Five Weeks at Humanitas. Manfred Jurgensen
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But I hadn’t just come here to escape and feed myself. I was trying to gather enough berries and mushrooms for a family meal. I knew my mother cycled to surrounding villages trying to barter medical supplies for meat, potatoes and eggs. Usually the results of her trips were disappointing. With the end of the war and the arrival of more and more starving refugees, every man, woman and child prowled the countryside, foraging for food. Like many other children I was determined to play my part in supporting the family. It felt good knowing I could combine getting away from home with the search for urgently needed provisions. Coming back with a basket full of mushrooms and berries made me at least momentarily welcome. Claus, my younger brother, was staying with his grandparents while pre-war Holger remained in the apartment, making sure our two subtenant refugee families didn’t help themselves to edibles or valuable heirlooms. A week after the first refugees were forcibly billeted with us they stole my mother’s Brussels lace wedding dress. It reappeared months later around Neptune Fountain, one of many black markets that sprang up during those immediate post-war years.
That day at St Mary’s all the bramble bushes had been raided, with not a single blackberry in sight. Walking deeper into the woods I found myself in parts I’d never been before. To my delight I found clusters of small dark berries everywhere. A couple of large bushes had grown together, forming a thorny barrier against intruders. The shrubs carried so much fruit I was convinced we’d be able to live on my find for a week if only I could reach them. Glistening enticingly in the sun, the ripe succulent berries made my mouth water. What a discovery! I wondered why no one else had come here and picked them. Slowly, carefully, I lowered myself to the ground, anxious to avoid the thorny tentacles extending in all directions. As I came closer I was confronted with two unforgettable spectacles. Half the shining blackberries that from the distance looked so irresistible were in fact eaten up and covered in maggots. A much more frightening sight was the body of a dead soldier covered in flies and worms. He must have been dead for some time; like the berries, part of his face was already eaten away. A busy procession of grubs emerged from the collar of his uniform. The sweet smell of decay mingled with the spicy aroma of the blackberries and the rotting odour of the forest undergrowth.
Surrounded by thorns I couldn’t get up and run away. Overcome by nausea, I vomited. There was no relief. I still couldn’t escape. It was as if I’d been nailed to the place. I couldn’t avert my sight from the soldier’s corpse. Someone must have taken his boots and socks: his feet, covered in insects and worms, had taken on the appearance of decaying tree roots. Even without its swastikas I recognised the German uniform. The dead soldier no longer wore the Nazi belt proclaiming ‘ Gott mit uns‘. Perhaps somebody else had taken that too. How many wars have invoked God as the ultimate proof of righteousness!
I remembered having been warned of soldiers and deserters hiding in St Mary’s. That’s why I’d been told not to go there. But my hunger and the promise of food overruled these instructions. If I should run into a soldier, I thought I’d simply tell him I wasn’t his enemy because the war was over. Surely that would be enough. But the soldier I’d run into couldn’t talk any more. He was dead. He hadn’t been killed on the battlefield, but hiding in Flensburg’s woods, waiting for the war to end. Slowly I crawled back through the thorns, away from him, my lips tasting the bitter tears running down my face.
When I came home I found my mother had managed to forage a couple of turnips, half a dozen eggs and a handful of potatoes. Together they would also last us a week, and they were real, not a story like my blackberries. On the way back from St Mary’s I’d managed to collect a few flat mushrooms, a meagre harvest but enough to explain my absence on her return. I didn’t want to tell my mother and brothers about the dead soldier. They probably wouldn’t have believed me anyway. Whenever I tried to tell stories about soldiers and refugees, pre-war Holger would call out: ‘Lies! All lies!’
Strangely, despite the horrific experience of discovering the dead soldier, St Mary’s Woods remained the scene of many of my childhood fantasies. Unlike my deaf brother Claus, I had no natural talent for drawing. But in my loneliness I invented a place in the woods and sketched it as best I could in one of Peacetime Holger’s exercise books. I called my made-up forest settlement ‘Pilzburg’, a town of mushrooms. It wasn’t hard to draw their characteristic stems and domed caps. I designed rows of mushroom houses in streets and market squares. The centre of Pilzburg was a big, fat agaric mushroom with its prominent red-and-white roof. It was the post office where everyone went: ants and snails, birds and stars. They left letters and messages, most of them asking for the whereabouts of their relatives, for they were all refugees from another part of the woods. I could not give them different dimensions; birds and foxes, squirrels and caterpillars shared the same size. The population of Pilzburg was made up of what I was able to draw well enough to be recognisable. Admittedly, the birds were basically no more than sweeping ticks, the foxes turned out to look like curious sea creatures, my squirrels were indistinguishable from the tree branches on which they were sitting and the caterpillars could have been mistaken for crocodiles. Against that, the stars I drew really looked like stars — I didn’t yet know about the Star of David — and the sun and the moon always bore smiling faces. I also captured clouds quite well, even if for some reason I always turned them into rowing boats. The ruler of Pilzburg was a magnificent barn owl that kept an eye on everything going on in the community from an old silver fir. Of all the mushrooms, trees and animals I drew, the owl I named Doctor Uhu turned out best — by far. There was a reason for that. I had traced it with a very sharp pencil through parchment paper from a book about native animals. I was extremely proud of my achievement; Dr Uhu was meant to be like a God.
I escaped to Pilzburg whenever I was frightened. Perhaps it helped me suppress my early confrontation with death. Yet it wasn’t always peaceful there. I remember once drawing a large flock of birds attacking a flat mushroom. I drew so many black-winged low-flying aircraft it ended up like a huge thick dark blot. When my grandmother got hold of the picture she asked me why I had drawn so many flies. She knew I was disappointed and tried to comfort me. ‘It’s all in the eye of the beholder,’ she consoled me.
Members of the Board have read what they call the first instalment of my ‘self-analysis’. I still refer to it as life — or bio-fiction. It seems most of the doctors are not happy with what I submitted. Bold Miriam continues to preside over the meeting, not so much chairwoman as presiding judge. This time they take me to a large committee room on the top floor of the building. In my mind I have no doubt I am facing a court of law.
It is early afternoon. Outside the sun is shining. Even with all windows shut I can hear the distant noise of traffic from the street below leading to the German border. Briefly I think I can hear birds singing, but perhaps that is an illusion. None of the group members I face wear white coats. The group consists of five men and three women. On this occasion Dr Miriam Springer calls on the expertise of an older lady who has the unnerving habit of eyeballing me as if I were already a condemned man. Looking like a wax figure, she doesn’t appear to move her head once. Her presence lends the hearing an eerie atmosphere no amount of smiles and encouraging gestures from the others can eliminate.
Bold Miriam opens proceedings with one of her predictably condescending remarks. ‘Good afternoon, Professor. We’re pleased to see you’ve settled in rather nicely. Thank you for the first submission of’ — with gleeful irony she hesitates as she looks across to the other members of the committee — ‘what would you call the pages you allowed us