The Lightkeepers. Abby Geni
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I knew, however, that there was nothing I could do. There would be no point in going to fetch Mick or Galen. The biologists were on the islands to observe and document. Nothing more. Noninterference was the core of their belief system. They would never intervene in the life—or death—of one of their charges. I had received a stern lecture on this very subject from Galen a few days back. An injured animal was a specimen to be studied. Its demise was an event to be recorded for posterity. The food chain was paramount. Sympathy and affection were beside the point.
I turned away. Bending down, I took a few close-ups of shark teeth. The grounds are speckled with them; they dot the landscape like flowers in a prairie. Delicate reminders of danger. People used to believe shark teeth fell from the sky during lunar eclipses. Honestly, I am not sure myself how they travel so far inland.
After a while, I moved off to get a few candid snapshots of my human companions. They had proven to be as camera-shy as the animals. I had learned to be crafty. Crouching behind a boulder, telephoto lens in place, I saw Lucy sitting cross-legged on the shore, engaging in a debate with a puffin. She could imitate most birds’ cries well enough to cause confusion in their little minds. This one clearly thought she was another puffin encroaching on its turf. Presently another shape intruded into the frame. I adjusted the focus and saw red hair, a too-big windbreaker—Charlene.
I have not mentioned Charlene yet, since I haven’t been sure what to say. To begin with, she is young, even younger than Andrew and Lucy. Charlene is still in college. A mop of unruly red hair. Pale skin strewn with constellations of freckles. She is an intern, not a biologist. (For the record, Charlene is the only intern who has ever lasted more than a fortnight on the islands. She has been here three months already.) Her identity is effaced by her subordinate position, by the eagerness she displays whenever she is asked to help with the simplest task, from hosing down the Janus to itemizing the contents of the cupboards to making coffee. I have yet to get any sense of her personality.
Now, through my lens, I watched both women get to work. They were too far away for me to catch any of their conversation. It appeared that Lucy was teaching Charlene how to tag the birds. Lucy is a master at this tricky process: capturing a feathery body, holding it firmly but gently in both hands so it cannot peck her or injure itself, and attaching the orange band. Charlene was obviously nervous, her brow furrowed with concentration. Lucy spoke soothingly, patiently, as Charlene fumbled and frowned, letting bird after bird slip through her grasp. Suddenly, both women burst into laughter. I got it on film: Charlene’s head thrown back, her hair a crimson halo, and Lucy doubled over, clutching her stomach. Their mirth scared the remaining birds into flight. The flock swirled upward, a waterfall of wings.
I found myself distracted. The problem of Lucy has occupied my mind lately. I cannot figure it out. She is the belle of the Farallon Islands, the darling of the group. I have seen her giving Charlene a neck rub or offering to do the dishes when it’s Forest’s turn because he looks tired. I have observed her sitting on the couch with Galen and delighting over a ludicrous error they have stumbled upon in a reference book—the kind of thing that would only be discernible to a pair of biologists. Lucy laughs easily and loudly. She is open, cheerful, kind.
But not with me. It has taken me a while to catch on to the reality of the situation. To be frank, I was fooled at the start by her appearance. Plump and pink, she looks like the sort of woman who ought to be wearing an apron or kneeling in a garden, her hands deep in the earth. In her interactions with me, however, she has been odd from the beginning. Every so often, she will throw out a backhanded comment. (“Wow! That shirt is interesting.” “You must have great teeth, mouse girl. I can hear you chewing all over the cabin.”) Lucy will snicker when I trip on a loose floorboard or drop my spoon at the table. Withering looks. Covert eye rolls. I cannot read the riddle.
My roommates and I have the dynamic of a family, minus any semblance of warmth. We share a home. We see one another all day, every day. I must do my best with them, whether or not we get along. There is no privacy. If Mick is constipated, if Charlene has her period, if Andrew is feeling lustful, everyone knows about it. We each have our own roles. Galen: the stoic parent, ruling through benign neglect. Forest: the brainy son, forever at his books. Me: the shy stepchild, still finding her place in the pecking order. Within this group, Lucy might be the mean sister whose behavior is not obvious to her elders—who deals out punishment in pinches and slaps and then looks up innocently, saying, “Who, me?” She presents one face, hiding another, a double identity I am just beginning to perceive.
YESTERDAY CAPTAIN JOE made his first appearance since my arrival. Normally he comes twice a month, but he has been hindered by engine repairs. It has been almost seven weeks now. I was in my room when the boat appeared on the horizon. It might have been dropped there by magic. My heart turned over. I have come to understand why people in olden days imagined that the world ended at the horizon line. It is sometimes hard to believe that anything can exist beyond that cold edge.
Through the window, I saw that Galen and Forest were on alert. Dressed in their typical, ludicrous gear—waterproof pants, bright orange jackets, hats with earflaps—they were heading toward East Landing. I knew the drill. Captain Joe would approach as close as he dared. One wrong turn, and the ferry would find itself torn apart on the jagged cliffs. Galen and Forest would lower the Billy Pugh. Captain Joe would load it up with our groceries, toilet paper, and toothpaste. Galen and Forest would respond by sending back our outgoing mail. In truth, the whole thing reminded me a bit of space travel. Captain Joe would blast off from his native soil, his cargo hold stocked with supplies for the crew at the space station. The journey from California could take as long as six hours each way. Galen and Forest would meet him at the boundary line, where the crane would bridge the empty air. At any moment, something could go wrong. Someone could be injured, or worse.
Captain Joe is not the first ferryman to service the islands. I have recently discovered that there were others before him—many others. Most of them quit the moment they found easier work. A few fled after being hurt on the job; broken bones and concussions were common. One drowned. Five years back.
Our oceanic view is the most dangerous stretch of water on the Pacific coast. In places, the sea is only fifty feet deep. The tides sweep in and out at a quick, breathless eight knots. Powerful currents wind through the ocean with their own internal logic, like rivers carving banks into water, rather than earth. There are monstrous waves. Boats slosh and tumble like marshmallows in cocoa stirred by a spoon.
Soon Captain Joe was on his way home. Galen and Forest headed back toward the cabin, loaded down with boxes of groceries, tampons, batteries, and all the mail that had been piling up for us in the post office in San Francisco. The ferry motored smoothly away from the shore. I watched it go with a sense of desolation. The emotion passed quickly, but for a moment I felt like an abandoned child. Watching a parent retreat into the distance. Alone in a hostile and unfamiliar place.
On board that ferry was a postcard for my father. I had been on the islands for nearly two months, and during that time, I had prepared only one piece of mail to send to the mainland. On it I had written, Proof of life.
This has become a running joke between Dad and me—the cryptic postcard. (He doesn’t know about the letters I save for you, of course.) My postcards to my father tend to be as brief as telegrams. I will amuse myself