in tomorrow by running a shop. She thought of how her friend, Mrs. Robinson, gracious, democratic woman of wide sympathies that she was, had lived alone after David Robinson’s death, taking his place as president of the bank, during the years her only daughter, Janet, had been off at college and later travelling around the country “on the stage”—of all things for a daughter of Fallon. When hadn’t the town been full of these widowed, elderly women made childless alike by life and by death? What others had met successfully, she could also, she told herself sternly, and still the old Rose, still struggling toward happiness, she tried to think with a little enthusiasm of her new life, of the things she would do for others. One recreation she would be able to enjoy to her heart’s content when she moved into town—the movies. They would tide her over, she felt gratefully. When she was too lonely, she would go to them and shed her own troubles and problems by absorption in those of others. She who had been married for years and had borne two children without ever having had the joy of one overwhelming kiss, would find romance at last, for an hour, as she identified herself with the charming heroines of the films.
She was to surrender the farm and the crops as they stood in June, but as there was to be no new immediate tenant in her old house it was easily arranged that she could continue in it until the cottage in Fallon would be empty in September.
Meanwhile, preparations were begun for the new car line which would pass where the big dairy barn was standing. As the latter went down, board by board, it seemed to Mrs. Wade that this structure which, in the building, had been the sign and symbol of her surrender and heartbreak, now in its destruction, typified Martin’s life. It was as if Martin, himself, were being torn limb from limb. All that he had built would soon be dust. The sound of the cement breaking under the heavy sledges, was almost more than she could bear. It was a relief to have the smaller buildings dragged bodily to other parts of the farm.
Only once before in her memory had there been such a summer and such a drought. The corn leaves burned to a crisp brown, the ground cracked and broke into cakes and dust piled high in thick, velvety folds on weeds and grass. It seemed too strange for words to see others harvest the wheat and to know that the usual crop could not be put in.
Rose was thankful when her last evening came. Most of her furniture had been moved in the morning, her boxes had left in the afternoon, and the last little accessories were now piled in the car. As, hand on the wheel, she paused a moment before starting, she was conscious of a choking sensation. It was over, finished—she, the last of Martin, was leaving it, for good. Before her rolled the quarter section, except for the little box-house, as bare of fences and buildings as when the Wades had first camped on it in their prairie schooner. With what strange prophetic vision had Martin foreseen so clearly that all the construction of his life would crumble. Would Jacob and Sarah Wade have had the courage to make all their sacrifices, she wondered, if they had known that she and she alone, daughter of a Patrick and Norah Conroy, whom they had never seen, would some day stand there profiting by it all? She thought of the mortgages in the bank and the bonds, of the easier life she seemed to be entering. How strange that she whom Grandfather and Grandmother Wade had not even known, she whom Martin had never loved, should be the one to reap the real benefits from their planning, and that the farm itself, for which her husband had been willing to sacrifice Billy and herself, should be utterly destroyed. A sudden breeze caught up some of the dust and whirling it around let it fall. “Martin’s life,” thought Rose, “it was like a handful of dust thrown into God’s face and blown back again by the wind to the ground.”
THE JIMMYJOHN BOSS, by Owen Wister
I
One day at Nampa, which is in Idaho, a ruddy old massive jovial man stood by the Silver City stage, patting his beard with his left hand, and with his right the shoulder of a boy who stood beside him. He had come with the boy on the branch train from Boise, because he was a careful German and liked to say everything twice—twice at least when it was a matter of business. This was a matter of very particular business, and the German had repeated himself for nineteen miles. Presently the east-bound on the main line would arrive from Portland; then the Silver City stage would take the boy south on his new mission, and the man would journey by the branch train back to Boise. From Boise no one could say where he might not go, west or east. He was a great and pervasive cattle man in Oregon, California, and other places. Vogel and Lex—even to-day you may hear the two ranch partners spoken of. So the veteran Vogel was now once more going over his notions and commands to his youthful deputy during the last precious minutes until the east-bound should arrive.
“Und if only you haf someding like dis,” said the old man, as he tapped his beard and patted the boy, “it would be five hoondert more dollars salary in your liddle pants.”
The boy winked up at his employer. He had a gray, humorous eye; he was slim and alert, like a sparrow-hawk—the sort of boy his father openly rejoices in and his mother is secretly in prayer over. Only, this boy had neither father nor mother. Since the age of twelve he had looked out for himself, never quite without bread, sometimes attaining champagne, getting along in his American way variously, on horse or afoot, across regions of wide plains and mountains, through towns where not a soul knew his name. He closed one of his gray eyes at his employer, and beyond this made no remark.
“Vat you mean by dat vink, anyhow?” demanded the elder.
“Say,” said the boy, confidentially—“honest now. How about you and me? Five hundred dollars if I had your beard. You’ve got a record and I’ve got a future. And my bloom’s on me rich, without a scratch. How many dollars you gif me for dat bloom?” The sparrow-hawk sailed into a freakish imitation of his master.
“You are a liddle rascal!” cried the master, shaking with entertainment. “Und if der peoples vas to hear you sass old Max Vogel in dis style they would say, ‘Poor old Max, he lose his gr-rip.’ But I don’t lose it.” His great hand closed suddenly on the boy’s shoulder, his voice cut clean and heavy as an axe, and then no more joking about him. “Haf you understand that?” he said.
“Yes, sir.”
“How old are you, son?”
“Nineteen, sir.”
“Oh my, that is offle young for the job I gif you. Some of dose man you go to boss might be your father. Und how much do you weigh?”
“About a hundred and thirty.”
“Too light, too light. Und I haf keep my eye on you in Boise. You are not so goot a boy as you might be.”
“Well, sir, I guess not.”
“But you was not so bad a boy as you might be, neider. You don’t lie about it. Now it must be farewell to all that foolishness. Haf you understand? You go to set an example where one is needed very bad. If those men see you drink a liddle, they drink a big lot. You forbid them, they laugh at you. You must not allow one drop of whiskey at the whole place. Haf you well understand?”
“Yes, sir. Me and whiskey are not necessary to each other’s happiness.”
“It is not you, it is them. How are you mit your gun?”
Vogel took the boy’s pistol from its holster and aimed at an empty bottle which was sticking in the thin Deceiver snow. “Can you do this?” he said, carelessly, and fired. The snow struck the bottle, but the unharming bullet was buried half an inch to the left.
The boy took his pistol with solemnity. “No,” he said. “Guess I can’t do that.” He fired, and the glass splintered into shapelessness. “Told you I couldn’t miss as close as you did,” said he.
“You are a darling,” said Mr. Vogel.
