Robert Sheckley Megapack
OTHER COLLECTIONS YOU MAY ENJOY
The Great Book of Wonder, by Lord Dunsany (it should have been called “The Lord Dunsany Megapack”)
The Wildside Book of Fantasy
The Wildside Book of Science Fiction
Yondering: The First Borgo Press Book of Science Fiction Stories
To the Stars—And Beyond! The Second Borgo Press Book of Science Fiction Stories
Once Upon a Future: The Third Borgo Press Book of Science Fiction Stories
Whodunit?—The First Borgo Press Book of Crime and Mystery Stories
More Whodunits—The Second Borgo Press Book of Crime and Mystery Stories
X is for Xmas: Christmas Mysteries
THE EVENING RICE
Up there in the gray North a great triple tomb thrusts its frowning parapet obliquely into space. On its outer walls, to left and right of the entrance, are bas-reliefs in sea-green majolica, representing five-claw, imperial dragons.
It is the Fu-Ling, the Happy and August Tomb, where lies the T’ai Tzu, the Nurhachi, the Iron-capped Prince, the founder of the Manchu dynasty, who centuries ago swept out of the barren Central Asian wastes at the head of his host of red-skinned, flat-nosed horsemen, and turned placid China into a crimson shambles.
Last year the hereditary keeper of the sacred tomb, a Ch’i-jen, a Manchu bannerman, sold it to a moon-faced Chinese farmer for a lean sack of clipped silver taels. Next year it will house the farmer’s squealing, red-bristled pigs.
And still the Manchu has his sword and the strength of his sword-arm; still the moon-faced coolie is a coward who shrinks at the swish and crackle of naked steel.
Yet, next year, the pigs will dirty the tomb’s yellow imperial tiles. And the pigs, too, are symbolic—and necessary. For what is the evening rice without a few slivers of fried pork?
* * **
The last time Ng Ch’u had seen him had been nearly forty years earlier in the squat little Manchu-Chinese border town of Ninguta, in the hushed shelter of an enameled pagoda-roof that mirrored the sun-rays a thousandfold, like countless intersecting rainbows—endless zigzag flashings of electric blue and deep rose and keen, arrogant, glaucous-green, like the shooting of dragon-flies and purple-winged tropical moths. There had been murder in the other’s, the Manchu’s, eyes; murder in the hairy, brown fist that curled about broad, glistening steel.
But on that day he, the despised Chinese coolie, had had the whip-hand.
“A Manchu you are!” he had said; and his eyes had glistened triumphantly through meager almond slits. “A Manchu indeed! A Pao-i bannerman, an aristocrat—sloughing your will and your passions as snakes cast their skin, brooking no master but yourself and the black desert thunder! And I am only a mud-turtle from the land of Han.” He had sucked in his breath. “But—” he had continued; had slurred and stopped.
“But?”
“But—there is one thing, perhaps two, which the Huang T’ai Hou, the Empress, the Old Buddha, does not forgive—not even in a Manchu, an iron-capped prince!”—and a few more words, sibilant, staccato, and at once Yang Shen-hsiu had sheathed his dagger with a little dry, metallic click and had walked away, while Ng Ch’u had returned to his home.
There he had kowtowed deeply before an elderly peasant woman with bound feet, gnarled hands, and shriveled, berry-brown features.
“Mother,” he had said, “I am going away today. I am going away now. I—and the Moon-beam!”—pointing into the inner room at a lissome, blue-clad form that was bending over the cooking-pots.
“Why, son?”
“There is Yang Shen-hsiu, the Manchu!”
“But—I thought—”
“Yes. I know. But a Manchu never forgets. And someday—perhaps tomorrow—his passion and his hatred, since he is a fool, will vanquish his fear. On that day—by Buddha and by Buddha—I shall not be here. Nor shall the Moon-beam!”
Nearly forty years earlier—and now he saw him again.
For just the fraction of a second, the unexpected sight of those glittering, hooded eyes—for he was conscious of Yang Shen-hsiu’s eyes even before he saw the rest of the face: the thin nose beaking away bold and aquiline, the high cheekbones that seemed to give beneath the pressure of the leathery, ruddy-gold skin, the compressed, sardonic lips brushed by a drooping Mandarin mustache, and the flagging, combative chin—for just the fraction of a second, the unexpected sight of those sinister eyes, rising quickly like some evil dream from the human maelstrom that streaked down Forty-second Street, threw Ng Ch’u off his guard. It conquered in him the long habit of outward self-control which he had acquired in a lifetime of tight bargaining, of matching his algebraic Mongol cunning against the equal cunning of his countrymen.
He stopped still. His round, butter-yellow face was marked by a look of almost ludicrous alarm. His tiny, pinkish button of a nose crinkled and sniffled like that of a frightened rabbit. His pudgy, comfortable little hands opened and shut convulsively. His jaw felt swollen, out of joint. His tongue seemed heavy, clogging, like something which did not belong to him and which he must try to spit out. Little blue and crimson wheels gyrated madly in front of his bulging eyes.
Ng Ch’u was a coward. He knew it. Nor was he ashamed of it. To him—a prosy, four-square, sublimely practical Chinese—reckless, unthinking courage seemed incomprehensible, and he was too honest a man to find fascination or worth in anything he could not understand.
Still it was one thing to be afraid, by which one lost no face to speak of, and another to appear afraid, by which one often lost a great deal of face and of profit, and so he collected himself with an effort and greeted the Manchu with his usual, faintly ironic ease of manner.
“Ten thousand years, ten thousand years!”
“And yet another year!” came the courtly reply; and, after a short pause, “Ah—friend Ng Ch’u!” Showing that recognition had been mutual.
They looked at each other, smiling, tranquil, touching palm to palm. They were carefully, even meticulously, dressed: the Chinese in neat pin-stripe worsted, bowler hat, glossy cordovan brogues that showed an inch of brown-silk hose, and a sober shepherd’s-plaid necktie in which twinkled a diamond horseshoe pin; the Manchu in pontifical Prince Albert and shining high hat with the correct eight reflections. Both, at least sartorially, were a very epitome of the influence of West over East.
* * * *
In that motley New York crowd, nobody could have guessed that here, in neat pin-stripe worsted and pontifical Prince Albert, stood tragedy incarnate: tragedy that had started, four decades earlier, in a Manchu-Chinese border town, with a girl’s soft song flung from a painted balcony; that had threatened to congeal into darkening blood, and that had faded out in a whispered, sardonic word about the Huang T’ai Hou, the Empress, the Old Buddha, and a coolie’s stupendous Odyssey from a mud-chinked Ninguta hut to a gleaming Fifth Avenue shop; tragedy that, by the same token, had started four centuries
