Walking Wounded. William McIlvanney

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Walking Wounded - William  McIlvanney

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struck another plangent and familiar chord in his experience of these games. Everything was changing. Week by week, he had been learning the extent of his own failed dreams. Gary had run about so many wintry fields like the vanishing will o’ the wisp of John’s former expectations, moving remorselessly further and further away from him. He had already virtually lost Carole. She was her mother’s daughter, had chosen which side she was on. She would tolerate the times he took them out but, even so young, she had evolved her own discreet code for making their relationship quite formal, like invariably turning her head fractionally when he bent to kiss her, so that her hair on his lips was for him the taste of rejection. Lying in his bed at night, he used to wonder what her mother was telling her about him.

      Gary was more supportive. He didn’t take sides but when he was with his father he came to him openly, interested in what was happening in his life and concerned to share as much of his own as he could. Yet, in spite of himself, even Gary made John feel excluded – not just because there was so much time when he couldn’t be with him but also because, during the times that they were together, it was as if they were speaking in subtly different dialects. Like a parent who has sent his child to elocution lessons, John felt slightly alienated by the gifts he had tried to give Gary.

      The football games had come to encapsulate the feeling for John. They were where he had been as a boy and they were a significantly different place. He had acquired his close-dribbling skills and the sudden, killing acceleration in street kickabouts and scratch games under Peeweep Hill where as many as thirty might be playing in one game. He had practised for hours in the house with a ball made of rolled up newspapers tied with string. He had owned his first pair of football boots when he was fifteen.

      ‘Put a pea in yer bloody whistle, ref,’ one of the works’ team players bellowed.

      ‘Pull your stocking up, Freddie,’ the jodhpurs sang.

      And John’s past and his son’s future met in his head and failed to mate. The game wasn’t for Gary what it had been for John, a fierce and secret romanticism that fed itself on found scraps – an amazing goal scored and kept pressed in the mind like a perfect rose – a passionate refusal to believe in the boring pragmatism of the conventional authority his teachers represented, a tunnel that ran beneath the crowds of the commonplace and would one day open into a bowl of sunlight and bright grass and the roar of adulation. For Gary it was something you did for the time being, an orderly business of accepted rules and laundered strips and football boots renewed yearly. He could take it or leave it. In a year or two, he would probably leave it. He was starting to play tennis.

      John felt in some ways younger than his son. Gary was learning sensible rules of living. Somehow, John never had. The romanticism he had failed to fulfil through football had dogged him all his life. He had tried to smother it in the practicalities of living, had allowed his marriage to close round it like a mausoleum. Katherine, acquisitively middle-class, had overlaid the vagueness of his dreams with the structure of her ambitions. Because of her, they had moved from the flat to the old semi-detached house to the new detached house they couldn’t afford, with a mortgage so destructive of every other possibility but the meeting of its terms that sometimes, coming home to his name on the door, he had felt like Dracula pulling the coffin-lid down on himself before a new dawn had a chance to break. Because of Katherine, he had moved out of the factory to be an agent. Though he had come to hate the job, he was still doing it. He hated agreeing with opinions he found unacceptable. He hated the smiles he clamped on his face going into places. He lived most days between two dreads, the dread of having to fake himself and the dread that it would stop being fakery, that he would get out of bed some morning and there would be no act to put on with his pin-stripe suit. The act would be him.

      Finding that Katherine was involved with somebody else had been a kind of bitter relief, since he had been doing the same. The result had been less recrimination than admission of an already accomplished fact. They were finished. They were like two actors who had, unknown to each other, secretly contracted out of a long-running play in which neither believed any more. For both, the new involvements hadn’t lasted long.

      The affairs had happened not so much for their own sakes as to provide ways of denying their marriage. Once that was denied, John had had to confront the continuing reality of his romanticism. He didn’t want a career, he didn’t want a big house, he didn’t want stability. He wanted a grand passion, he wanted a relationship so real, so intense that it would sustain him till he died.

      It was perhaps that rediscovery of himself, the resurgence of vague longings in him that had made him part from Katherine with a grand, flamboyant gesture: He had simply walked out of the house with nothing more than two suitcases and his collection of jazz records. At thirty-seven he went romantically back out into the world with aspirations as foggy as an adolescent’s, some changes of clothes, and records for which he had no record-player. He left the house (in joint names), the car (he had the firm’s car), every stick of furniture, the dog, the cat. Only the children he saw as remaining from his unsuccessful pretence of being someone else. And even there the grandeur of his mood had refused to descend to petty specifications. He had made no stipulations about access. Katherine had never tried to stop him seeing them. They were blood of his blood, he always thought. What could a piece of paper and some legal jargon do to alter that?

      That day, struggling along the street to where the car was parked away from the house, with his two suitcases and his jazz records in two plastic bags he was praying wouldn’t give at the handles, he had felt a great elation. The house lay behind him like a discarded uniform. He wasn’t who they had all thought he was. He was a mystery, even to himself. He would be defined by her. Her, wherever she was. Since his teens, lying in bed at night, he had seen her dimly from time to time, as behind a veil, an ectoplasm of limbs, a floating, half-glimpsed smile like a butterfly in moonlight. It was time to take off the veil, to touch the solidity of her presence. He felt as dedicated as a medieval knight. Where would his journey take him?

      It took him first of all to 53 Gillisland Road. He rented a single room with a gas-fire that worked on a coin-meter, a papered ceiling which looked as if somebody had started to strip it and then grown bored, a single bed and a moquette suite so larded with the past that John wondered if the settee had doubled as a dinner table. There was a shared kitchen, a shared lavatory. There were in another room two boys from the Western Isles who sang in Gaelic when they were drunk, which appeared to be every night. Their names emerged, from midnight meetings in the kitchen to make coffee, as Calum and Fraser. They were full of oblique jokes only understood by each other, like a touring vaudeville team who hadn’t yet adjusted to the local sense of humour. There was Andrew Finlay, a fifty-five-year-old recent divorcee with a cough that preceded him everywhere like a town-crier. He still couldn’t believe what had happened to him. He was given to knocking at doors throughout the evening until he found someone who could confirm for him that he was really there. John became a frequent victim and had learned to dread that cough, like the lead mourner bringing in his wake the funeral for himself that was Andrew Finlay. There were others who remained no more to John than the same song played again and again or a flushing cistern. The house had once been the sort of place Katherine had always wanted and then it had fallen on hard times and been divided into bedsits, so that John felt he had become a lodger in his own past.

      It wasn’t a happy thought. But he decided that the seediness of his present, ironic in relation to his shimmering mirage of the future, was only temporary. His present was the frog. Come the kiss . . . But he didn’t seek it promiscuously. The strength of his romanticism lay in not devaluing the dream. Only once in the three years or more they had been apart had he become seriously involved with a woman, wondered if at last this was the one.

      Sally Galbraith worked in one of the offices he visited. She was in her thirties, divorced, with a daughter. She had luxuriant brown hair, gentle eyes and quite marvellous breasts. But it was her smile that had brought her into sharp focus out of the crowd scene that was his thoughts about women. The smile was quite unlike most

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