The F. Scott Fitzgerald MEGAPACK ®. F. Scott Fitzgerald
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By the yellow glow and blue shadows of the street lamp she could see that the sidewalk was crowded with men. They were mostly in uniform, some sober, some enthusiastically drunk, and over the whole swept an incoherent clamor and shouting.
Henry rose, and going to the window exposed himself as a long silhouette against the office lights. Immediately the shouting became a steady yell, and a rattling fusillade of small missiles, corners of tobacco plugs, cigarette-boxes, and even pennies beat against the window. The sounds of the racket now began floating up the stairs as the folding doors revolved.
“They’re coming up!” cried Bartholomew.
Edith turned anxiously to Henry.
“They’re coming up, Henry.”
From downstairs in the lower hall their cries were now quite audible.
“—God Damn Socialists!”
“Pro-Germans! Boche-lovers!”
“Second floor, front! Come on!”
“We’ll get the sons—”
The next five minutes passed in a dream. Edith was conscious that the clamor burst suddenly upon the three of them like a cloud of rain, that there was a thunder of many feet on the stairs, that Henry had seized her arm and drawn her back toward the rear of the office. Then the door opened and an overflow of men were forced into the room—not the leaders, but simply those who happened to be in front.
“Hello, Bo!”
“Up late, ain’t you!”
“You an’ your girl. Damn you!”
She noticed that two very drunken soldiers had been forced to the front, where they wobbled fatuously—one of them was short and dark, the other was tall and weak of chin.
Henry stepped forward and raised his hand.
“Friends!” he said.
The clamor faded into a momentary stillness, punctuated with mutterings.
“Friends!” he repeated, his faraway eyes fixed over the heads of the crowd, “you’re injuring no one but yourselves by breaking in here tonight. Do we look like rich men? Do we look like Germans? I ask you in all fairness—”
“Pipe down!”
“I’ll say you do!”
“Say, who’s your lady friend, buddy?”
A man in civilian clothes, who had been pawing over a table, suddenly held up a newspaper.
“Here it is!” he shouted, “They wanted the Germans to win the war!”
A new overflow from the stairs was shouldered in and of a sudden the room was full of men all closing around the pale little group at the back. Edith saw that the tall soldier with the weak chin was still in front. The short dark one had disappeared.
She edged slightly backward, stood close to the open window, through which came a clear breath of cool night air.
Then the room was a riot. She realized that the soldiers were surging forward, glimpsed the fat man swinging a chair over his head—instantly the lights went out and she felt the push of warm bodies under rough cloth, and her ears were full of shouting and trampling and hard breathing.
A figure flashed by her out of nowhere, tottered, was edged sideways, and of a sudden disappeared helplessly out through the open window with a frightened, fragmentary cry that died staccato on the bosom of the clamor. By the faint light streaming from the building backing on the area Edith had a quick impression that it had been the tall soldier with tie weak chin.
Anger rose astonishingly in her. She swung her arms wildly, edged blindly toward the thickest of the scuffling. She heard grunts, curses, the muffled impact of fists.
“Henry!” she called frantically, “Henry!”
Then, it was minutes later, she felt suddenly that there were other figures in the room. She heard a voice, deep, bullying, authoritative; she saw yellow rays of light sweeping here and there in the fracas. The cries became more scattered. The scuffling increased and then stopped.
Suddenly the lights were on and the room was full of policemen, clubbing left and right. The deep voice boomed out:
“Here now! Here now! Here now!”
And then:
“Quiet down and get out! Here now!”
The room seemed to empty like a washbowl. A policeman fast-grappled in the corner released his hold on his soldier antagonist and started him with a shove toward the door. The deep voice continued. Edith perceived now that it came from a bull-necked police captain standing near the door.
“Here now! This is no way! One of your own sojers got shoved out of the back window an’ killed hisself!”
“Henry!” called Edith, “Henry!”
She beat wildly with her fists on the back of the man in front of her; she brushed between two others; fought, shrieked, and beat her way to a very pale figure sitting on the floor close to a desk.
“Henry,” she cried passionately, “what’s the matter? What’s the matter? Did they hurt you?”
His eyes were shut. He groaned and then looking up said disgustedly—
“They broke my leg. My God, the fools!”
“Here now!” called the police captain. “Here now! Here now!”
IX
“Childs’, Fifty-ninth Street,” at eight o’clock of any morning differs from its sisters by less than the width of their marble tables or the degree of polish on the frying-pans. You will see there a crowd of poor people with sleep in the corners of their eyes, trying to look straight before them at their food so as not to see the other poor people. But Childs’, Fifty-ninth, four hours earlier is quite unlike any Childs’ restaurant from Portland, Oregon, to Portland, Maine. Within its pale but sanitary walls one finds a noisy medley of chorus girls, college boys, debutantes, rakes, filles de joie—a not unrepresentative mixture of the gayest of Broadway, and even of Fifth Avenue.
In the early morning of May the second it was unusually full. Over the marble-topped tables were bent the excited faces of flappers whose fathers owned individual villages. They were eating buckwheat cakes and scrambled eggs with relish and gusto, an accomplishment that it would have been utterly impossible for them to repeat in the same place four hours later.
Almost the entire crowd were from the Gamma Psi dance at Delmonico’s except for several chorus girls from a midnight revue who sat at a side table and wished they’d taken off a little more makeup after the show. Here and there a drab, mouse-like figure, desperately out of place, watched the butterflies with a weary, puzzled curiosity. But the drab figure