The F. Scott Fitzgerald MEGAPACK ®. F. Scott Fitzgerald
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The shadows of two gallants fell in immense wavering outlines over the narrow stairs; by the light Wessel scrutinized them closely. Gentlemen, they were, hastily but richly dressed—one of them wounded severely in the hand, both radiating a sort of furious horror. Waving aside Wessel’s ready miscomprehension, they pushed by him into the room and with their swords went through the business of poking carefully into all suspected dark spots in the room, further extending their search to Wessel’s bedchamber.
“Is he hid here?” demanded the wounded man fiercely.
“Is who here?”
“Any man but you.”
“Only two others that I know of.”
For a second Wessel feared that he had been too damned funny, for the gallants made as though to prick him through.
“I heard a man on the stairs,” he said hastily, “full five minutes ago, it was. He most certainly failed to come up.”
He went on to explain his absorption in “The Faerie Queene” but, for the moment at least, his visitors, like the great saints, were anaesthetic to culture.
“What’s been done?” inquired Wessel.
“Violence!” said the man with the wounded hand. Wessel noticed that his eyes were quite wild. “My own sister. Oh, Christ in heaven, give us this man!”
Wessel winced.
“Who is the man?”
“God’s word! We know not even that. What’s that trap up there?” he added suddenly.
“It’s nailed down. It’s not been used for years.” He thought of the pole in the corner and quailed in his belly, but the utter despair of the two men dulled their astuteness.
“It would take a ladder for any one not a tumbler,” said the wounded man listlessly.
His companion broke into hysterical laughter.
“A tumbler. Oh, a tumbler. Oh—”
Wessel stared at them in wonder.
“That appeals to my most tragic humor,” cried the man, “that no one—oh, no one—could get up there but a tumbler.”
The gallant with the wounded hand snapped his good fingers impatiently.
“We must go next door—and then on—”
Helplessly they went as two walking under a dark and storm-swept sky.
Wessel closed and bolted the door and stood a moment by it, frowning in pity.
A low-breathed “Ha!” made him look up. Soft Shoes had already raised the trap and was looking down into the room, his rather elfish face squeezed into a grimace, half of distaste, half of sardonic amusement.
“They take off their heads with their helmets,” he remarked in a whisper, “but as for you and me, Wessel, we are two cunning men.”
“Now you be cursed,” cried Wessel vehemently. “I knew you for a dog, but when I hear even the half of a tale like this, I know you for such a dirty cur that I am minded to club your skull.”
Soft Shoes stared at him, blinking.
“At all events,” he replied finally, “I find dignity impossible in this position.”
With this he let his body through the trap, hung for an instant, and dropped the seven feet to the floor.
“There was a rat considered my ear with the air of a gourmet,” he continued, dusting his hands on his breeches. “I told him in the rat’s peculiar idiom that I was deadly poison, so he took himself off.”
“Let’s hear of this night’s lechery!” insisted Wessel angrily.
Soft Shoes touched his thumb to his nose and wiggled the fingers derisively at Wessel.
“Street gamin!” muttered Wessel.
“Have you any paper?” demanded Soft Shoes irrelevantly, and then rudely added, “or can you write?”
“Why should I give you paper?”
“You wanted to hear of the night’s entertainment. So you shall, an you give me pen, ink, a sheaf of paper, and a room to myself.”
Wessel hesitated.
“Get out!” he said finally.
“As you will. Yet you have missed a most intriguing story.”
Wessel wavered—he was soft as taffy, that man—gave in. Soft Shoes went into the adjoining room with the begrudged writing materials and precisely closed the door. Wessel grunted and returned to “The Faerie Queene”; so silence came once more upon the house.
III
Three o’clock went into four. The room paled, the dark outside was shot through with damp and chill, and Wessel, cupping his brain in his hands, bent low over his table, tracing through the pattern of knights and fairies and the harrowing distresses of many girls. There were dragons chortling along the narrow street outside; when the sleepy armorer’s boy began his work at half-past five the heavy clink and clank of plate and linked mail swelled to the echo of a marching cavalcade.
A fog shut down at the first flare of dawn, and the room was grayish yellow at six when Wessel tiptoed to his cupboard bedchamber and pulled open the door. His guest turned on him a face pale as parchment in which two distraught eyes burned like great red letters. He had drawn a chair close to Wessel’s prie-dieu which he was using as a desk; and on it was an amazing stack of closely written pages. With a long sigh Wessel withdrew and returned to his siren, calling himself fool for not claiming his bed here at dawn.
The dump of boots outside, the croaking of old beldames from attic to attic, the dull murmur of morning, unnerved him, and, dozing, he slumped in his chair, his brain, overladen with sound and color, working intolerably over the imagery that stacked it. In this restless dream of his he was one of a thousand groaning bodies crushed near the sun, a helpless bridge for the strong-eyed Apollo. The dream tore at him, scraped along his mind like a ragged knife. When a hot hand touched his shoulder, he awoke with what was nearly a scream to find the fog thick in the room and his guest, a gray ghost of misty stuff, beside him with a pile of paper in his hand.
“It should be a most intriguing tale, I believe, though it requires some going over. May I ask you to lock it away, and in God’s name let me sleep?”
He waited for no answer, but thrust the pile at Wessel, and literally poured himself like stuff from a suddenly inverted bottle upon a couch in the corner, slept, with his breathing regular, but his brow wrinkled in a curious and somewhat uncanny manner.
Wessel yawned sleepily and, glancing at the scrawled, uncertain first page, he began reading aloud very softly:
The Rape of Lucrece
“From the besieged Ardea all in post,
Borne