just thinking that I was supposed to go out that evening. I stayed at home, I was too shaken. And the next day I read it again and it was even more beautiful. I don't know what to say, it was a unique experience . . . It holds so many analogies with my own life.’
Ciba was overwhelmed with waves of pleasure, by endorphins trickling from his head downwards, swishing through his veins like petrol in a pipeline. Except that this time, unlike what happened with Sawhney, the pleasure channelled its way into the urethra, in the epididymides, into the femoral arteries and exploded inside his reproductive organ, which filled with blood, causing him a ferocious erection. Fabrizio grabbed her by the wrists and stuck his tongue in her mouth. And she, who was about to confess that she'd written him a long letter, suddenly found it between her tonsils. She muttered a collection of vowels, ‘Ae u aei!’, which meant ‘Are you crazy?!’ Instinctively she tried to free herself of the oesophagogastroduodenoscopy, but unable to do so she figured she was done for and put her hand in his hair, pressed her lips hard against his and began windmilling her small, thick tongue.
Fabrizio, feeling her giving in, wrapped his arms around her back and squeezed his chest up against hers, testing its firm consistency. She raised one of her marvellous legs. He pushed his erection against her. She then lifted her other marvellous leg. And he put his hand between her thighs.
Federico Gianni, the managing director of Martinelli, and his faithful steed Achille Pennacchini were leaning on the banister of the grand terrace that overlooked the garden and Rome.
Gianni was a dapper beanpole in his windswept Caraceni suits. When he was young he had played basketball in the A2 league, but at twenty-five years of age he had given up the sport to take on the management of a sports-shoe company. Then, who knows by way of which street and contacts, from starting in a small Milanese publishing house he came to land at Martinelli. He didn't know squat about literature. He treated books like shoes, and was proud of his way of thinking.
The exact opposite of Pennacchini, who Gianni had pulled out of the University of Urbino, where he taught comparative literature, and placed at the head of the publishing house. He was an academic, a literary man, and everything about him was proof of this: his round, tortoiseshell glasses that sat in front of blue eyes ruined by books, the worn checked jacket, the rough cotton shirt with the buttons on the collar, the woollen ties and striped cotton trousers. He spoke very little. Always in a soft voice. And he hesitated. It was never possible to understand what he was really thinking.
‘Another one over.’ Gianni stretched. ‘I think it went well.’
‘Very well,’ Pennacchini echoed.
Rome appeared like an enormous dirty blanket encrusted with diamonds.
‘This city is big,’ Gianni mused, staring out at the panorama.
‘Very big. It goes from Castelli across to Fiumicino. It is really immense.’
‘How big would its diameter be?’
‘Hmph, I don't know . . . At least about eighty kilometres . . .’ Pennacchini guessed.
Gianni glanced at his watch. ‘How long till we go to the restaurant?’
‘About twenty minutes, maximum.’
‘The buffet was disgusting. The two salmon sandwiches I ate were dry. I'm hungry.’ He paused. ‘And I need to piss, too.’
Following his boss's last statement Pennacchini bounced his head backwards and forwards like a pigeon.
‘I may piss right here in the garden. Out in the open. There's nothing better than pissing in front of this panorama. Look down there, it looks like a storm.’ Gianni leaned over the terrace and looked down into the darkness of the bushes. ‘Can you check to make sure no one can see me? Actually, if anyone comes this way, stop them.’
‘What should I say?’ Pennacchini murmured, uncertain.
‘To whom?’
‘To whomever comes by this way.’
Gianni thought about it for a second. ‘What do I know . . .? Entertain them, stop them.’
The managing director walked down the steps that led to the garden, unzipping his trousers. Pennacchini took position, like a Swiss Guard, at the top of the stairs.
13
Larita.
She was the chosen one. They would sacrifice the singer from Chieti Scalo to the Lord of Evil. During the party, Mantos would decapitate her with the Durendal.
‘Beats a nun any day . . . I'll show you, Kurtz,’ Saverio sniggered while he started jumping around the living room.
What would happen once everyone knew that the singer who had sold ten million copies across Europe and Latin America, and had sung in front of the Pope on Christmas Day, had been decapitated by the Wilde Beasts of Abaddon? The news would be printed on the front page of newspapers across the globe. It was would rank there with John Lennon and Janis Joplin . . .
Saverio hesitated. Was Janis Joplin actually assassinated?
Who cares. All he cared about at that moment was that, with such a deed, he'd be remembered for ever. Websites, forums and blogs would be dedicated to him. His face would be printed on thousands of young boys’ t-shirts. And Satanist groups for generations and generations would be inspired by the figure of Mantos, and they would be charmed by his charismatic and psychotic personality, just like Charles Manson.
Saverio grabbed Serena's iPod from the credenza next to the front door. He was sure that his wife had something by the singer. And in fact she did. He pressed play. The artist began singing in her melodious voice, rich with octaves, about a love story between two teenagers.
Disgusting!
That disgusting woman had brought together the two things he hated most in the world: love and teenagers.
From the drinks cabinet he pulled out a bottle of Jägermeister and had a suck.
It was so bitter.
14
The marble bench was not exactly comfortable. Fabrizio Ciba and Alice Tyler were entwined around each other while puffs of the Western wind shook the bamboo forest. The writer had one hand against the cement wall and the other on the translator's tit. The translator had one of hers shoved in behind his back and the other inside the writer's pants. His belt was stopping, like a tourniquet, the flow of blood to her hand, and so the only thing she could do with her numb fingers was squeeze his dick. Fabrizio was panting in her ear while trying to free her tit from the imprisonment of her bra but, having no luck, he decided that he would explore her intimate areas.
They didn't notice the managing director, who, just ten metres away, was having a piss until they heard him sigh. ‘Ahhh! I really needed that. What a feeling of freedom!’
The two of them froze like sole fish, and if they could have, like the Solea solea, they would have changed colour, camouflaging themselves with their surroundings. Fabrizio whispered: ‘Shush, someone's here . . . Shush, please. Don't breathe.’ They turned to stone, like two calchi from Pompeii. Both of them with their hands on the other's genitals.
