I saw him down a perspective-glass. There was no time to check speed, and I knew him to be very careful. As he didn’t seem to take heed of the whistle, I shut it off when we were running down upon him, and called to him as loud as I could call.”
“What did you say?”
“I said, ‘Below there! Look out! Look out! For God’s sake, clear the way!’ ”
I started.
“Ah! it was a dreadful time, sir. I never left off calling to him. I put this arm before my eyes not to see, and I waved this arm to the last; but it was no use.”
* * * *
Without prolonging the narrative to dwell on any one of its curious circumstances more than on any other, I may, in closing it, point out the coincidence that the warning of the Engine-Driver included, not only the words which the unfortunate Signal-man had repeated to me as haunting him, but also the words which I myself—not he—had attached, and that only in my own mind, to the gesticulation he had imitated.
THE SOUL OF THE GREAT BELL, by Lafcadio Hearn
She hath spoken, and her words still resound in his ears.
—Hao-Khieou-Tchouan: c. ix.
* * * *
The water-clock marks the hour in the Ta-chung sz’,—in the Tower of the Great Bell: now the mallet is lifted to smite the lips of the metal monster,—the vast lips inscribed with Buddhist texts from the sacred Fa-hwa-King, from the chapters of the holy Ling-yen-King! Hear the great bell responding!—how mighty her voice, though tongueless!—KO-NGAI! All the little dragons on the high-tilted eaves of the green roofs shiver to the tips of their gilded tails under that deep wave of sound; all the porcelain gargoyles tremble on their carven perches; all the hundred little bells of the pagodas quiver with desire to speak. KO-NGAI!—all the green-and-gold tiles of the temple are vibrating; the wooden goldfish above them are writhing against the sky; the uplifted finger of Fo shakes high over the heads of the worshippers through the blue fog of incense! KO-NGAI!—What a thunder tone was that! All the lacquered goblins on the palace cornices wriggle their fire-colored tongues! And after each huge shock, how wondrous the multiple echo and the great golden moan and, at last, the sudden sibilant sobbing in the ears when the immense tone faints away in broken whispers of silver,—as though a woman should whisper, “Hiai!” Even so the great bell hath sounded every day for well-nigh five hundred years,—Ko-Ngai: first with stupendous clang, then with immeasurable moan of gold, then with silver murmuring of “Hiai!” And there is not a child in all the many-colored ways of the old Chinese city who does not know the story of the great bell,—who cannot tell you why the great bell says Ko-Ngai and Hiai!
* * * *
Now, this is the story of the great bell in the Ta-chung sz’, as the same is related in the Pe-Hiao-Tou-Choue, written by the learned Yu-Pao-Tchen, of the City of Kwang-tchau-fu.
Nearly five hundred years ago the Celestially August, the Son of Heaven, Yong-Lo, of the “Illustrious,” or Ming, dynasty, commanded the worthy official Kouan-Yu that he should have a bell made of such size that the sound thereof might be heard for one hundred li. And he further ordained that the voice of the bell should be strengthened with brass, and deepened with gold, and sweetened with silver; and that the face and the great lips of it should be graven with blessed sayings from the sacred books, and that it should be suspended in the centre of the imperial capital, to sound through all the many-colored ways of the City of Pe-king.
Therefore the worthy mandarin Kouan-Yu assembled the master-moulders and the renowned bellsmiths of the empire, and all men of great repute and cunning in foundry work; and they measured the materials for the alloy, and treated them skilfully, and prepared the moulds, the fires, the instruments, and the monstrous melting-pot for fusing the metal. And they labored exceedingly, like giants,—neglecting only rest and sleep and the comforts of life; toiling both night and day in obedience to Kouan-Yu, and striving in all things to do the behest of the Son of Heaven.
But when the metal had been cast, and the earthen mould separated fromthe glowing casting, it was discovered that, despite their great labor and ceaseless care, the result was void of worth; for the metals had rebelled one against the other,—the gold had scorned alliance with the brass, the silver would not mingle with the molten iron. Therefore the moulds had to be once more prepared, and the fires rekindled, and the metal remelted, and all the work tediously and toilsomely repeated. The Son of Heaven heard, and was angry, but spake nothing.
A second time the bell was cast, and the result was even worse. Still the metals obstinately refused to blend one with the other; and there was no uniformity in the bell, and the sides of it were cracked and fissured, and the lips of it were slagged and split asunder; so that all the labor had to be repeated even a third time, to the great dismay of Kouan-Yu. And when the Son of Heaven heard these things, he was angrier than before; and sent his messenger to Kouan-Yu with a letter, written upon lemon-colored silk, and sealed with the seal of the Dragon, containing these words:—
“From the Mighty Yong-Lo, the Sublime Tait-Sung, the Celestial and August,—whose reign is called ‘Ming,’—to Kouan-Yu the Fuh-yin: Twice thou hast betrayed the trust we have deigned graciously to place in thee; if thou fail a third time in fulfilling our command, thy head shall be severed from thy neck. Tremble, and obey!”
* * * *
Now, Kouan-Yu had a daughter of dazzling loveliness, whose name—Ko-Ngai—was ever in the mouths of poets, and whose heart was even more beautiful than her face. Ko-Ngai loved her father with such love that she had refused a hundred worthy suitors rather than make his home desolate by her absence; and when she had seen the awful yellow missive, sealed with the Dragon-Seal, she fainted away with fear for her father’s sake. And when her senses and her strength returned to her, she could not rest or sleep for thinking of her parent’s danger, until she had secretly sold some of her jewels, and with the money so obtained had hastened to an astrologer, and paid him a great price to advise her by what means her father might be saved from the peril impending over him. So the astrologer made observations of the heavens, and marked the aspect of the Silver Stream (which we call the Milky Way), and examined the signs of the Zodiac,—the Hwang-tao, or Yellow Road,—and consulted the table of the Five Hin, or Principles of the Universe, and the mystical books of the alchemists. And after a long silence, he made answer to her, saying: “Gold and brass will never meet in wedlock, silver and iron never will embrace, until the flesh of a maiden be melted in the crucible; until the blood of a virgin be mixed with the metals in their fusion.” So Ko-Ngai returned home sorrowful at heart; but she kept secret all that she had heard, and told no one what she had done.
* * * *
At last came the awful day when the third and last effort to cast the great bell was to be made; and Ko-Ngai, together with her waiting-woman, accompanied her father to the foundry, and they took their places upon a platform overlooking the toiling of the moulders and the lava of liquefied metal. All the workmen wrought their tasks in silence; there was no sound heard but the muttering of the fires. And the muttering deepened into a roar like the roar of typhoons approaching, and the blood-red lake of metal slowly brightened like the vermilion of a sunrise, and the vermilion was transmuted into a radiant glow of gold, and the gold whitened blindingly, like the silver face of a full moon. Then the workers ceased to feed the raving flame, and all fixed their eyes upon the eyes of Kouan-Yu; and Kouan-Yu prepared to give the signal to cast.
But ere ever he lifted his finger, a cry caused him to turn his head; and all heard the voice of Ko-Ngai sounding sharply sweet as a bird’s song above the great thunder of the fires—“For thy sake, O my Father!” And even as she cried, she leaped into the white flood of metal; and the
