The Soul of the White Ant. Eugène N. Marais

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The Soul of the White Ant - Eugène N. Marais

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terrible fate. In spite of all his knowledge and intelligence he is unable to help in any way. But actually termites have never worried about it at all. They had a solution ready – a very simple one. Just before her majesty finally outgrows her cell they build a second one, one and a half times as big as the first. It is parallel and adjacent to the first, just as hard and with just such a narrow door. The queen is then removed and placed in the second cell where there is space for her to grow for perhaps another year. So she gets transposed from cell to cell until there have been about six changes with the queen in the last and biggest. The chamber doors are always equally small – much too small for the queen to come or go by.

      We must clearly establish another fact which makes the whole matter even more complicated. One could easily prove by measurement that the queen’s subjects could not possibly move her. The lifting power of one termite can be estimated fairly closely, and the area of the queen’s body available for workers to grasp during lifting can be measured. During the later stages it would need thousands more termites to lift her than there is available grasping space for on the body.

      We present to you the following facts:

      1. The queen is incapable of movement.

      2. The doors of the cell are too small for her to come or go by.

      3. The insects cannot lift her.

      4. Yet she vanishes from one cell to appear in another.

      The only explanation that seems feasible is that there are several queens and that it is not the same one each time. If the first gets too big for her cell, she is killed and eaten and then the workers carry a potential queen into the second cell where she develops into a queen. The only intelligent explanation, perhaps, and very simple, now we have thought of it. The only pity is that it is not true. We have been deceived by the analogy of the bees, which make queens, kill, and move them. It is quite an easy matter to mark the termite queen and so prove that it is the same queen which gets moved. I have tested many theories brought forward by friends who have studied entomology, but have never found one which coincided with all the facts. Perhaps one day a future Fabre will discover the truth.

      3

      Language in the Insect World

      I have told you how, shortly after she discards her wings, the flying queen sends a signal into the air, which is always answered by the appearance of a male flying through the air. What exactly the signal was I did not make clear, but left it for some later opportunity. I want to talk about it now. But I am afraid there will be a long preface before I begin – perhaps the preface may take even this whole chapter. The inquisitive reader need not be disappointed, however, for I am sure this preface will prove interesting, too. In order to understand the language of animals, one must first of all learn its A B C, but of far more importance are the things you must unlearn. We will therefore begin at the very beginning.

      An individual member of any animal race which wishes to communicate with another at a distance can use one of three things; colour, scent or sound. And at this point you must begin unlearning. If you think of colour and scent and sound in terms of the impression which these make on a human being, then you will be lost before you begin your journey. Listen. There is one kind of termite which constantly signals by means of sounds. If ever you have slept in a house in which those termites are at work you will know the sound well. It is a quick tik-tik-tik. You can also hear this if you let down a microphone through a hole made into an termitary. You will easily observe that not only do the termites make this noise, but that other termites at a distance hear it and immediately react to it by their behaviour.

      Now catch one or more of the signallers and examine their anatomy under the microscope. What do you find? Not the least sign or suggestion of any kind of auditory organ; not even the most primitive kind of ear; not a single nerve that could possibly be sensitive to what we call sound. We find the same as regards colour and scent. The termites undoubtedly use both colour and scent as a means of signalling – as you will see later. But again you seek in vain for any organ resembling an eye. There is not even the faintest spot of pigment which might serve as a primitive eye. The termites are quite blind, yet sensitive to an indirect ray of light far below the threshold of perception of the human eye. By this I mean they can become aware of a very diffuse light not shining directly on them, which a human eye could not perceive. This can be proved by experiment. As to any organ of smell, that, too, seems to be completely absent.

      Let us now observe another insect, our dear little toktokkie beetle, which will take us a good way along the path we must travel, and will greatly help to explain the secret to us. If you wish to learn to know the toktokkie really well and to learn to talk his language, you must tame him. He must become so used to your presence that he never alters his behaviour by suddenly becoming aware of being observed. He is very easy to tame, at least the grey-bellied one is, and learns to know his master and love him – you know the one I mean, the smooth little fellow with pale legs, not the rough-backed one. What South African child has never seen the toktokkie and heard him make his knock? Your eye suddenly falls on him in the road or beside it. If he does not get a fright and fall down dead with stiff legs – as dead as the deadest toktokkie which ever lived – then you see him knock, and of course hear him, too. He looks round for some hard object, a piece of earth or a stone, and knocks against it with the last segment of his body – three, four, four, three! This is his Morse Code. He then listens for a moment or two, turning rapidly in many directions. His behaviour is ridiculously human. His whole body becomes an animated question mark. You can almost hear him saying:

      “I’m positive I heard her knock! Where can she be? There, I hear it again!”

      He answers with three hard knocks, and then he betakes himself off in great haste and runs a yard or two. He then repeats the signal in order to get a further true direction, and so he continues until at last he arrives at his loved one’s side.

      If you study the behaviour of many toktokkies during the mating season, you will occasionally have to follow one for an incredible distance in the direction of the answering signal. He can hear the signal over a distance which makes the sound absolutely imperceptible to the human ear. It is at this stage that he begins to rouse the interest of the psychologist. We study him at closer quarters. Again we find under the microscope no sign of an ear, nor complex or nerve which takes the place of an organ of hearing. But in spite of this we still think of the behaviour of the toktokkie in terms of sound and hearing!

      Now we will go into our laboratory with our tame toktokkies. The laboratory is a stretch of natural veld or a fairly large garden. The observer will soon discover that the toktokkie is one of the most credulous of insects. When he is dominated by sexual desire, he will believe everything you happen to tell him. Knock on a stone with your fingernail – in his own Morse Code – and at once he answers. You can teach him quite easily never to knock except in answer to your signal. This you succeed in doing by not knocking for several days unless he has become perfectly quiet. After a day or two he will have learnt to knock only in answer to your signal – and will answer immediately. Now get a small microphone with headpiece and three feet of wire (you will find this indispensable in your association with the insect world). The microphone must be so powerful that you are able to hear the footfall of a fly quite easily. When your toktokkie is tame and well trained you proceed to test the acuteness of his perceptions. To your amazement you find that they are unbelievably, supernaturally fine. Knock on the stone again with your finger-nail and gradually make the sound softer until it is quite beyond your own hearing. Still the toktokkie answers the signal at once without the least sign of doubt. Then begin knocking not with the nail but with the soft pulp of the finger. There seems to be no sound at all, but still the toktokkie answers! Now take the microphone and place it on the ground with the earphones over your ears. Knock on the receiver with the pulp of your finger – a real knock, not merely a pressure. With a little practice you can reduce the sound until at last it is inaudible even through the microphone,

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