Sanditon. Jane Austen

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and morbid virtues of any opposing character. Our approbation of the latter is but eleemosynary. These are the novels which enlarge the primitive capabilities of the heart; and which it cannot impugn the sense or be any dereliction of the character of the most anti-puerile man, to be conversant with.”

      “If I understand you aright,” said Charlotte, “our taste in novels is not at all the same.”

      And here they were obliged to part, Miss Denham being much too tired of them all to stay any longer.

      The truth was that Sir Edward, whom circumstances had confined very much to one spot, had read more sentimental novels than agreed with him. His fancy had been early caught by all the impassioned and most exceptionable parts of Richardson’s, and such authors as had since appeared to tread in Richardson’s steps, so far as man’s determined pursuit of woman in defiance of every opposition of feeling and convenience was concerned, had since occupied the greater part of his literary hours, and formed his character. With a perversity of judgement which must be attributed to his not having by nature a very strong head, the graces, the spirit, the sagacity and the perseverance of the villain of the story out-weighed all his absurdities and all his atrocities with Sir Edward. With him such conduct was genius, fire and feeling. It interested and inflamed him. And he was always more anxious for its success, and mourned over its discomfitures with more tenderness, than could ever have been contemplated by the authors.

      Though he owed many of his ideas to this sort of reading, it would be unjust to say that he read nothing else or that his language was not formed on a more general knowledge of modern literature. He read all the essays, letters, tours and criticisms of the day; and with the same ill-luck which made him derive only false principles from lessons of morality, and incentives to vice from the history of its overthrow, he gathered only hard words and involved sentences from the style of our most approved writers.

      Sir Edward’s great object in life was to be seductive. With such personal advantages as he knew himself to possess, and such talents as he did also give himself credit for, he regarded it as his duty. He felt that he was formed to be a dangerous man, quite in the line of the Lovelaces. The very name of Sir Edward, he thought, carried some degree of fascination with it. To be generally gallant and assiduous about the fair, to make fine speeches to every pretty girl, was but the inferior part of the character he had to play. Miss Heywood, or any other young woman with any pretensions to beauty, he was entitled (according to his own view of society) to approach with high compliment and rhapsody on the slightest acquaintance. But it was Clara alone on whom he had serious designs; it was Clara whom he meant to seduce.

      Her seduction was quite determined on. Her situation in every way called for it. She was his rival in Lady Denham’s favour; she was young, lovely and dependent. He had very early seen the necessity of the case, and had now been long trying with cautious assiduity to make an impression on her heart and to undermine her principles. Clara saw through him and had not the least intention of being seduced; but she bore with him patiently enough to confirm the sort of attachment which her personal charms had raised. A greater degree of discouragement indeed would not have affected Sir Edward. He was armed against the highest pitch of disdain or aversion. If she could not be won by affection, he must carry her off. He knew his business. Already had he had many musings on the subject. If he were constrained so to act, he must naturally wish to strike out something new, to exceed those who had gone before him; and he felt a strong curiosity to ascertain whether the neighbourhood of Timbuctoo might not afford some solitary house adapted for Clara’s reception. But the expense, alas! of measures in that masterly style was ill-suited to his purse; and prudence obliged him to prefer the quietest sort of ruin and disgrace for the object of his affections to the more renowned.

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