can hear you.”
“Tell you what, you free later?”
“Absolutely.”
“Meet me at this bar I know. Called the Bok-Bok.” Jack chuckles. “You’ll like the place. It never closes, and no one forces conversation if you don’t feel sociable, know what I mean?”
“Just give me an address and a time,” Matthew says.
When he gets off the phone Matthew looks at his watch, an then he takes a sleeping pill and strains toward unconsciousness until evening.
Chapter Four
Saida Ferhat wakes up as alert as a fox with the sound of hounds on the wind. It has been this way for a long time, started only weeks after her marriage to Anatole twelve years ago. It does not matter that, since Anatole is gone, she no longer has to worry about dodging an early morning boot thrown at her head. Waking this way has become a difficult habit to break. She waits for her heart to stop pounding, and then slips her legs from beneath the blankets, and pushes her wide, strong feet into the thick socks that serve as slippers. She wraps her dressing gown around her and quickly braids her hair, so that it hangs in an arm-thick rope down to the swell of her buttocks. Once, her hair had been black as the inside of an ebony box, but now there is silver in it. A strand here and there, and there another. Each one witness to a worried night, a wary day. At thirty-six, Saida suspects she will be snow-topped before she becomes craggy-faced.
She pulls the lapel of her robe up to cover the scars on her neck. It looks as though the skin is as malleable as clay there, and a sculptor with no talent for creation has pushed it and pulled it, finally given up and left it unfinished. She flexes and straightens her right hand. The skin over the veins, stretched across the knuckle bones, is unnaturally smooth, and in the morning it is stiff, itches and pulls, no matter that she rubs almond and jojoba oil and aloe in each night.
She goes to the bedroom door and puts her hand against the jam as she opens it, trying to be quiet for her son Joseph who is sixteen and sleeping on the couch in the room that serves as living room, dining room and kitchen. He did not get in until too late last night, and Saida knows she should be angry with the boy, running the streets, hanging out in Barbès, smoking and slouching around like a thug. She looks at him, and in sleep his face is sweet, beautiful almost—his soft lips open, his perfect skin flushed. He looks nothing like his stepfather Anatole, who has thick features and a low hairline. Joseph looks like his father, Habib, buried fifteen years ago in Lebanese soil in a grave beside his Uncle Khalil—his eyes are thick-lashed and his nose is long and fine. Only his lower lip is imperfect. A slight malformation there; at the bottom right it looks perpetually stung and swollen. Saida has told him since he was a toddler that Gabriel, archangel of the cleansing fire, must have kissed him there. It makes him more beautiful, she says.
It is all she can do not to reach out and brush her hand over Joseph’s head, the hair fashionably shaved as though he were a prisoner. Whatever anger there had been evaporates and she lets him sleep.
Saida uses the toilet and washes her face, brushes her teeth. She then leaves the apartment, stepping out into the dingy hall. Someone has ground a cigarette out on the floor and left the butt. A filterless Gitane and so it must be the fat man who lives with his ferret at the end of the hall. A filthy man. A filthy animal. Saida uses a tissue to pick it up. The man would shit in his own bed, she thinks. Two doors down, she lets herself into the apartment where her father and her brother, Ramzi, live. This apartment is also two rooms, with the men sharing a bedroom. The main room is slightly smaller than hers and there is a table with four chairs. There is also a larger arm chair, bought second-hand for her father, covered in gold-and-blue damask, somewhat stained, and a round brass-topped table on which stands a silver tea set with a samovar that is not real silver. The tea set is the last remnant of life in Damour, of her mother’s good taste and of promises betrayed.
Saida boils the coffee and sets out bread, cheese and oranges. Elias, her father shuffles out of the bedroom, adjusting his dentures. They do not fit properly and they hurt him, she knows, but he is too proud to go without them. His hair sticks up at odd angles and his eyes have dark shadows under them.
Saida worries about her father, who has never found his way in this country, never healed—as though anyone could—from the loss of so many family members. His wife. His parents. His younger son, Khalil. His daughter-in-law, Farida. His son-in-law, Habib. His grandson, his namesake, Little Elias. He walks through the world now, his ear cocked to the cries of ghosts. Nor has he coped with the fall in status. No longer a civil engineer, respected, a landowner—but a café keeper, and less, the old man who sits by the door. She knows he misses the field, the oranges and the sun. She knows he misses being a man who understands his world. He is so often baffled now, sits gazing out the window.
He kisses her on both cheeks, pats her unscarred arm. “Good morning, Daughter.”
“Did you sleep?”
He raises his eyebrows and makes a tsk-tsk sound. “La. Two hours, maybe three.”
“So go back to bed, Father.”
“Give me coffee. I’ll be fine. An old man’s complaint. A lack of sleep is nothing in this world. Nothing.”
Saida pours the coffee, sweetens it and hands it to her father. He blows on it noisily and then sips. “Good. Your brother sleeps like a drunkard. Tanks could roll through the living room and he’d hear nothing.”
“Is he up?”
Elias makes a face.
“He’s going to miss the bread man.”
“Get him up.”
Saida goes to the door and opens it. “Yalla! Ramzi! Up!” Her brother lies on his back on one of the two narrow beds, long arms and legs dangling over the sides, his mouth open. She shakes him on the shoulder. Without waking, he reaches between his legs with both hands. Through the thin blanket Saida sees he has an erection and she feels blood come to her cheeks, bringing with it a flush of resentment. She slaps his arm. “Wake up! You’re late again.” His eyes spring open.
“What?”
“Get up, Ramzi. The bread man will come and you will not be there. What is he going to do? Leave the pita on the stones?”
“I’m not your son, Saida. Get Joseph up if you want to bully someone,” he says, but he sits up and scratches his head, a sure sign he’s moving in the right direction. “What time is it?”
“Seven-thirty.”
“Shit.” He scrambles out of bed. “I need a shower.”
“Yes, you do,” she says, wrinkling her nose as he pushes past her.
She goes back to the kitchen and pours more coffee for her father, puts food on a plate for him. “Do we have grapes?” says Elias.
“No grapes. Have an orange. I have to get Joseph up,” she says.
“Are you taking me to the café, or is Ramzi?”
“I’ll take you.”
“The sheets should be changed today.”
“I know, Father. You don’t have to always tell me,” she says as she leaves.
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