The Mary E. Wilkins Freeman Megapack. Mary E. Wilkins Freeman
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She was rather chary always of giving very broad glimpses of herself. I was always more or less puzzled and evaded by her, though she was evidently a sincere, childlike woman, with a liking for simple pleasures. She took genuine delight in picking a little bunch of flowers in her garden for a neighbor, and in giving those little tea-parties. She was religious in an innocent, unquestioning way, too. I oftener than not found an open Bible near her when I came in, and she talked about praying as simply as one would about breathing.
But the day before I left Ware she told me a very peculiar story, by which she displayed herself to me all at once in a fuller light, although she revealed such a character that I was, in one way, none the less puzzled. She and I were sitting in her parlor. She was feeling sad about my going, and perhaps that led her to confide in me. Anyway, she looked up, suddenly, after a little silence.
“Do you,” she said, “believe in dreams?”
“That is a question I can’t answer truthfully,” I replied, laughing. I don’t really know whether I believe in dreams or not.”
“I don’t know either,” she said, slowly, and she shuddered a little. “I have a mind to tell you,” she went on, “about a dream I had once, and about something that happened to me afterwards. I never did tell any one, and I believe I would like to. That is, if you would like to have me,” she asked, as timidly as a child afraid of giving trouble.
I assured her that I would, and, after a little pause, she told me this:
“I was about twenty-two,” she said, “and father and mother had been dead, one four, the other six years. I was living alone here with Margaret, as I have ever since. I have thought sometimes that it was my living alone so much, and not going about with other girls more, that made me dream as much as I did, but I don’t know. I always used to have a great many dreams, and some of them seemed as if they must mean something; but this particular one, in itself and in its effect on my after-life, was very singular.”
“It was in spring, and the lilacs were just in bloom, when I dreamed it. I thought I was walking down the road there under the elm-trees. I had on a lilac muslin gown, and I carried a basket of flowers on my arm. They were mostly white, or else the very faintest pink-lilies and roses. I had gone down the street a little way, when I saw a young man coming towards me. He had on a broad-brimmed soft hat and a velvet coat, and carried something that looked odd under his arm. When he came nearer I could see that he had a handsome dark face, and that he was carrying an artist’s easel. When he reached me he stopped and looked down into my face and then at my basket of flowers. I stopped too—I could not seem to help it in my dream—and gazed down at the ground. I was afraid to look at him, and I trembled so that the lilies and roses in my basket quivered.
Finally he spoke. “Won’t you give me one of your flowers,” he said—‘just one?’
I gathered courage to glance up at him then, and when his eyes met mine it did seem to me that I wanted to give him one of those flowers more than anything else in the world. I looked into my basket, and had my fingers on the stem of the finest lily there, when something came whirring and fanning by my face and settled on my shoulder, and when I turned my head, with my heart beating loud, there was a white dove.
“But, somehow, I seemed in my dream to forget all about the dove in a minute, and I looked away in the young man’s face again, and lifted the lily from the basket as I did so.
“But his face did not look to me as it did before, though I still wanted to give him the lily just as much. I stood still, gazing at him, for a moment; there was, in my dream, a sort of fascination over me which would not let me take my eyes from him. As I gazed, his face changed more and more to me, till finally—I cannot explain it—it looked at once beautiful and repulsive. I wanted at once to give him the lily and would have died rather than give it to him, and I turned and fled, with my basket of flowers and my dove on my shoulder, and a great horror of something, I did not know what, in my heart. Then I woke up all of a tremble.”
Miss Munson stopped. “What do you think of the dream?” she said, in a few minutes. “Do you think it possible that it could have had any especial significance, or should you think it merely a sleeping vagary of a romantic, imaginative girl?”
“I think that would depend entirely upon after-events,” I answered; “they might or might not prove its significance.”
“Do you think so?” she said, eagerly. “Well, it seemed to me that they did, but the worst of it has been I have never been quite sure—never quite sure. But I will tell you, and you shall judge. A year from the time I dreamed that dream, I actually met that same young man one morning in the street. I had on my lilac gown, and I held a sprig of lilac in my hand; I had broken it off the bush as I came along. He almost stopped for a second when he came up to me, and looked down into my face. I was terribly startled, for I recognized at once the man of my dream, and I can’t tell you how horrible and uncanny it all seemed for a minute. There was the same handsome dark face; there were the broad hat, and the velvet coat, and the easel under the arm. Well, he passed on, and I did; but I was in a flutter all day, and his eyes seemed to be looking into mine continually.
“A few days afterwards he called upon me with Mrs. Graves, a lady who used to live in Ware and take boarders: she moved away some years ago. I learned that he was an artist. His name was—no, I will not tell you his name: he is from your city, and well known. He had engaged board with Mrs. Graves for the summer. After that there was scarcely a day but I saw him. We were both entirely free to seek each other’s society, and we were together a great deal. He used to take me sketching with him, and he would come here at all hours of the day as unconcernedly as a brother might. He would sit beside me in the parlor and watch me sew, and in the kitchen and watch me cook. He was very boyish and unconventional in his ways, and I used to think it charming. We soon grew to care a great deal about each other, of course, although he said nothing about it to me for a long time. I knew from the first that I loved him dearly, but from the first there was, as there was in my dream, a kind of horror of him along with the love: it kept me from being entirely happy. The night before he went away he spoke. We had been to walk, and were standing here at my door. He asked me to marry him. I looked up in his face, and felt just as I did in my dream about giving him the flower, when all of a sudden his face looked different to me, just as it did in the dream. I cannot explain it. It was as if I saw no more of the kindness and the love in it, only something else—evil—and the same horror came over me.
“I don’t know how I looked to him as I stood gazing up at him, but he turned very pale, and started back. ‘My God! Caroline,’ he said, ‘what is it?’
“I don’t know what I said, but it must have expressed my sudden repulsion very strongly; for, after a few bitter words, he left me, and I went into the house. I never saw him again. I have seen his name in the papers, and that is all.
“Now I want to know,” Miss Munson went on, “if you think that my dream was really sent to me as a warning, or that I fancied it all, and wrecked—no, I won’t say wrecked—dulled the happiness of my whole life for a nervous whim?”
She looked questioningly at me, an expression at once serious and pitiful on her delicate face. I hardly knew what to say. It was obvious that I could form no correct opinion unless I knew the man. I wondered if I did. There was an artist of about the right age whom I thought of. If