The Wilkie Collins Megapack. Wilkie ` Collins
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He was seen one cold autumn evening, silently and steadily at work as usual, setting up a new cross on the site of one which had been shattered to splinters in the troubled times. In the morning he was found lying dead beneath the sacred symbol which his own hands had completed and erected in its place during the night. They buried him where he lay; and the priest who consecrated the ground allowed Gabriel to engrave his father’s epitaph in the wood of the cross. It was simply the initial letters of the dead man’s name, followed by this inscription: “Pray for the repose of his soul: he died penitent, and the doer of good works.”
Once, and once only, did Gabriel hear anything of Father Paul. The good priest showed, by writing to the farmhouse, that he had not forgotten the family so largely indebted to him for their happiness. The letter was dated “Rome.” Father Paul said that such services as he had been permitted to render to the Church in Brittany had obtained for him a new and a far more glorious trust than any he had yet held. He had been recalled from his curacy, and appointed to be at the head of a mission which was shortly to be dispatched to convert the inhabitants of a savage and far distant land to the Christian faith. He now wrote, as his brethren with him were writing, to take leave of all friends forever in this world, before setting out—for it was well known to the chosen persons intrusted with the new mission that they could only hope to advance its object by cheerfully risking their own lives for the sake of their religion. He gave his blessing to François Sarzeau, to Gabriel, and to his family; and bade them affectionately farewell for the last time.
There was a postscript to the letter, which was addressed to Perrine, and which she often read afterward with tearful eyes. The writer begged that, if she should have any children, she would show her friendly and Christian remembrance of him by teaching them to pray (as he hoped she herself would pray) that a blessing might attend Father Paul’s labors in the distant land.
The priest’s loving petition was never forgotten. When Perrine taught its first prayer to her first child, the little creature was instructed to end the few simple words pronounced at its mother’s knees, with, “God bless Father Paul.”
In those words the nun concluded her narrative. After it was ended, she pointed to the old wooden cross, and said to me:
“That was one of the many that he made. It was found, a few years since, to have suffered so much from exposure to the weather that it was unfit to remain any longer in its old place. A priest in Brittany gave it to one of the nuns in this convent. Do you wonder now that the Mother Superior always calls it a Relic?”
“No,” I answered. “And I should have small respect indeed for the religious convictions of any one who could hear the story of that wooden cross, and not feel that the Mother Superior’s name for it is the very best that could have been chosen.”
A STOLEN LETTER (1854)
Originally published in Household Words
*
I served my time—never mind in whose office—and I started in business for myself in one of our English country towns, I decline stating which. I hadn’t a farthing of capital, and my friends in the neighborhood were poor and useless enough, with one exception. That exception was Mr. Frank Gatliffe, son of Mr. Gatliffe, member for the county, the richest man and the proudest for many a mile round about our parts. Stop a bit, Mr. Artist, you needn’t perk up and look knowing. You won’t trace any particulars by the name of Gatliffe. I’m not bound to commit myself or anybody else by mentioning names. I have given you the first that came into my head.
Well, Mr. Frank was a stanch friend of mine, and ready to recommend me whenever he got the chance. I had contrived to get him a little timely help—for a consideration, of course—in borrowing money at a fair rate of interest; in fact, I had saved him from the Jews. The money was borrowed while Mr. Frank was at college. He came back from college, and stopped at home a little while, and then there got spread about all our neighborhood a report that he had fallen in love, as the saying is, with his young sister’s governess, and that his mind was made up to marry her. What! you’re at it again, Mr. Artist! You want to know her name, don’t you? What do you think of Smith?
Speaking as a lawyer, I consider report, in a general way, to be a fool and a liar. But in this case report turned out to be something very different. Mr. Frank told me he was really in love, and said upon his honor (an absurd expression which young chaps of his age are always using) he was determined to marry Smith, the governess—the sweet, darling girl, as he called her; but I’m not sentimental, and I call her Smith, the governess. Well, Mr. Frank’s father, being as proud as Lucifer, said “No,” as to marrying the governess, when Mr. Frank wanted him to say “Yes.” He was a man of business, was old Gatliffe, and he took the proper business course. He sent the governess away with a first-rate character and a spanking present, and then he, looked about him to get something for Mr. Frank to do. While he was looking about, Mr. Frank bolted to London after the governess, who had nobody alive belonging to her to go to but an aunt—her father’s sister. The aunt refuses to let Mr. Frank in without the squire’s permission. Mr. Frank writes to his father, and says he will marry the girl as soon as he is of age, or shoot himself. Up to town comes the squire and his wife and his daughter, and a lot of sentimentality, not in the slightest degree material to the present statement, takes places among them; and the upshot of it is that old Gatliffe is forced into withdrawing the word No, and substituting the word Yes.
I don’t believe he would ever have done it, though, but for one lucky peculiarity in the case. The governess’s father was a man of good family—pretty nigh as good as Gatliffe’s own. He had been in the army; had sold out; set up as a wine-merchant—failed—died; ditto his wife, as to the dying part of it. No relation, in fact, left for the squire to make inquiries about but the father’s sister—who had behaved, as old Gatliffe said, like a thorough-bred gentlewoman in shutting the door against Mr. Frank in the first instance. So, to cut the matter short, things were at last made up pleasant enough. The time was fixed for the wedding, and an announcement about it—Marriage in High Life and all that—put into the county paper. There was a regular biography, besides, of the governess’s father, so as to stop people from talking—a great flourish about his pedigree, and a long account of his services in the army; but not a word, mind ye, of his having turned wine-merchant afterward. Oh, no—not a word about that!
I knew it, though, for Mr. Frank told me. He hadn’t a bit of pride about him. He introduced me to his future wife one day when I met him out walking, and asked me if I did not think he was a lucky fellow. I don’t mind admitting that I did, and that I told him so. Ah! but she was one of my sort, was that governess. Stood, to the best of my recollection, five foot four. Good lissom figure, that looked as if it had never been boxed up in a pair of stays. Eyes that made me feel as if I was under a pretty stiff cross-examination the moment she looked at me. Fine red, kiss-and-come-again sort of lips. Cheeks and complexion—No, Mr. Artist, you wouldn’t identify her by her cheeks and complexion, if I drew you a picture of them this very moment. She has had a family of children since the time I’m talking of; and her cheeks are a trifle fatter, and her complexion is a shade or two redder now, than when I first met her out walking with Mr. Frank.
The marriage was to take place on a Wednesday. I decline mentioning the year or the month. I had started as an attorney on my own account—say six weeks, more or less, and was sitting alone in my office on the Monday morning before the wedding-day, trying to see my way clear before me and not succeeding particularly well, when Mr. Frank suddenly bursts in, as white as any ghost that ever was painted,