Place the egg white and liquid glucose in a clean bowl. Add the icing (confectioners’) sugar and mix together with a wooden spoon, then use your hands to bring the mixture into a ball.
2 Follow steps 4 and 5 of the above recipe for kneading and storage.
Sugarpaste is such a versatile modelling medium, it can be used to create an almost endless variety of cute characters.
Sugarpaste for Modelling
To convert sugarpaste into modelling paste, all you need to do is add CMC (Tylose) powder or gum tragacanth (see page 27) to the basic recipe. The quantity needed will vary according to the temperature and humidity of the room, so you may need to experiment to get the right mix depending on the conditions you are working in. As a guide, add roughly 5ml (1tsp) of CMC (Tylose) or gum tragacanth to 225g (8oz) of sugarpaste and knead well. Place inside a polythene bag and allow the CMC/gum to do its work for at least two hours. Knead the paste before use to warm it up with your hands; this will make it more pliable and easier to use.
Throughout this book I have used the combination of sugarpaste and CMC (Tylose) powder, and find it works very well. I personally prefer it to gum tragacanth. If you add too much CMC (Tylose) to the paste it will begin to crack, which is not desirable. Should this happen, add a little white vegetable fat (shortening) to soften it and make it pliable again.
Colouring Sugarpaste
Whether you choose to make your own, or to buy ready-made sugarpaste, the white variety of both forms can be coloured with paste food colourings to provide a wonderful spectrum of colours.
Solid Colours
1 Roll the sugarpaste to be coloured into a smooth ball and run your palm over the top. Take a cocktail stick or toothpick and dip it into the paste food colour. Apply the colour over the surface of the sugarpaste. Do not add too much at first, as you can always add more if required.
2 Dip your finger into some cool boiled water, shaking off any excess and run it over the top of the colour. This will allow the colour to disperse much more quickly into the sugarpaste.
3 Dust the work surface with icing (confectioners’) sugar and knead the colour evenly into the paste.
4 The colour will deepen slightly as it stands. If you want to darken it even more, just add more paste colour and knead again.
Marbled Effect
1 Apply the paste food colour to the sugarpaste as directed above, but instead of working it until the colour is evenly dispersed, knead it for a shorter time to give a marbled effect.
2 You can also marble two or more colours into a sausage shape, twist them together and then roll into a ball. Again, do not blend them together too much. Cakes and boards look particularly nice when covered with marbled paste.
Tip
When colouring white sugarpaste, do not use liquid food colour as it will make the paste too sticky.
Edible food colours come in a wide variety of forms – liquid, paste, dust and even pens – all of which can be used to add colour and life to your sugarpaste models.
Painting on Sugarpaste
There are various different ways of painting on to sugarpaste. The most common way is to use paste food colour diluted with some cooled boiled water, or you can use liquid food colours and gels. There are also some food colour pens available, but these tend to work better on harder surfaces. Another way is to dilute dust food colour with clear alcohol; this is particularly useful if you want it to dry quickly. Just wash your paintbrush in clean water when you have finished.
Brushes
In terms of brushes, to paint facial features I use no.00 or 000 sable paintbrushes. The finer and better quality the brush, the better job you will make of it. To dust the cheeks of my figures I use a cosmetics brush, which has a sponge at one end and a brush at the other. For more detailed work, you can use a variety of sable brushes in different widths.
The cheeks of this little girl were dusted with pink dust food colour and a cosmetics brush to give her a nice healthy glow.
Storing Sugarpaste
Sugarpaste will always store best wrapped tightly in a polythene bag, making sure you have removed as much air as possible, and then placed in an airtight container to protect it from atmospheric changes. It should be kept out of the sunlight and away from any humidity, in a cool, dry area at least half a metre (20in) off the ground. If the paste has become too dry to work with, knead in some white vegetable fat (shortening). The main thing to remember with any paste is to keep it dry, cool and sealed from the air, as this will make it dry out and go hard.
Food colour pens can be used to add quick and simple embellishments, such as the freckles on this elf’s cheeks. They are cleaner and easier to use than liquid food colours.
Liquid food colour is a great way to add details, such as the markings on this giraffe, which were painted on with a no.00 paintbrush.
Mastering modelling with sugarpaste is the key to creating professional-looking cakes. This section reveals all the tools and techniques you need to help sharpen your modelling skills.
General Equipment
There is a myriad of tools on the market for cake decorating and sugarcraft, but many of them are simply unnecessary. The following list gives my recommended essentials, and these are the items that form the basic tool kit listed in each of the projects in this book.
