The Erckmann-Chatrian MEGAPACK ®. Emile Erckmann

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The Erckmann-Chatrian MEGAPACK ® - Emile Erckmann

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      “Ah, Fritz, how glad I am that I brought you here! The witch will be sold, eh?”

      Well, I confess I felt a little ashamed that I had been all my life such a very well-deserving young man without knowing anything of the circumstance myself.

      “So, Sperver,” I said, “the count has spent a good night?”

      “A very good one.”

      “Then I am very well pleased. Let us go down.”

      We again traversed the high parapet, and I was now better able to examine this way of access, the ramparts of which arose from a prodigious depth; and they were extended along the sharp narrow ridge of the rock down to the very bottom of the valley. It was a long flight of jagged precipitous steps descending from the wolf’s den, or rather eagle’s nest, down to the deep valley below.

      Gazing down I felt giddy, and recoiling in alarm to the middle of the platform, I hastily descended down the path which led to the main building.

      We had already traversed several great corridors when a great open door stood before us. I looked in, and descried, at the top of a double ladder, the little gnome Knapwurst, whose strange appearance had struck me the night before.

      The hall itself attracted my attention by its imposing aspect. It was the receptacle of the archives of the house of Nideck, a high, dark, dusty apartment, with long Gothic windows, reaching from the angle of the ceiling to within a couple of yards from the floor.

      There were collected along spacious shelves, by the care of the old abbots, not only all the documents, title-deeds, and family genealogies of the house of Nideck, establishing their rights and their alliances, and connections with all the great historic families of Germany, but besides these there were all the chronicles of the Black Forest, the collected works of the old Minnesinger, and great folio volumes from the presses of Gutenberg and Faust, entitled to equal veneration on account of their remarkable history and of the enduring solidity of their binding. The deep shadows of the groined vaults, their arches divided by massive ribs, and descending partly down the cold grey walls, reminded one of the gloomy cloisters of the Middle Ages. And amidst these characteristic surroundings sat an ugly dwarf on the top of his ladder, with a red-edged volume upon his bony knees, his head half-buried in a rough fur cap, small grey eyes, wide misshapen mouth, humps on back and shoulders, a most uninviting object, the familiar spirit—the rat, as Sperver would have it—of this last refuge of all the learning belonging to the princely race of Nideck.

      But a truly historical importance belonged to this chamber in the long series of family portraits, filling almost entirely one side of the ancient library. All were there, men and women; from Hugh the Wolf to Yeri-Hans, the present owner; from the first rough daub of barbarous times to the perfect work of the best modern painters.

      My attention was naturally drawn in that direction.

      Hugh I., a bald-headed figure, seemed to glare upon you like a wolf stealing upon you round the corner of a wood. His grey bloodshot eyes, his red beard, and his large hairy ears gave him a fearful and ferocious aspect.

      Next to him, like the lamb next to the wolf, was the portrait of a lady of youthful years, with gentle blue eyes, hands crossed on the breast over a book of devotions, and tresses of fair long silky hair encircling her sweet countenance with a glorious golden aureola. This picture struck me by its wonderful resemblance to Odile of Nideck.

      I have never seen anything more lovely and more charming than this old painting on wood, which was stiff enough indeed in its outline, but delightfully refreshing and ingenuous.

      I had examined this picture attentively for some minutes when another female portrait, hanging at its side, drew my attention reluctantly away. Here was a woman of the true Visigoth type, with a wide low forehead, yellowish eyes, prominent cheek-bones, red hair, and a nose hooked like an eagle’s beak.

      That woman must have been an excellent match for Hugh, thought I, and I began to consider the costume, which answered perfectly to the energy displayed in the head, for the right hand rested upon a sword, and an iron breastplate inclosed the figure.

      I should have some difficulty in expressing the thoughts which passed through my mind in the examination of these three portraits. My eye passed from the one to the other with singular curiosity.

      Sperver, standing at the library door, had aroused the attention of Knapwurst with a sharp whistle, which made that worthy send a glance in his direction, though it did not succeed in fetching him down from his elevation.

      “Is it me that you are whistling to like a dog?” said the dwarf.

      “I am, you vermin! It is an honour you don’t deserve.”

      “Just listen to me, Sperver,” replied the little man with sublime scorn; “you cannot spit so high as my shoe!” which he contemptuously held out.

      “Suppose I were to come up?”

      “If you come up a single step I’ll squash you flat with this volume!”

      Gideon laughed, and replied—

      “Don’t get angry, friend; I don’t mean to do you any harm; on the contrary, I greatly respect you for your learning; but what I want to know is what you are doing here so early in the morning, by lamplight? You look as if you had spent the night here.”

      “So I have; I have been reading all night.”

      “Are not the days long enough for you to read in?”

      “No; I am following out an important inquiry, and I don’t mean to sleep until I am satisfied.”

      “Indeed; and what may this very important question be?”

      “I have to ascertain under what circumstances Ludwig of Nideck discovered my ancestor, Otto the Dwarf, in the forests of Thuringia. You know, Sperver, that my ancestor Otto was only a cubit high—that is, a foot and a-half. He delighted the world with his wisdom, and made an honourable figure at the coronation of Duke Rudolphe. Count Ludwig had him inclosed in a cold roast peacock, served up in all his plumage. It was at that time one of the greatest delicacies, served up garnished all round with sucking pigs, gilded and silvered. During the banquet Otto kept spreading the peacock’s tail, and all the lords, courtiers, and ladies of high birth were astonished and delighted at this wonderful piece of mechanism. At last he came out, sword in hand, and shouted with a loud voice—“Long live Duke Rudolphe!” and the cry was repeated with acclamations by the whole table. Bernard Herzog makes mention of this event, but he has neglected to inform us where this dwarf came from, whether he was of lofty lineage or of base extraction, which latter, however, is very improbable, for the lower sort of people have not so much sense as that.”

      I was astounded at so much pride in so diminutive a being, yet my curiosity prevented me from showing too much of my feelings, for he alone could supply me with information upon the portraits that accompanied that of Hugh Lupus.

      “Monsieur Knapwurst,” I began very respectfully, “would you oblige me by enlightening me upon certain historic doubts?”

      “Speak, sir, without any constraint; on the subject of family history and chronicles I am entirely at your service. Other matters don’t interest me.”

      “I desire to learn some particulars respecting the two portraits on each side of the founder of this

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