the suitcase she had nearly tripped over moments earlier. It was still sitting under the bench. Slowing, she walked to the suitcase, looking around for someone coming to claim it.
When no one did, Grace knelt to examine the suitcase. There was nothing terribly extraordinary about it, rounded like a thousand other valises that travelers carried through the station every day, with a worn mother-of-pearl handle that was nicer than most. Only this one wasn’t passing through; it was sitting under a bench unattended. Abandoned. Had someone lost it? She stopped with a moment’s caution, remembering a story from during the war about a bag that was actually a bomb. But that was all over, the danger of invasion or other attack that had once seemed to lurk around every corner now faded.
Grace studied the case for some sign of ownership. There was a name chalked onto the side. She recalled uneasily some of Frankie’s clients, survivors whom the Germans had forced to write their names on their suitcases in a false promise that they would be reunited with their belongings. This one bore a single word: Trigg.
Grace considered her options: tell a porter, or simply walk away. She was late for work. But curiosity nagged at her. Perhaps there was a tag inside. She toyed with the clasp. It popped open in her fingers seemingly of its own accord. She found herself lifting the lid a few inches. She glanced over her shoulder, feeling as though at any minute she might get caught. Then she looked inside the suitcase. It was neatly packed, with a silver-backed hairbrush and an unwrapped bar of Yardley’s lavender soap tucked in a top corner, women’s clothes folded with perfect creases. There was a pair of baby shoes tucked in the rear of the case, but no other sign of children’s clothing.
Suddenly, being in the suitcase felt like an unforgivable invasion of privacy (which, of course, it was). Grace pulled back her hand quickly. As she did, something sliced into her index finger. “Ouch!” she cried aloud, in spite of herself. A line of blood an inch or more long, already widening with red bubbles, appeared. She put her finger to her mouth, sucking on the wound to stop the bleeding. Then she reached for the case with her good hand, needing to know what had cut her, a razor or knife. Below the clothes was an envelope, maybe a quarter inch thick. The sharp edge of the paper had cut her hand. Leave it, a voice inside her seemed to say. But unable to stop herself, she opened the envelope.
Inside lay a pack of photographs, wrapped carefully in a piece of lace. Grace pulled them out, and as she did a drop of blood seeped from her finger onto the lace, irreparably staining it. There were about a dozen photos in all, each a portrait of a single young woman. They looked too different to be related to one another. Some wore military uniforms, others crisply pressed blouses or blazers. Not one among them could have been older than twenty-five.
Holding the photos of these strangers felt too intimate, wrong. Grace wanted to put them away, forget what she had seen. But the eyes of the girl in the top photo were dark and beckoning. Who was she?
Just then there were sirens outside the station and it felt as though they might be meant for her, the police coming to arrest her for opening someone else’s bag. Hurriedly, Grace struggled to rewrap the photos in the lace and put the whole thing back into the suitcase. But the lace bunched and she could not get the packet back into the envelope. The sirens were getting louder now. There was no time. Furtively, she tucked the photos into her own satchel and she pushed the suitcase back under the bench with her foot, well out of sight.
Then she started for the exit, the wound on her finger throbbing. “I should have known,” she muttered to herself, “that no good could ever come from going into the station.”
Eleanor
London, 1943
The Director was furious.
He slammed his paw-like hand down on the long conference table so hard the teacups rattled and tea sloshed over the rims all the way at the far end. The normal banter and chatter of the morning meeting went silent. His face reddened.
“Another two agents captured,” he bellowed, not bothering to lower his voice. One of the typists passing in the corridor stopped, taking in the scene with wide eyes before scurrying on. Eleanor stood hurriedly to close the door, swatting at the cloud of cigarette smoke that had formed above them.
“Yes, sir,” Captain Michaels, the Royal Air Force attaché, stammered. “The agents dropped near Marseille were arrested, just hours after arrival. There’s been no word and we’re presuming they’ve been killed.”
“Which ones?” the Director demanded. Gregory Winslow, Director of Special Operations Executive, was a former army colonel, highly decorated in the Great War. Though close to sixty, he remained an imposing figure, known only as “the Director” to everyone at headquarters.
Captain Michaels looked flummoxed by the question. To the men who ran the operation from afar, the agents in the field were nameless chess pieces.
But not to Eleanor, who was seated beside him. “James, Harry. Canadian by birth and a graduate of Magdalen College, Oxford. Peterson, Ewan, former Royal Air Force.” She knew the details of every man they’d dropped into the field by heart.
“That makes the second set of arrests this month.” The Director chewed on the end of his pipe without bothering to light it.
“The third,” Eleanor corrected softly, not wanting to enrage him further but unwilling to lie. It had been almost three years since Churchill had authorized the creation of Special Operations Executive, or SOE, and charged it with the order to “set Europe ablaze” through sabotage and subversion. Since then, they had deployed close to three hundred agents into Europe to disrupt munitions factories and rail lines. The majority had gone into France as part of the unit called “F Section” to weaken the infrastructure and arm the French partisans ahead of the long-rumored cross-Channel Allied invasion.
But beyond the walls of its Baker Street headquarters, SOE was hardly regarded as a shining success. MI6 and some of the other traditional government agencies resented SOE’s sabotage, which they saw as amateurish and damaging to their own, more clandestine, operations. The success of SOE efforts were also hard to quantify, either because they were classified or because their effect would not be fully felt until the invasion. And lately things had started to go wrong, their agents arrested in increasing number. Was it the size of the operations that was the problem, making them victims of their own success? Or was it something else entirely?
The Director turned to Eleanor, newfound prey that had suddenly caught the lion’s attention. “What the hell is happening, Trigg? Are they ill prepared? Making mistakes?”
Eleanor was surprised. She had come to SOE as a secretary shortly after the organization was created. Getting hired had been an uphill battle: she was not just a woman, but a Polish national—and a Jew. Few thought she belonged here. Oftentimes she wondered herself how she’d come from her small village near Pinsk to the halls of power in London. But she’d persuaded the Director to give her a chance, and through her skill and knowledge, meticulous attention to detail and encyclopedic memory, she had gained his trust. Even though her title and pay had remained the same, she was now much more of an advisor. The Director insisted that she sit not with the other secretaries along the periphery, but at the conference table immediately to his right. (He did this in part, she suspected, to compensate for his deafness in his ear on that side, which he admitted to no one else. She always debriefed him in private just after the meeting to make certain he had not missed anything.)
This was the first time, though, that the Director had asked for her
