Brilliant, Brilliant, Brilliant Brilliant Brilliant. Joel Golby

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know when a cat is really distressed – like, really, really freaked out – they pant? Honestly, it’s fucking crazy. It sounds like a werewolf transformation scene in an especially bogus eighties movie. This cat is panting and panting and panting. The noises coming out of this box, my god. Anyway, long story short: we get on the train, sit at a four-seater table, and then Jez just immediately panic-shits everywhere. Just everywhere. Jemma has to take him into a train bathroom and clean him up with wet wipes like a baby. Boz is chill throughout.

      My parents are dead and my sister has gone back to London for the weekend because ‘this fucking shitheap fucking town is driving me deranged’ (my words, not hers) (my sister did NOT say this) and so I am left, alone here, with the echoing floors and the still bristling ashtrays and my mum’s phonebook, carefully handwritten and overwritten and rewritten, years of house moves and name changes and marriages and divorce, with the names and numbers of all her families and friends. And it’s me, my turn – my sister did this when my dad died, it is my turn to do this now – it is my turn to call everyone and tell them she is dead. The first person I call is my mum’s best friend, Teresa, the best woman in the world, the woman who still even now sends me Christmas cards with ‘NOT 2B OPENED B4 24/12/2017’ written on them, mum’s one best friend throughout her life, the one friend she loved throughout it all, decades she has known her, Teresa, decades she has known me, she has seen my dick as a baby and seen me have tantrums as a teenager and seen me grow, sort of, into an adult, and she is driving when she picks up, it sounds like, on the hands-free, and briefly she is pleased to hear from me because I’ve literally never phoned her in my life, she says it so surprised, so genuine, ‘oh hi’ she says, and ‘how are you?’ and then I have to tell her, and the words feel dry in my mouth because I haven’t ever said them yet, ‘Terri,’ I say. ‘It’s mum. She’s dead.’ And Terri goes no, no.

      That’s all I remember: no, no.

      Sometimes when I try and sleep I close my eyes and I can still hear it exactly how she said it: no, no.

      With her voice kind of breaking halfway through. And there’s a pause, and she says, ‘I’ll have to call you back’ and I say yes, and then I just sort of sit there, holding the phone, just sat in the armchair, looking.

      And that is definitely the worst thing I’ve ever had to do in my entire life.

      And for the rest of the friends we just announce it via a Facebook status, because who can do that, really. Who can do that to themselves.

      * * *

      My parents are dead and I am drunk, so much drunker than everyone else around me, so drunk for a Wednesday, and it’s so obvious, being that drunk, such an obvious way of coping, but here I am. My sister is in London still and the cats are at the friends’ house and all my mates are at work and so it’s just me, in the house, going crazy at the way this place seems to have deformed and changed in the time I’ve been here, the very shape of the rooms seem different, too quiet, and I try and start the day normally – I have opened my laptop and started a game of Football Manager and I am convinced I can pull Queen’s Park Rangers up out of the Championship and into the path of glory, and a lot of that glory depends on the form of a misfiring Bobby Zamora – and but it’s 1 p.m. now and I’m bored and still not dressed yet and, long story short, lunch is one ham and coleslaw bap, one small bag of Mini Cheddars, and a fantastic amount of beer and bourbon drunk alone. I have just discovered the boilermaker – a bottle of American beer chased with a greasy shot of bourbon – and have decided it is fantastic. By 5 p.m. QPR have been relegated because I’m trying to play five men up front, and I am roaring.

      So we’re out tonight, everyone out tonight, even though it’s a Wednesday and not typically an out-tonight kind of night, but because I have requested it and because my mum is dead everyone is going along with it so whatever, and when I arrive at the same pub we all go to –Wetherspoons; shout out to! – everyone is there slowly sipping their first pints and someone turns to me with a note of surprise in their voice and says Joel, they say, you’re so drunk.

      And I say: hell fuck shit fuck yeah I’m drunk! And I order another two boilermakers (two.). And I would say this activity continues for roughly three more years.

      My parents are dead and the fridge is, too. I cannot believe this: the day my mother died the fridge in her house also decided to expire, so it’s just this lifeless white box and we have to keep milk for tea in this foil-lined freezer bag on the side, and let’s be honest about this system: it does not actually work. Already, my health has deteriorated drastically as a result of my mother’s death – two weeks alone in a house with no fridge and no store cupboard reserves has left me stringing meals together from whatever I can buy that day from the nearest decent supermarket a mile away, microwave friendly a plus, or whatever I can muster in desperation at whatever time I wake up from the local corner shop (one dreary grey Sunday, with no other shops open and nowhere to turn, I end up going to the Spar and my dietary intake for the day was 1 x entire thing of fromage frais, 1 x entire packet of Cheesestrings, 1 x apple, 1 x pack of popular prawn-and-maize snack Skips, no other vitamins or minerals). I am eating in pubs, a lot. I am eating a lot of sugared cereals. I feel like hell. I feel like garbage. I would pay up to £1,000 for someone else’s mum to cook me a meal and tell me it’s okay.

      My parents are dead and I don’t know what my dad’s face looks like any more. I know what my mum’s face looks like: I can look directly in a mirror for that, imagine myself with a grey chin-length bob and a fag on the go, yelling at the tennis, by which I mean to say I have my mother’s exact face (my sister, too, has her mother’s exact face: our shared dad had weak genes, clearly). But his face … not so much. Every early January I am vaguely reminded of his death – he died on the fourth, early in the year, which obviously made it double-sad because that was so close to Christmas (see ibid., re: already being very marred), which marred the occasion somewhat. The last Christmas present he ever got me, since you ask, was a Dreamcast console, which I discovered ten years later when we were clearing out Mum’s house, and when I found it I just squatted on the floor and held it and looked into the middle distance and Thought A Lot About Stuff, which you do a fair amount of when both your parents are dead – and I realised with a jolt this year that this January marks 15 Januaries without him, equal in number to the 15 Januaries I had with, meaning I have now spent more of my life without a father than with. And those memories are becoming blurry now – the things he did, the way his voice sounded, gentle but melodic, sort of, the way he smelled so bad because he was a smoker, and the way the car smelled so, so bad because he was a smoker, and all the smoke – but his face. His face. I just can’t picture it. Sometimes I go to my sister’s house and idly flick my eyes over at a bookshelf and there, buried among knick-knacks and shells and Asian-looking scrolls from her time in Malaysia and in amongst all that crap, boom: there’s a perfect sharp photo portrait of my dad, the one I took when I was about eight, when, after school, I went with him to the local college nearby, where he knew the photography lecturer who let him use the dark room there; and there, in the empty hours of the evening, he’d sit and make a shallow pool of chemicals slowly splash, and, alchemy-like, black-and-white photos would emerge; and I would spend most of these times bored out of my mind, or playing with something – a Gameboy, an off-brand single-note Thunderbirds-themed electronic game, a Tazo – until, once, he set the camera up for me – steadied it on the tripod, gauged the aperture and ISO, stood me on a box and trailed a shutter release wire down to me, then sat in front of the camera, click. And then he went to the back and developed it – out of the canister, into the pool, slick paper pushed into the bath with tongs – and then, what seemed like hours later, there: the last photo of him ever taken. I had just eaten a Kinder Egg and had chocolatey fingers, and there, in my excitement, I grabbed the photo, smudging the back – my tiny fingerprints still mark the back of it – and I remember the photo. I remember the chemical smell. I remember the Kinder Egg and the slow, short walk home, pink sun setting in a red sky. I remember the Hoover repair shop we always had to walk past on the way

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