Antique To Heirloom Jelly Roll Quilts. Pam Lintott
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Washing Notes
It is important that pre-cut fabric is not washed before use. Save the washing until your quilt is complete and then make use of a colour catcher in the wash or possibly dry clean.
Specialist Tools Used
For cutting half-square triangles from strips we use the Multi-Size 45/90 and the Multi-Size 45/60 from Creative Grids, which have markings that refer to the finished size. If you are using a different ruler when cutting half-square and quarter-square triangles please make sure you are using the correct markings before cutting.
Sweet Sixteen
Antique Inspiration
The 1930s was a time of great economic upheaval, with the 1929 stock market crash in America heralding a decade of hard times called the Great Depression. This American quilt dates back to those times but is anything but depressing, with its bright colours and simple design. Quilters who couldn’t afford to buy new fabrics sought inspiration from magazines and created many inventive designs from fabric scraps, recycled clothing and feedsack materials. Block designs with small pieces, such as Bow Tie, Irish Chain and Drunkard’s Path became popular as they allowed quilters to ensure that even the smallest scraps of fabric were not wasted. Colour choices became lighter and brighter than the previously more sombre Colonial style.
This charming quilt has sixteen-patch blocks made up of sixteen small squares of different fabrics, alternating with light plain squares, and would have been a popular design to create from scrap fabrics. The quilt was bought as a quilt top while we were on a trip to the Quilt Market in Houston, USA. We backed it with a plain calico and then longarm quilted it in a medium-sized feather design. The quilt measures 75in × 86in (191cm × 219cm).
Today’s Heirloom
For our modern-day quilt it would have been very easy to use a bright and cheerful reproduction 1930s range of fabrics combined with white. The result would have looked stunning and authentic and this is an option you might consider. However, we decided instead to make our heirloom quilt in warm, creamy fabrics and chose a jelly roll from Fig Tree & Co called Buttercup. This range has a lovely mix of blue, peach, pink, mint green and light brown, and when alternated with a creamy tone-on-tone fabric it created a quilt that made you feel warm just looking at it.
This is a quick and easy quilt to create and would be a perfect design for someone who has never made a jelly roll quilt before and ‘just wants to get started’. The design echoes the antique quilt and its piecing couldn’t be easier. It could be quilted in your favourite way, by hand or machine. The quilt was made by the authors and longarm quilted by The Quilt Room.
Sweet Sixteen Quilt
Vital Statistics
Finished Size: 72in × 72in
Block Size: 8in square
Number of Blocks: 81
Setting: 9 × 9 blocks
Requirements
• One jelly roll OR forty 21⁄2in wide strips cut across the width of the fabric
• 23⁄4yd (2.5m) of background fabric
• 24in (60cm) of fabric for binding
Cutting Instructions
Jelly roll strips:
• Cut each jelly roll strip in half to create eighty half strips 21⁄2in × 21in approximately.
Background fabric:
• Cut eleven 81⁄2in wide strips across the width of the fabric and subcut each into four 81⁄2in squares. You need forty-one in total, so three are spare.
Binding fabric:
• Cut eight 21⁄2in wide strips across the width of the fabric.
Making the Sixteen-Patch Blocks
1 Select four jelly roll half strips and sew them together lengthways as in the diagram below. Press the seams in one direction. Your strip unit should measure 81⁄2in wide so adjust your seam allowance if your unit doesn’t match this measurement.
2 Lay one strip unit on the cutting mat at a time. Trim the selvedge and subcut into eight 21⁄2in segments. Always line up the markings on the ruler with the seam to make sure you are cutting at a right angle.
3 Repeat steps 1 and 2 to make twenty strip units and subcut each into eight 21⁄2in segments. You need 160 21⁄2in segments in total.
4 Choose four different segments and sew them together, turning alternate segments around so the seams are in opposite directions. Pin at every seam intersection to ensure a perfect match. Try not to sew squares of the same fabric next to each other. Press the finished block.
5 Repeat the process to make forty sixteen-patch blocks in total.
Make 40
Assembling the Quilt
6 Lay out the blocks as shown in the diagram, alternating a sixteen-patch block with a background