Suspended Sentences. Mark McWatt

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Suspended Sentences - Mark McWatt

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up for the soles of his slippers. Because they had to be so long they did not sit flat on the floor, but curled up somewhat at heel and toe, keeping the curved shape of the tire – this was of course when they did not contain Uncle’s vast feet. Each of these soles had three thick, parallel strips of rawhide curving across the front and these kept Uncle Umberto’s feet in the slippers. There were no straps around the heel. Uncle made these slippers to last the rest of his life: they were twenty-two inches long, eight inches wide and nearly two inches thick. The grooves in the treads on the sole were one and a quarter inches deep when I measured them about four years before he died – when I was twelve, and beginning to get interested in my family and its wonderful characters and oddities.

      The other detail to be mentioned about the slippers is that Uncle Umberto took the trouble to cut or drill his initials into the thick soles, carving H.I.C., Humberto Ignatius Calistro – the central ‘I’ being about twice the height of the other two letters (he always wrote his name with the ‘H’, but was unreasonably upset if anyone dared to pronounce it. To be on the safe side, we children decided to abandon the H even in the written form of his name, and he seemed quite happy with this). These incised initials always struck me as being completely unnecessary, if their purpose was to indicate ownership, for there could never be another such pair of quarry barges masquerading as footwear anywhere else in the world.

      These then became Uncle’s famous badge of recognition – one tended to see the slippers first, and then become aware of his presence. Quite often one didn’t actually have to see them: a muddy tire print on the bridge into Arjune’s rumshop told us that Uncle was in there ‘relaxing with the boys’. At home (we all live together in the huge house my grandmother built over the last thirty years of her life) my father would suddenly say, ‘Umberto coming, you all start dishing up the food’. When we looked enquiringly at him he would shrug and say, ‘I can hear the Firestones coming up the hill’, and soon after we would all hear the wooden stairs protesting unmistakably under the weight of Uncle Umberto’s footfalls.

      * * *

      My grandfather, whom I never knew, was a seaman; as a youngster he had worked on the government river ferries and coastal steamers, but then, after he’d had two children, and had started quarrelling with my grandmother, he took to going further away on larger ships. Often he would not return for a year or more, but whenever he did he would get my grandmother pregnant and they would start quarrelling and he would be off again, until, in his memory, their painful discord had mellowed into a romantic lovers’ tiff – at which point he would return to start all over again. When he returned after the fourth child, it was supposed to be for good, and he actually married my grandmother as a statement of this intention, but when the fifth child was visible in my grandmother’s stomach, he became so miserable (she said) and looked so trapped and forlorn, that for his own good she threw him out and told him not to come back until he remembered how to be a real man again. In this way their relationship ebbed and flowed like the great rivers that had ruled their lives and fortunes. They had nine children, although it pleased God, as Grandmother said, to reclaim two of them within their first few years of life.

      The cycle of Grandfather’s going and coming (and of my grandmother’s pregnancies) was broken when he got into a quarrel in some foreign port and some bad men robbed him of his money, beat him up and left him to die on one of those dark and desperate docklands streets that I was readily able to picture, thanks to my mild addiction to American gangster movies. At least this is the version of the story of his death that they told me when I was a boy. As I grew into a teenager and my ears became more attuned to adult conversations – especially those that are whispered – I began to overhear other versions: that yes, the men had killed him, but it was because he had cheated in a card game and won all their money; that he had really died in a brothel in New Orleans, in bed with a woman of stunning beauty called Lucinda – shot by a jealous rival; even that he had been caught on a ship that was smuggling narcotics into the United States, and was thrown to the sharks by federal agents who boarded the vessel at sea... At any rate he was still quite a young man when he died.

      My grandmother mourned her husband for thirty years by embarking on a building project of huge proportions – the house we now lived in. She decided she would move her family out of the unhealthy capital city on the coast and build them a home on a hill overlooking the wide river and the small riverside mining town in which she herself was born. The first section of the house (‘the first Bata shoe box’, as my father puts it) was built by a carpenter friend of my grandmother’s who had hopes of replacing my grandfather in her affections, and ultimately in the home he was building for her. My grandmother allegedly teased and strung him along, like Penelope, until the new house was habitable; then, becoming her own Ulysses, she quarrelled with him in public and sent him packing. The next section of the house was built when Uncle Umberto, the eldest boy, was old enough to build it for her, and for the next twenty years he periodically added on another ‘shoe box’, until the house became as I now know it – a huge two-story structure with labyrinthine corridors and innumerable bedrooms and bathrooms (none of which has ever been completely finished) and the four ‘tower’ rooms, one at each corner, projecting above the other roofs and affording wonderful views of the town, river and surrounding forest. It is to one of these towers – the one we call ‘the bookroom’ – that I have retreated to write this story.

      When Uncle Umberto began to clear the land to lay the foundation for the third ‘shoe box’ (in the year of the great drought), he said one night he saw a light, like someone waving a flashlight, coming from one of the sandbanks that had appeared out of the much diminished river. Next morning he saw a small boy apparently stranded on the bank and he went down to the river, got into the corrial and paddled across. When he got close to the bank he realized that it was not a boy, but a naked old man, scarcely four feet tall, with a wispy beard and an enormous, crooked penis. This man gesticulated furiously to Uncle, indicating first that he should paddle closer to the sandbank and then, when the bow of the corrial had grated on the sand, that he should come no further. Uncle swears that the little man held him paralysed in the stern of the boat and spoke to him at length in a language he did not understand, although somehow he knew that the man was telling him not to build the extension to the house, because an Indian chief had been buried in that spot long ago.

      My grandmother, who had lived the first fifteen years of her life aboard her father’s sloop and had seen everything there is to be seen along these coasts and rivers, did not believe in ghosts and walking spirits and she would have none of it when Uncle Umberto suggested they abandon the second extension to the house. To satisfy Uncle she allowed him to dig up the entire rectangle of land and when no bones were found, she said: ‘O.K. Umberto, you’ve had your fun, now get serious and build on the few rooms we need so your brother Leonard could marry the woman he living in sin with and move her in with the rest of the family. It’s more important to avoid giving offence to God than to worry about some old-time Indian chief who probably wasn’t even a Christian anyway.’

      So Uncle built the shoe box despite his misgivings, but the day before his brother Leonard was to be married, there was an accident at the sawmill where he worked and a tumbling greenheart log jammed him onto the spinning blade and his body was cut in two just below the breastbone. Everyone agreed it was an accident, but Uncle Umberto knew why it had happened. Aunt Irene, Uncle Leonard’s bride, who was visibly pregnant at the time, moved into the new extension nevertheless and she and my big cousin Lennie have been part of the household ever since. Uncle Umberto, who never had children of his own, became like a father to Lennie and took special care of him, claiming that, from infancy, the boy had the identical crooked, oversized penis that the old man on the sandbank had flaunted. Uncle Umberto also saw from time to time in that part of the house, apparitions of both his brother Leonard and the Indian chief, the latter arrayed in plumed headdress and beaded loincloth and sitting awkwardly on the bed or on the edge of Aunt Irene’s mahogany bureau.

      The others now living in the big house were my own family – Papi, Mami, my sister Mac, my two brothers and I – my uncle John, the lawyer, and his wife Aunt Monica, my uncle ’Phonso and the

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