that they know in their heart of hearts will not come....
We had to change trains at New Orleans, and again at Washington. With each passing mile my apprehension grew, while Katharine was less and less able to conceal what now became an actual glee at the termination of her own existence. I began to measure every word I spoke to her, wondering how close it was to the last I would ever say to her.
At New York we checked into the Murray Hill Hotel at Park Avenue between 40th and 41st Streets. It was September 13, 1931. I didn’t know it then, but my wife had two days to live.
* * * *
The rest of the episode was in many ways an anticlimax—so mundane on the surface that I could scarcely keep in my mind that Katharine had come here to put an end to her life.
We had called shortly after we had settled into our room, and made an appointment with the Removal Company for the next day. Even now we were not given the address of the place: they had politely but firmly refused to do so when I had first phoned them in Los Angeles, and now all they said was that we were to meet a black Packard in front of the Waldorf at 2 p.m.
Sure enough, at exactly that hour a car answering the description pulled up at the kerb. I waved at it tentatively, and it drew up to us. The window was rolled down slowly on the passenger side of the front seat, and the driver—apparently a short, stocky man of middle age with a bullet head and what I can only describe as dead features, no vitality or expression in them at all—craned his neck out the window.
“Vance?” he said in his flat voice. It was barely a question.
I nodded.
He said nothing, but with a head gesture he indicated that we get in the back seat. It was clear he didn’t want company with him in front.
After we had settled in—Katharine almost leaping in ahead of me, and then bouncing on the seat like a little girl—Bullet Head turned around and glared blankly at us.
“Put these on,” he said, handing us black silk handkerchiefs.
I was nonplussed: did he want me to put the handkerchief in my suit pocket—around my hat—around my neck? What? As we both looked stupidly at him, he deigned to clarify, with not a little impatience:
“Over your eyes.”
This was too ridiculous. I suddenly felt I was in a vaudeville act, or in a story from some cheap pulp magazine.
“You can’t be serious—”
“Put—them—on.”
His tone was so unexpectedly hostile that we backed away from him. At that, Bullet Head relented a bit.
“Please....” The word seemed not to come easily out of his mouth, for he grimaced momentarily as if in pain. “Doctor’s orders. Just for... security. We need to protect ourselves.”
We did as we were told. Katharine complied readily, still smiling broadly as though the whole episode were a game.
The point, of course, was to throw us off our bearings, to confuse us, to prevent us from knowing where we were going—and it worked. Bullet Head seemed to take far too many turns than was necessary to reach his destination, and in our blindfolded state we quickly became disoriented, even a bit queasy. I clutched Katharine’s hand with a kind of desperation. Mine felt clammy, and I could feel hers tremble a bit. Possibly this grotesque charade was causing the reality of the whole thing to sink into her consciousness at last.
We finally pulled up to a kerb somewhere—traffic seemed surprisingly scanty, so I suspect we were on a side street. When we had come to a stop I instinctively began to take off the blindfold, but Bullet Head actually reached over the seat and grabbed my hand, squeezing it hard.
“No...not yet. Keep still.”
I relaxed my hand, so that he could tell I was prepared to follow his orders.
I heard him get out of the car, slam the door, and then walk around the car to my side. Opening the door, he took my arm, firmly but not roughly, and drew me out. I stumbled a bit—we were not as close to the kerb as I had thought—but managed to reach what I took to be the sidewalk. Bullet Head let go of me and apparently helped Katharine out of the car. I could hear her utter a faint moan—not, apparently, from anything Bullet Head was doing, but possibly from confusion or nerves.
Evidently the man was now between us, and he took each of our arms and led us forward. We walked a considerable distance—far too long a distance if we were merely entering some building in front of the sidewalk—so I guessed that we were actually in some alley. It was very silent, only the crunching of our shoes on rough pavement reaching my ears. Strangely enough, I wasn’t afraid: I felt completely passive, and scarcely worried or cared whether I myself would come out of this escapade alive or not.
After what seemed an eternity Bullet Head tugged our arms as an indication that we should stop. Some keys rattled in his pocket, one key was fitted into a door, then another, and then the door opened. A faint trace of a strange odor—chemicals of some sort—tickled our nostrils. Bullet Head motioned us forward, but stopped us almost immediately with the single word: “Stairs.”
The stairs were of concrete, apparently. There were about twenty of them, constituting a single flight. At the top we were again asked to stop, while Bullet Head fished for more keys and opened another door. We entered, and, as the door closed behind us, we were finally permitted to take off our blindfolds.
I initially had difficulty understanding what I saw. The room seemed to be shaped in a perfect hexagon, and everything in it, except one object, appeared to be white: ceiling, floor, walls, even the desk and chair in the exact center of the room. The one thing that was not white looked at first like a head floating in mid-air—until I realized that it was connected to a man, dressed entirely in white, and standing in front of the desk.
The man seemed about forty or forty-five. He was tall, slim, his close-cropped hair quite gray. He was clean shaven, and had the most vivid green eyes I have ever seen. His face seemed unusually tanned and seamed, but otherwise there was only an expression of calm, placid intelligence on his countenance. He did not smile.
“Mr. and Mrs. Vance?” he said in a quiet, modulated voice. At our nod: “Welcome. I am Doctor Sanderson. You have come to the Removal Company.”
CHAPTER FIVE
It was only when Dr. Sanderson gestured to them that I saw there were two chairs—also in white—directly behind him, in front of the desk. In a kind of daze Katharine and I sat down in them, Sanderson walking with measured pace to sit in the chair behind the desk. For several moments there was complete silence.
Then Dr. Sanderson made a tent of his fingers and said quietly:
“My dear sir and madam, I trust you realize why you are here.”
Katharine suddenly leaned forward and began: “Yes, of course! Isn’t it all arranged? When—”
She stopped abruptly when Sanderson held up a hand, gently. It seemed he was incapable of any movement that was not calm, quiet, and composed.
“One moment, Mrs. Vance. There are some...preliminaries.”
He opened a drawer in the desk and drew out a clipboard. Then he continued:
