of slides and projections, which were not used in the New York production of the play.
On Titles: Throughout the script there are bold-faced titles. In production these should be spoken in a neutral voice (the type of voice that driver education films employ). In the New York production these titles were assigned to various members of the Greek Chorus and were done live.
NOTES ON THE NEW YORK PRODUCTION
The role of Li’l Bit was originally written as a character who is forty-something. When we cast Mary-Louise Parker in the role of Li’l Bit, we cast the Greek Chorus members with younger actors as the Female Greek and the Male Greek, and cast the Teenage Greek with an older (that is, mid-twenties) actor as well. There is a great deal of flexibility in age. Directors should change the age in the last monologue for Li’l Bit (“And before you know it, I’ll be thirty-five. . . .”) to reflect the actor’s age who is playing Li’l Bit.
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