of thing.’

      ‘No,’ says the man, putting it away again, ‘well, I’m undecided.’ He pauses before adding, ‘I’m also visiting my mother who lives in Utrecht. I’m dropping in on her first. I don’t get over very often. She’ll have been cooking all week, just for the two of us. You know how mothers are.’

      Futh, watching the sea fill the growing gap between them and England, says, ‘Yes, of course.’

      ‘You’re just going for a week?’ says the man.

      ‘Yes,’ says Futh. ‘I go home on the Saturday.’

      ‘Same here,’ says the man. ‘I’ll have had enough by then, enough of her fussing around me and feeding me. I put on a couple of kilos every time I’m there.’

      Futh puts his hand in his coat pocket, wrapping his fingers around his keycard. ‘I think I’m going to go to my room now,’ he says.

      ‘Well,’ says the man, pulling back his coat cuff to check the time, ‘it’s almost midnight.’ Futh admires the man’s smart watch and the man says, ‘It was a gift from my mother. I’ve told her she spends too much money on me.’

      Futh looks at his own watch, a cheap one, a knock-off, which appears to be fast. He winds it back to just before midnight, back to the previous day. He says goodnight and turns away.

      He is halfway across the deck when there is a tannoy announcement, a warning of winds of force six or seven, a caution not to risk going outside. He climbs down the steps, holding on to the handrail, and steadies himself against the walls until he reaches the door, which looks like an airlock. He goes through it into the lounge.

      The floor is gently heaving. He feels it tilting and dropping away beneath him. He walks unsteadily across the room towards the stairs and goes down, looking for his level, following the signs pointing him down the corridors to his cabin.

      He lets himself in with his keycard and closes the door behind him, putting his overnight bag down on a seat just inside. He takes off his coat and hangs it on a hook on the back of the door just above the fire action notice. It is a small cabin with not much more than the seat and a desk, a cupboard, bunk beds on the far side, and a shower room. There is no window, no porthole. He looks inside the cupboard, half-expecting a trouser press or a little fridge or a safe, finding empty hangers. He does not need a trouser press but he would quite like a drink, a continental beer. He opens the door to the shower room and finds a plastic-wrapped cup by the sink. He fills the cup from the tap and takes his drink over to the bunk beds. Switching on the wall-mounted bedside lamp and turning off the overhead light, he sits down on the bottom bunk to take off his shoes.

      Peeling off his socks, he massages his feet, which are sore from walking around the ferry and standing so long, braced, on the outer deck. He once knew a girl who did reflexology, who could press on the sole of his foot with her thumbs knowing that here was his heart and here was his pelvis and here was his spleen and so on.

      Standing again, he takes a small, silver lighthouse out of his trouser pocket and places it in a side pocket of his overnight bag where it will not roll around and get lost. He locates his travel clock, takes off his watch, and undresses. He has new pyjamas and buries his nose in the fabric, in the ‘new clothes’ smell of formaldehyde, before putting them on. Taking out his wash bag, he goes into the shower room.

      He watches himself brushing his teeth in the mirror over the sink. He looks tired and pale. He has been drinking too much and not eating enough and sleeping badly. He cups his hands beneath the cold running water, rinses out his mouth and washes his face. When he straightens up again, reaching for a towel, water drips down the front of his pyjamas.

      He imagines coming home, his reflection in the mirror on the return journey, his refreshed and tanned self after a week of walking and fresh air and sunshine, a week of good sausage and deep sleep.

      Back in the bedroom, he climbs the little ladder up to the top bunk, gets in between the sheets and switches off the lamp. He lies on his back with the ceiling inches from his face and tries to think about something other than the rolling motion of the ferry. The mattress seems to swell and shift beneath him like a living creature. There is a vent in the ceiling, from which cold, stale air leaks. He turns onto his side, trying not to think about Angela, who is perhaps even now going through his things and putting them in boxes, sorting out what to keep and what to throw away. The ferry ploughs on across the North Sea, and home gets further and further away. The cold air from the vent seeps down the neck of his pyjama top and he turns over again. His heart feels like the raw meat it is. It feels like something peeled and bleeding. It feels the way it felt when his mother left.

      ‘I’m going home,’ she said, meaning New York, meaning three thousand miles away. It was only after she had gone that Futh realised she had not left an address. He looked on the pin board in the kitchen but all he found was the start of a shopping list, her handwriting an almost flat line, a dash of Biro, indecipherable.

      He looked in the library for pictures of New York, finding skyscrapers with suns rising and setting in their mirrored windows and all lit up at night, the light reflected in the river.

      On his father’s side, there was German, although his father had never been to Germany until they went there together when Futh was twelve. Futh’s granddad had left home young, could not get away quickly enough. He settled in England and did not see his parents or his brother again.

      ‘He never went home for a visit?’ asked Futh.

      ‘No,’ said his father. ‘He thought about it a lot, but he never made it home.’

      Futh did not like to think that someone would just leave, and so abruptly, and never see their family again.

      Abandoning the top bunk, Futh feels his way down the ladder to the bed underneath, and the cold air follows him.

      He woke in the night and his mother was there, her round face above him, lit by the moon through a gap in the curtains. When she left his room he was alone in the dark with her scent – the smell of violets – and the sound of her footsteps going down the stairs.

      By

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