of how Arthur slaughtered the English, but he takes care not to let me hear those songs, instead praising me and my battles with outrageous flattery by singing the words of my poets who describe me as Uhtred Strong-Sword or Uhtred Death-Giver or Uhtred the Beneficent. I sometimes see the old blind man smiling to himself as his hands pluck the strings and I have more sympathy with his scepticism than I do with the poets who are a pack of snivelling sycophants.
But in the year 877 I employed no poets and had no harpist. I was a young man who had come dazed and dazzled from the shield wall, and who stank of blood as I rode south and yet, for some reason, as we threaded the hills and woods of Defnascir, I thought of a harp.
Every lord has a harp in the hall. As a child, before I went to Ragnar, I would sometimes sit by the harp in Bebbanburg’s hall and I was intrigued by how the strings would play themselves. Pluck one string and the others would shiver to give off a tiny music. ‘Wasting your time, boy?’ my father had snarled as I crouched by the harp one day, and I suppose I had been wasting it, but on that spring day in 877 I remembered my childhood’s harp and how its strings would quiver if just one was touched. It was not music, of course, just noise, and scarcely audible noise at that, but after the battle in Pedredan’s valley it seemed to me that my life was made of strings and if I touched one then the others, though separate, would make their sound. I thought of Ragnar the Younger and wondered if he lived, and whether his father’s killer, Kjartan, still lived, and how he would die if he did, and thinking of Ragnar made me remember Brida, and her memory slid on to an image of Mildrith, and that brought to mind Alfred and his bitter wife Ælswith, and all those separate people were a part of my life, strings strung on the frame of Uhtred, and though they were separate they affected each other and together they would make the music of my life.
Daft thoughts, I told myself. Life is just life. We live, we die, we go to the corpse-hall. There is no music, just chance. Fate is relentless.
‘What are you thinking?’ Leofric asked me. We were riding through a valley that was pink with flowers.
‘I thought you were going to Exanceaster?’ I said.
‘I am, but I’m going to Cridianton first, then taking you on to Exanceaster. So what are you thinking? You look gloomy as a priest.’
‘I’m thinking about a harp.’
‘A harp!’ He laughed. ‘Your head’s full of rubbish.’
‘Touch a harp,’ I said, ‘and it just makes noise, but play it and it makes music.’
‘Sweet Christ!’ He looked at me with a worried expression. ‘You’re as bad as Alfred. You think too much.’
He was right. Alfred was obsessed by order, obsessed by the task of marshalling life’s chaos into something that could be controlled. He would do it by the church and by the law, which are much the same thing, but I wanted to see a pattern in the strands of life. In the end I found one, and it had nothing to do with any god, but with people. With the people we love. My harpist is right to smile when he chants that I am Uhtred the Gift-Giver or Uhtred the Avenger or Uhtred the Widow-Maker, for he is old and he has learned what I have learned, that I am really Uhtred the Lonely. We are all lonely and all seek a hand to hold in the darkness. It is not the harp, but the hand that plays it.
‘It will give you a headache,’ Leofric said, ‘thinking too much.’
‘Earsling,’ I said to him.
Mildrith was well. She was safe. She had not been raped. She wept when she saw me, and I took her in my arms and wondered that I was so fond of her, and she said she had thought I was dead and told me she had prayed to her god to spare me, and she took me to the room where our son was in his swaddling clothes and, for the first time, I looked at Uhtred, son of Uhtred, and I prayed that one day he would be the lawful and sole owner of lands that are carefully marked by stones and by dykes, by oaks and by ash, by marsh and by sea. I am still the owner of those lands that were purchased with our family’s blood, and I will take those lands back from the man who stole them from me and I will give them to my sons. For I am Uhtred, Earl Uhtred, Uhtred of Bebbanburg, and destiny is everything.
Alfred, famously, is the only monarch in English history to be accorded the honour of being called ‘the Great’ and this novel, with the ones that follow, will try to show why he gained that title. I do not want to anticipate those other novels, but broadly, Alfred was responsible for saving Wessex and, ultimately, English society from the Danish assaults, and his son Edward, daughter Æthelflaed and grandson Æthelstan finished what he began to create which was, for the first time, a political entity they called ‘Englaland’. I intend Uhtred to be involved in the whole story.
But the tale begins with Alfred who was, indeed, a very pious man and frequently sick. A recent theory suggests that he suffered from Crohn’s Disease, which causes acute abdominal pains, and from chronic piles, details we can glean from a book written by a man who knew him very well, Bishop Asser, who came into Alfred’s life after the events described in this novel. Currently there is a debate whether Bishop Asser did write that life, or whether it was forged a hundred years after Alfred’s death, and I am utterly unqualified to judge the arguments of the contending academics, but even if it is a forgery it contains much that has the smack of truth, suggesting that whoever wrote it knew a great deal about Alfred. The author, to be sure, wanted to present Alfred in a glowing light, as warrior, scholar and Christian, but he does not shy away from his hero’s youthful sins. Alfred, he tells us, ‘was unable to abstain from carnal desire’ until God generously made him sick enough to resist temptation. Whether Alfred did have an illegitimate son, Osferth, is debatable, but it seems very possible.
The biggest challenge Alfred faced was an invasion of England by the Danes. Some readers may be disappointed that those Danes are called Northmen or pagans in the novel, but are rarely described as Vikings. In this I follow the early English writers who suffered from the Danes, and who rarely used the word Viking which, anyway, describes an activity rather than a people or a tribe. To go viking meant to go raiding, and the Danes who fought against England in the ninth century, though undoubtedly raiders, were pre-eminently invaders and occupiers. Much fanciful imagery has been attached to them, chief of which are the horned helmet, the berserker and the ghastly execution called the spread-eagle, by which a victim’s ribs were splayed apart to expose the lungs and heart. That seems to have been a later invention, as does the existence of the berserker, the crazed naked warrior who attacked in a mad frenzy. Doubtless there were insanely frenzied warriors, but there is no evidence that lunatic nudists made regular appearances on the battlefield. The same is true of the horned helmet for which there is not a scrap of contemporary evidence. Viking warriors were much too sensible to place a pair of protuberances on their helmets so ideally positioned as to enable an enemy to knock the helmet off. It is a pity to abandon the iconic horned helmets, but alas, they did not exist.
The assault on the church by the Danes is well recorded. The invaders were not Christians and saw no reason to spare churches, monasteries and nunneries from their attacks, especially as those places often contained considerable treasures. Whether the concerted attack on the northern monastic houses happened is debatable. The source is extremely late, a thirteenth-century chronicle written by Roger of Wendover, but what is certain is that many bishoprics and monasteries did disappear during the Danish assault, and that assault was not a great raid, but a deliberate attempt to eradicate English society and replace it with a Danish state.
Ivar
