Blackbird. Tom Wright

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Blackbird - Tom Wright

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the window and branching down the glass in miniature rivers. I looked at the candy bar I’d just taken a bite of. I couldn’t see anything wrong with it, but it had no taste. I tossed it in the trash, checked the time and headed for my rendezvous with the cameras.

      When I stepped into the media room the reporter rose from the metal folding chair she’d been sitting on and walked over to meet me. I knew her from a couple of past interviews, a thin, tense woman named Mallory Peck with a big arrangement of black hair and a parsimonious smile. As Mallory stuck out an icy little hand to shake, a production assistant wearing tight, scruffy jeans out at the knees and a Soundgarden T-shirt appeared from somewhere with a makeup kit, tilting her head as she approached, assessing the angles and shadows of my face with an expert eye.

      Mallory said, ‘So, Jim, ready to reach out to the masses?’

      I was about to answer when I saw Ridout making his way toward us from across the room, wearing a crooked little grin of defeat as he cocked and fired an imaginary six-shooter in the air. He tipped his head toward Chief Royal’s office as he joined us, Mallory smoothly transferring her attention to him, saying, ‘Well, looks like I get the bull rider instead.’ Her smile notched up a few watts as she inventoried Ridout’s muscles.

      ‘Steer wrestler,’ he corrected, his own expression brightening. ‘Bull riders are those crazy-eyed little dudes that walk crooked.’

      ‘Mallory, Danny,’ I said. ‘Danny, Mallory.’ I headed for OZ’s office.

      Nobody who’d worked out of Three for more than a day would have misunderstood Ridout’s six-gun gesture, which harked back to OZ’s thirty years with the Texas Rangers, an outfit founded by characters who hunted their man until they got him and didn’t talk much about it; silent, fearless, incorruptible men who never complained, never explained and never quit. Superstitious nineteenth-century border bandits and Comancheros, watching them ride alone through the true valley of the shadow of death, the only law in a quarter of a million square miles of the most dangerous ground on earth, called them demons.

      The hunt that had made OZ the Big Gun had ended on a hot, windy afternoon in Starr County, where he’d faced down four Mexican dope dealers in the middle of the street, he with the .45 Colt Single Action Army revolver he still carried as a duty weapon, they with their nine-millimetre automatics. They took their shots, he took his. One of their thirty-three cut a clean hole through the crown of his grey Resistol and another ended up in the heel of his left boot, but OZ, ignoring their fire and working left to right, took out all four of the shooters with consecutive heart shots. The people who’d known him longest said he could tell you the names of these guys and every other man he’d killed, except for the two he referred to as Mal Tiro Uno and Mal Tiro Dos, who’d floated away on the Rio Grande by the dark of the moon without having told anybody who they were.

      OZ operated without organisational charts or middle management. There were no file trays, staplers, pencil cups or tape dispensers on his desk, just his phone, a computer monitor, a picture of his late wife Martha, and the calendar blotter in front of him. He kept his files in his head, and to him ‘accessories’ meant his Colt, his saddle and his hat.

      I found him sipping coffee from a plain white mug as he watched me from across his desk – pink, clean-shaven jowls, what was left of his silver hair standing out in leprechaun tufts above his jughandle ears, sky-blue eyes as hard as tungsten. Behind him the walnut panelling was covered with photos of famous fellow Texas Rangers and other old-time lawmen, Hall of Fame Dallas Cowboys stars and big-game guides.

      I walked over to the nook where his coffee machine stood and sniffed what was in the carafe. It smelled better than dishwater, so I poured some into a plastic cup from the tray next to the machine, settled back in the black leather chair in front of OZ’s desk and took a sip.

      OZ said, ‘You done anything to get sideways with our city fathers that I don’t know about?’

      ‘Don’t think so, why?’

      ‘Got a call from Dwight Hazen this morning.’

      ‘The city manager? What did he want?’

      ‘Could be something, could be nothing,’ OZ said. ‘He’s jawin’ about a civilian review board, for one thing. Which is a piss-poor idea on a good day, and there ain’t no good days.’

      I shook my head, imagining a dozen petty bureaucrats micromanaging the department and fighting over the microphones at press conferences as they tried to position themselves in terms of sound bites, headlines and voting blocs. Calls to abolish the use of Tasers, demands for budget increases to buy more Tasers, new automatic weapons and sniper rifles to go with them, pleas for a return to God, detailed suggestions for rewriting the Constitution.

      ‘Then the cabrón got goin’ about you and that old graveyard collar,’ he said. ‘Wanted to know how I thought you were dealin’ with your “issues”, whatever the hell that’s supposed to mean.’

      I heard three quick taps behind me, recognising them because they were the same three I routinely got at my own office door. Like OZ, I usually kept all of my phone’s mechanical and musical noises disabled, admittedly a hardship for Bertie, the head secretary, who was constantly having to huff her way back by shank’s mare to tell me to pick up.

      At OZ’s grunted invitation, Bertie stuck her head in the door. ‘Line four,’ she said testily. ‘For Lieutenant Bonham.’

      She glanced at my right hand, frowned at the square of grey sky showing through OZ’s window, then returned her gaze to me. I looked down at the hand myself as I stood to reach for the phone, made myself stop clenching and unclenching it, and raised the handset to my ear.

      It was Wayne Gaston with the Crime Scene unit. It sounded like he was out in the rain, meaning he must be at a scene somewhere. He said, ‘How about lookin’ at some evidence with me, Lou?’

      ‘What have you got?’ I asked.

      There was a silence, then, ‘Uh, that’s kinda what I’m askin’ myself right now – ’

      ‘Can’t you send me a shot with your phone?’

      ‘Sure would like to have you take a look in person.’

      ‘Not to jump to any conclusions here, Wayne,’ I said, biting back the unexpected impatience I felt edging into my voice, ‘but can I at least figure on somebody being dead?’

      ‘Eyes-on, boss,’ was all he’d say.

      TWO

      I loosened my tie and unbuttoned my collar, trying not to limp as I crossed the squad room to grab my gun and get a car. No new business on my desk, just the twenty-tens on a grill-fork stabbing at a family reunion out on the white end of Burnsville Road, and the potshot a one-legged combat vet on Maple Hill may or may not have taken at his neighbour’s cat last night with his AR-15.

      I checked the Glock’s chamber and magazine, slid the weapon onto my belt and went looking for Mouncey. I never drove when I went out on a call if I could help it because I wanted to see everything I’d otherwise miss by rolling up on the scene and parking the vehicle myself. There was general agreement at Three that Mouncey operating a motor vehicle was at least a metaphorical felony in itself, something along the lines of criminal assault against time and space, but she was always my first choice as a driver because she never had to ask where anything was, got us there fast, and up until now had always given the other traffic enough

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