my heart listened to you and I am going to pray in the house of the Lord. (Heads toward the door)
Mephistopheles
(Disappearing) Too late—you will call me back. (He vanishes ) (Faust leaves, after a moment Fridolin and Wagner enter)
Fridolin
What’s wrong? They left, Master.
Wagner
Ah! I can finally attempt the great experiment! Quick, the furnace, the bellows.
Fridolin
(Going to the furnace) There, Master, there—
Wagner
Ah! This is the supreme moment! Blow!
Fridolin
Yes, Master.
Wagner
When I think that I am going to have a woman kneaded by my hand!— My heart beats at the thought of my immense enterprise!
Fridolin
And to say that it is I who shall have blown the fire of this sublime decoction.
Wagner
To say that I shall have a slave always at my feet! Whose life will be spent forseeing all my wishes, fulfilling humbly my orders.
Fridolin
That does it, Master—that does it—Oh! I have emotions.
Wagner
You have indeed put in there all the objects on the list I gave you?
Fridolin
Yes, Master—but I didn’t suspect that they were the ingredients necessary for the manufacture of a woman.
Wagner
Then—everything’s on there?
Fridolin
(Showing a paper) I have the list.
Wagner
Give it to me! Let’s check it. (Reading tenderly) The heart of a turtle—dove—
Fridolin
Quite small, quite small! Not much heart, that, Master.
Wagner
My friend, don’t ask the impossible. (Reading) The sweetness of a lamb.
Fridolin
I put in the whole lamb.
Wagner
You did well—I insist that she be very sweet—(Reading) Beauty.
Fridolin
I think you will be content.
Wagner
(Continuing) Grace, trickiness, cunning, cleverness.
Fridolin
Oh! A bitch!
Wagner
All this in moderation—not too much bitch.
Fridolin
It has to be part of the account.
Wagner
Finally, soul, the breath—Ah! This is what’s missing.
Fridolin
The viol of Doctor Magnus.
Wagner
(Showing it) There it is. (Fridolin wants to grasp it and looks at it with religion) He assures that this must animate my creature. Let’s busy ourselves quickly with the great work—of my creation. Blow! (He pours in the contents of the viol—an explosion is heard. The cauldron bursts. Wagner falls to the left and Fridolin to the right, screaming, face to the ground. Sulphurine appears) (Sulphurine emerges from the cauldron, looks around her with astonishment and runs from one object to the next)
Wagner
(Raising his head) Fridolin! Fridolin!
Fridolin
(Raising his head) Master?
Wagner
Did I succeed?
Fridolin
You succeeded—in making me very frightened.
Wagner
(Looking at Sulphurine) Ah!—Yes, yes, the work is accomplished—There’s my slave—look—
Fridolin
It’s true!
Wagner
Did I make a male or did I make a female?
Fridolin
The devil! I don’t know. (Going to Sulphurine who pushes him away with force) Oh!—What a fist! It’s a man, Master!
Wagner
A man—! (Looking at her closely) Why no—you don’t know anything about it! She’s a woman! A real woman!—Slave! My pretty slave! (Sulphurine looks at him in astonishment without replying) Ah! I’ve created a woman—marvelous—she’s not talking.
Fridolin
She doesn’t talk. You are then mute, say, Madame.
Sulphurine
(Coming closer) No—what do you want with me?
Wagner
She speaks!
Fridolin
Ah! She’s not as perfect as you said.
Sulphurine
Who pulled me from our world?
Wagner
Who? Why me—me—my slave.
Fridolin
We—it was us—slave.
Sulphurine
Who brought me here? What are these objects that surround me? (She touches Wagner and Fridolin) What’s this?
Wagner
These
