The Essential William Morris Collection. William Morris
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When will they see to this and help to make men of us all by insisting on this most weighty piece of manners; so that we may adorn life with the pleasure of cheerfully BUYING goods at their due price; with the pleasure of SELLING goods that we could be proud of both for fair price and fair workmanship: with the pleasure of working soundly and without haste at MAKING goods that we could be proud of?--much the greatest pleasure of the three is that last, such a pleasure as, I think, the world has none like it.
You must not say that this piece of manners lies out of my subject: it is essentially a part of it and most important: for I am bidding you learn to be artists, if art is not to come to an end amongst us: and what is an artist but a workman who is determined that, whatever else happens, his work shall be excellent? or, to put it in another way: the decoration of workmanship, what is it but the expression of man's pleasure in successful labour? But what pleasure can there be in BAD work, in unsuccessful labour; why should we decorate THAT? and how can we bear to be always unsuccessful in our labour?
As greed of unfair gain, wanting to be paid for what we have not earned, cumbers our path with this tangle of bad work, of sham work, so the heaped-up money which this greed has brought us (for greed will have its way, like all other strong passions), this money, I say, gathered into heaps little and big, with all the false distinction which so unhappily it yet commands amongst us, has raised up against the arts a barrier of the love of luxury and show, which is of all obvious hindrances the worst to overpass: the highest and most cultivated classes are not free from the vulgarity of it, the lower are not free from its pretence. I beg you to remember both as a remedy against this, and as explaining exactly what I mean, that nothing can be a work of art which is not useful; that is to say, which does not minister to the body when well under command of the mind, or which does not amuse, soothe, or elevate the mind in a healthy state. What tons upon tons of unutterable rubbish pretending to be works of art in some degree would this maxim clear out of our London houses, if it were understood and acted upon! To my mind it is only here and there (out of the kitchen) that you can find in a well-to-do house things that are of any use at all: as a rule all the decoration (so called) that has got there is there for the sake of show, not because anybody likes it. I repeat, this stupidity goes through all classes of society: the silk curtains in my Lord's drawing-room are no more a matter of art to him than the powder in his footman's hair; the kitchen in a country farmhouse is most commonly a pleasant and homelike place, the parlour dreary and useless.
Simplicity of life, begetting simplicity of taste, that is, a love for sweet and lofty things, is of all matters most necessary for the birth of the new and better art we crave for; simplicity everywhere, in the palace as well as in the cottage.
Still more is this necessary, cleanliness and decency everywhere, in the cottage as well as in the palace: the lack of that is a serious piece of MANNERS for us to correct: that lack and all the inequalities of life, and the heaped-up thoughtlessness and disorder of so many centuries that cause it: and as yet it is only a very few men who have begun to think about a remedy for it in its widest range: even in its narrower aspect, in the defacements of our big towns by all that commerce brings with it, who heeds it? who tries to control their squalor and hideousness? there is nothing but thoughtlessness and recklessness in the matter: the helplessness of people who don't live long enough to do a thing themselves, and have not manliness and foresight enough to begin the work, and pass it on to those that shall come after them.
Is money to be gathered? cut down the pleasant trees among the houses, pull down ancient and venerable buildings for the money that a few square yards of London dirt will fetch; blacken rivers, hide the sun and poison the air with smoke and worse, and it's nobody's business to see to it or mend it: that is all that modern commerce, the counting-house forgetful of the workshop, will do for us herein.
And Science--we have loved her well, and followed her diligently, what will she do? I fear she is so much in the pay of the counting- house, the counting-house and the drill-sergeant, that she is too busy, and will for the present do nothing. Yet there are matters which I should have thought easy for her; say for example teaching Manchester how to consume its own smoke, or Leeds how to get rid of its superfluous black dye without turning it into the river, which would be as much worth her attention as the production of the heaviest of heavy black silks, or the biggest of useless guns. Anyhow, however it be done, unless people care about carrying on their business without making the world hideous, how can they care about Art? I know it will cost much both of time and money to better these things even a little; but I do not see how these can be better spent than in making life cheerful and honourable for others and for ourselves; and the gain of good life to the country at large that would result from men seriously setting about the bettering of the decency of our big towns would be priceless, even if nothing specially good befell the arts in consequence: I do not know that it would; but I should begin to think matters hopeful if men turned their attention to such things, and I repeat that, unless they do so, we can scarcely even begin with any hope our endeavours for the bettering of the arts.
Unless something or other is done to give all men some pleasure for the eyes and rest for the mind in the aspect of their own and their neighbours' houses, until the contrast is less disgraceful between the fields where beasts live and the streets where men live, I suppose that the practice of the arts must be mainly kept in the hands of a few highly cultivated men, who can go often to beautiful places, whose education enables them, in the contemplation of the past glories of the world, to shut out from their view the everyday squalors that the most of men move in. Sirs, I believe that art has such sympathy with cheerful freedom, open-heartedness and reality, so much she sickens under selfishness and luxury, that she will not live thus isolated and exclusive. I will go further than this and say that on such terms I do not wish her to live. I protest that it would be a shame to an honest artist to enjoy what he had huddled up to himself of such art, as it would be for a rich man to sit and eat dainty food amongst starving soldiers in a beleaguered fort.
I do not want art for a few, any more than education for a few, or freedom for a few.
No, rather than art should live this poor thin life among a few exceptional men, despising those beneath them for an ignorance for which they themselves are responsible, for a brutality that they will not struggle with,--rather than this, I would that the world should indeed sweep away all art for awhile, as I said before I thought it possible she might do; rather than the wheat should rot in the miser's granary, I would that the earth had it, that it might yet have a chance to quicken in the dark.
I have a sort of faith, though, that this clearing way of all art will not happen, that men will get wiser, as well as more learned; that many of the intricacies of life, on which we now pride ourselves more than enough, partly because they are new, partly because they have come with the gain of better things, will be cast aside as having played their part, and being useful no longer. I hope that we shall have leisure from war,--war commercial, as well as war of the bullet and the bayonet; leisure from the knowledge that darkens counsel; leisure above all from the greed of money, and the craving for that overwhelming distinction that money now brings: I believe that as we have even now partly achieved LIBERTY, so we shall one day achieve EQUALITY, which, and which only, means FRATERNITY, and so have leisure from poverty and all its griping, sordid cares.
Then having leisure from all these things, amidst renewed simplicity of life we shall have leisure to think about our work, that faithful daily companion, which no man any longer will venture to call the Curse of labour: for surely then we shall be happy in it, each in his place, no man grudging at another; no one bidden to be any man's SERVANT, every one scorning to be any man's MASTER: men will then assuredly be happy in their work,