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to imagine what she might be thinking and what her reactions might have been to certain situations. The writing was slow and not very convincing. Gradually, her personality began to reveal itself to me. I could imagine exactly what Rushie was thinking and the words began to flow. Whenever I lacked for ideas I’d look at Rushie and ask out loud what she thought. She’d look me directly in the eyes and the ideas would come. I know this sounds fantastic, but it’s true.
It is also true, as Rushie says in her Foreword, that although I did the physical writing, this is Rushie’s story—told by her. I hope you enjoy reading it as much as we did writing it.
Fred Evans
February 6, 2007
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