Shadows. Novuyo Rosa Tshuma

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hope of her, defeated by the troubles of my life. I push her into the house even as she protests, into the single room I rent for her, onto the mattress I have given her. The room smells of paraffin. It’s a modest space, with a two-plate stove in the corner and clothes spilling out of a battered suitcase. A poster of Mariah Carey, cut out of a People magazine, is sellotaped behind the door. I grope for Nomsa. My hands are shaking. My plunge is rough. I can tell this from the way she cries out, in pain rather than pleasure. But I am limp again, and the smell of her is nauseating. I roll off her, onto my back, so that I’m staring at the tin roof. We remain like that for what seems like hours.

      The rain begins, at first a slow, cajoling drizzle that calms me.

      Pitter-patter, sings the rain. Pitter-patter. Pitter-patter Peter Piper. Peter Piper picked a peck o’ pepper pickles. A peck o’ pickled peppers Peter Piper picked. Pitter-patter Peter Piper.

      Down it comes, like sullen spit. My whole body becomes limp. Nomsa runs her fingers through my dreadlocks, the way I once told her soothes me. I swat her away.

      “You cannot keep doing this,” she says. “Talking to me, ignoring me, running to me, away from me. Talk to me.”

      I get up and leave. Nomsa tries to run after me, but she cannot, not in the rain. She becomes a blob of mud in the distance, standing in the middle of the street like a madwoman, her arms curled over her bosom. Her body bops up and down as she makes sounds that the rain snatches and gobbles up. I imagine she is screaming my name, over and over, her vocal chords vibrating like the keys of an mbira.

      I angle my face away from the raindrops. Very soon I am soaked, and my dreadlocks are soaked, and my spirit is soaked. The people at the shops are now clambering onto the mealie-­meal truck, grabbing willy-nilly at soggy bags of mealie meal, heavy with the weight of rainwater.

      I sit on a stone across the road. I take a joint from my pocket. I shield it from the rain. Light it. Smoke it once, twice, thrice, before it, too, is soaked. I watch them, these people I have always known, screaming and kicking and kicking and screaming, turning into people I have never known. Pretty grins and waves at me from the scuffle. I wave back. She is wearing a yellow frock that clings to her curves. I used to slink into her house whenever her mother was away on one of her cross-border trading trips, and fuck the nonsense out of her. When Pretty came back from Jozi, her body had filled out, with rolls around her waist that the men at MaG’s joked would make for better handling. The dimples had sunk deeper into her cheeks, which slid up her face each time she smiled, adding to her countenance a deceptive, childish sort of innocence.

      “Have you seen the way the girl now rolls her hips when she walks?” Dlomo said. “Mounds of flesh rolling to her step, khwa khwa khwa on the virgin streets of Bulawayo in those gi-gi South African heels!” His eyes bulged as he said “khwa khwa khwa”.

      “Oh, somebody has already taken the virgin out of her!” Shoko said. “Probably some gun-slinging njiva with a 325i – a gusheshe, you know – and a big house. Or one of the juju-­peddling Nigerians – the poor child must have heard the man say ‘ma sista-oh’ and gone all gung-ho!”

      Pretty had been all innocence before she left, steering clear of boys such as myself loitering at the shops, whistling at her as she walked by. Now, her sweet voice, which used to make the Pentecostal ladies weep with its spiritual crescendo, has acquired a husky quality.

      I stare at her nipples pushing against the wetness of her dress, and lick my lips.

      She grins. She puts her thumb to her ear, her pinky-finger at her lips.

      I laugh. Of course I won’t call her. She’s fucking Tendai, the baker, these days. He gives her as much bread as she likes, even when there is no bread on the shelves.

      Tendai must be fucking half the township, ever since he got the job as a baker.

      The rain stops suddenly. I look up and there is a rosy sky. But there is no smell of cleansing in the air. Just the wet smell of runny shit.

      Luther, the township vagabond, staggers past, pushing his Scania. He grins and waves as his metal trolley trundles by.

      “Hey, s’phukuphuku, give me a piece of paper.”

      Luther’s eyes dance in their sockets. His tongue hangs from his mouth, like a dog’s. He claps his hands and fishes a dry receipt out from the debris in his Scania.

      “Good boy, s’phukuphuku. Like a good little dog. There’s a good dog!”

      Luther claps his hands again and scampers off, leaving his Scania behind. From my pocket I retrieve the Eversharp pen I always carry, the pen my friends say holds my dreams. I turn the receipt over and begin to scribble. I should have told you at the beginning: words flow from me like shit running from buttocks:

      Big-hearted woman

      Vein of gold! Vein of gold!

      See how her legs scatter as she walks

      See how her legs scatter as she walks!

      Tripledoom be falling down her thigh

      Oh, Tripledoom be falling down her thigh!

      Her heart her bladder and a knife

      Heart bladder and knife!

      Somebody gone done stabbed her heart

      Somebody gone done stabbed her heart!

      And now she done gone falling apart

      Trickle down thigh, falling apart!

      I look up. A fight has broken out between Mai Nyari and Ma­Gumbo over a bag of mealie meal. They squawk and claw at one another, splashing in the mud like a pair of happy-go-lucky children. The people laugh and clap, egging them on. There is nothing to laugh about, and everything to laugh about:

       Oh, big-hearted woman

       Vein of gold

      Flesh shake ’n shiver ’n shudder sorrow

       Smooth peanut butter roast in sun

      Do anybody know where she go?

       Morning in, morning out

      All she do is stagger ’bout

       With Tripledoom trickle down her thigh

       Tripledoom trickle down her thigh!

      Do anybody know where she go?

      That big-hearted woman with vein of gold

      With hips that span century of heartbeat told

      See her gold trickle down her thigh

      Trickle trickle like rain in July!

      See how the children from her fly

      Firefly trickle dying in dark.

      There’s a queue for the men and another for the women, then a special one for the women with babies, but none for the elderly. So everyone is borrowing a baby and scrambling for special privileges.

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