The Blog & the Journal - Writing About You -. Cecilia Jr. Tanner

Чтение книги онлайн.

Читать онлайн книгу The Blog & the Journal - Writing About You - - Cecilia Jr. Tanner страница 2

The Blog & the Journal - Writing About You - - Cecilia Jr. Tanner

Скачать книгу

da-dah, da-dah, da-dah, da-dah, da-dah.

      There are many other rhythms, da-da-dah, da-da-dah, and so on.

      This line about peace also has assonance, the rhyming and repetition of the vowel sounds in dream, seems and dream.

      The triad is a strong form of expression:

      I see, I do, I learn.

      Eat, Pray, Love.

      The cover of my dictionary also testifies to this:

      “..the dictionary is a vital reference tool for home, school and office. It is the perfect size for a briefcase, schoolbag or desktop.”

      The use of alliteration is a joy to read, using the same sound at the start of some words in the same sentence:

      “We woke to the sun squeezing in around the shutters,

      and the waves smashing against the shore.”

      Use metaphors, but with taste and not too many. If you have heard the comparison before–it was raining cats and dogs–it is a cliché and must be avoided. The metaphor must be appropriate, not too far-fetched. The metaphor and simile have a whole chapter later in this book.

      And, always, remember the five senses to make the mental picture as vivid as possible: sight, smell, taste, touch, and sound. We learn and we remember through all five senses, and by including references to as many of the senses as possible, your writing is more vivid and memorable. We tend to exclude all but the sight. For example;

      “The rain fell on the corrugated roof,”

      could be “The rain drummed a sharp staccato on the grey metal of the roofs, the dampness permeating our felt coats making us smell like wet dogs.”

      The meaning of the words

      You have to know the definition of the words you use to convey the most information. If you aren’t sure what the words mean that you use, the reader certainly will not understand your intentions.

      A joke was going around about the person who exclaimed that they didn’t think the pope was invaluable [infallible]. And the former US President’s take on nucular [nuclear] war was scoffed at for years.

      And if you use the word “geek” and you think you are talking about a person focused on their computers, someone else may think a “nerd” is that person of superior computer skills and higher academics, while a geek, to them, is a socially inept person. If the meaning will cause confusion find a different way to explain yourself.

      Hug your dictionary. Spellcheck doesn’t pick up the words like “invaluable” that you may be misusing.

      Using words like impact does not convey any information. Is the impact good or bad? The reader doesn’t know and wastes time searching the sentences for a clue. Why not just say bad effect or good effect?

      I have seen writers use allow for two and even three times in a sentence and each time it allowed for a different meaning. Avoid the meaningless construction.

      Getting content

      Sometimes you don’t know how to get started. You know you have things to say but nothing is coming off the keyboard.

      And, too often, you write something, and then after it is posted or responded to, you think of something so clever that you should have included. Going for content first will help get to many more ideas than you find otherwise–with fewer regrets later.

      There are techniques to putting a direct line through to the language center of your brain, using lists, clusters, mind-mapping or webbing, to name a few.

      You can start by just playing with words on a page.

      Free writing is letting the words pour forth; simply writing any word, and then the next word comes undirected, whether it relates to the first word or not. As Louis Lamour wrote,

      “Start writing, no matter about what. The water does not flow until the faucet is turned on.”

      Describe noses all over the page, or warts you’ve known and loved or a crooked tooth, whatever. Enjoy the words; make them say things, wonderful things, very bad disgusting things, special things, colorful things, written sideways, up and down, in circles or any way you like. Just loosen up and fling words around as a warm up.

      Lists

      Another method of getting content is simply writing lists. They can be lists of single words, a phrase or a line spreading into a paragraph if that happens. And I find that my lists almost always turn into phrases and later into paragraphs.

      For example, here is a list that students wrote thinking they had nothing to say about the fog on the water.

      Fog on the Water

      Gloomy, stillness, gray, ominous,

      moist, bulrushes, muffling, London,

      light house, wet, ethereal, ghost ship,

      romantic, whisper, islands, eerie, foghorns,

      Scotland, early morning, muffling,

      not navigable, bridges, dead sounds,

      damp blankets, nothing, rolling in,

      canoe paddling, rocking, morning,

      back alleys, fishy smells, gondolas,

      whisper, swampland, chilled to the bone,

      click of a boot heel, morning runs,

      ringing brass on boats,

      detective/spy story,

      lost sense of reality,

      sun rays shoot through,

      Loch Ness monster,

      suspended in time, smell of salt air.

      warm fire & books

      Try writing any words you can about a color of your choice. You could write as if you are explaining the color to someone who is color blind, or just address the color you particularly love or hate. We react rather strongly to color so the words are not too hard to find. Keep in mind the 5 senses as you should in everything you write: taste, touch, sight, sound and smell. We perceive everything using these five senses, so to make an idea vivid, cover the 5 senses. What does red taste like?

      Here is a student paragraph on blue:

      “Blue is cool, cold, icy, yet soft and light. Blue tastes cool and spicy peppermint. Blue is both a stream trickling down a mountain and the hollow loneliness of the far reaches of space. To feel blue is sadness, quiet, subtle, subdued,

Скачать книгу