never forget.”
“Anything?”
“Not anything like this.”
How intriguing. “Really, because that’s—”
“Talk,” he barked.
His intensity gave her the strength to obey. “Okay.” She closed her eyes and forced the painting to the front of her mind. “There’s a cold metal slab, stainless steel, I think, and it’s splattered with dried b-blood. There are shackles at the top and bottom, holding a woman’s wrists and ankles, and those are also splattered. There are holes on the slab and floor … drains, I think, and they’re splattered, as well. There’s a man. He’s clutching a knife over the woman’s abdomen.” Every word caused her heart rate to quicken and little beads of sweat to dot her skin. Sweat, yet her blood had thickened with ice.
“Describe the man.”
“I can’t.” Her lashes fluttered open as a shudder rocked her. Nausea rolled through her stomach, a common occurrence these days. “I haven’t yet painted his face.” Wasn’t sure she wanted to see it. Even the thought of him made her want to hide under her covers and cry.
“What have you painted of him?”
“His lower body. His arms. Some of his chest.”
“And he’s wearing …?”
Good question. She’d been so focused on what was happening in the picture that she hadn’t paid any attention to the little details her mind had somehow caught. “A white button-up shirt and dark slacks.”
“Possibly a businessman, then. Gloves?”
“No.”
“Is he pale, tan, black, what?”
“Tan, though not as tan as you.”
“Okay, now describe the woman.”
“I can’t,” she repeated, a mere whisper. She flattened a hand over her stomach, hoping to ward off even a little of the sickness. “Not her face, I mean. She’s naked, and her skin is pale.”
“Does she have any birthmarks or scars?”
Harper licked her lips, pictured the female and shook her head. “If she does, I haven’t added them yet.”
His gaze sharpened on her, more intense than before and kind of, well, terrifying. This was not a guy to anger, or taunt, or even to play with. He would retaliate, no question. “How much of her have you painted?”
“All but the head.”
“Is she a brunette, blonde or redhead?”
“How would I—”
His pointed gaze explained for him.
“Oh. Uh, I don’t actually know. The bottom half of her is blocked by the man’s torso.”
“Is she alive or dead in the painting?”
“Dead, I think.” And probably happy to have escaped the pain.
Silence once again permeated the room, thick and oppressive, reminding her of exactly why she hadn’t wanted to come here. She’d known he would doubt her—as she sometimes doubted herself—or suspect her of playing a part in the murder.
Lana believed the woman was indeed real and Harper had stumbled upon the scene. As an employee of the Oklahoma City branch of After Moonrise, a company specializing in grisly murders and the spirits those murders sometimes left behind, she ought to know. But her belief stemmed not from the painting, but from the fact that there were two weeks neither Harper nor Lana could account for. Harper could have been trapped with the man and his victim, and somehow, miraculously, have managed to escape.
Her friend had showed the painting to her coworkers, but they hadn’t taken the case. Lana had even begged—which, in her case, meant she’d cracked heads around—and they’d finally given in and said they would look into it, but so far, they’d discovered nothing. If they’d even tried. Lana was doing everything she could on her own, but as someone used to dealing with spirits rather than bodies, this wasn’t her area of expertise.
So, when Lana heard a detective was living in their building, she had insisted Harper nut up and speak out.
This tormend you, she’d said in a Lithuanian accent that came and went with her moods. When she was happy, she sounded as American as Harper. When she was scared or angry, hello, the accent appeared, as thick as if she’d just stepped off the plane. So often now, she was sad, and at the time she’d been filled with so much sorrow over what Harper might have endured that her teeth had chattered. Let man help you. That girl … she deserve peace, rest. Please.
I can’t. He’ll suspect me of hurting her.
Maybe at first, but then he see the trut …. Please, do for her, for you, for … me.
Given the fact that Lana had spent every night of the past few weeks sobbing for the pain Harper suffered over the entire ordeal, well, Harper had been willing to do anything her friend asked, no matter the consequences to herself.
“Harper.” The curt bark of Levi’s voice jolted her out of her thoughts. “You with me?”
“Well, I am now,” she grumbled. “Do you have an inside voice?”
His lips twitched at the corners, hinting at an amusement he’d so rarely shown. That humor transformed his entire face. Those emerald eyes twinkled, little lines forming at the corners. His mouth softened, and his skin seemed to glow.
“Have you ever painted anything like this before?” he asked.
“No. I love painting people, but not like this. Never like this. Why does that matter?”
“Once, and it’s plausible you stumbled upon some kind of scene. Twice, and it’s more plausible your mind manufactured everything.”
Okay, that made sense. “Well, it was only once. And just so you know, I can’t see the dead, so it wasn’t a bunch of spirits putting on a show for me, either.” She wasn’t like Lana, who had always had the ability to see into that other realm.
“I’ll need to view your new painting, as well as a sample of your usual work,” Levi said.
“All right. The new one isn’t done, though. Obviously.”
His head tilted to the side, his study of her intensifying. “When did you begin painting it?”
“About two weeks ago.” She tried not to squirm or wring her fingers under such a probing stare—until she realized that his probing stare was a good thing. Criminals would not stand a chance against this man’s strength and ferocity. If her painting were a depiction of a real-life event, Levi would find out the identity of the man responsible and punish him. “Little by little, I’ve been filling in the details.”
Another bout of silence before he sighed. “Let’s
