books purchased in their shop gave me a very good start.
I also loved looking more deeply into the life of Spymaster Walsingham—one of the many fascinating characters of the Elizabethan era. He spent his life corralling information in a time when such an endeavour seemed impossible, managing a vast network of informants and agents in an effort to keep the Queen safe. He liked to use actors—such as the ill-fated Marlowe—due to their literacy, their powers of observation, their fluid movements, both geographically and socially, and the fact they always needed money.
Walsingham died in 1590, soon after the action of this story, but I enjoyed giving him a role in this tale, as well as his daughter Frances, Lady Essex—who, despite reputedly being rather plain, married first the famous poet Sir Philip Sidney and then the Court heartthrob the Earl of Essex.
And I also loved seeing what happened to Edward and Elizabeth, whom I first met in my Undone short story, To Court, Capture, and Conquer! They set me on this journey in the first place, and I’m glad to see they are still happily in love and having adventures.
Please visit my website—http://ammandamccabe.com—for more behind-the-book history!
The Taming of the Rogue
Amanda McCabe
MILLS & BOON
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Chapter One
London, 1589
God’s wounds, but it was another fight. And Anna was sure she could guess what the cause was, too.
She put down the costume she was mending, and peered over the railing of the upper gallery to the stage below. Morning rehearsal had not yet begun for Lord Henshaw’s Men, and only a few of the players sat there, desultorily running their lines as Old Madge swept up the used rushes of yesterday’s performance. It seemed an ordinary start to a day at the White Heron Theatre—perhaps she had imagined that shout.
Nay, for there it was again, moving closer from the lane outside. A man’s hoarse yell, a woman’s scream. A mocking laugh.
The men on the stage heard it, too, breaking off mid-sentence to turn curiously towards the bolted doors.
‘It seems Master Alden has returned,’ Anna called down to them, her voice calm and steady. Unlike the rest of her. Her hands trembled as she longed to grab Robert Alden and give him a violent shake! And then to drag him close and kiss him …
‘Fool,’ she whispered, not knowing if she meant him—or herself. She had fought hard to impose control on her life, and she wasn’t going to let a ridiculously handsome, troublemaking actor wreak havoc on that.
‘Shall we bring him in?’ asked Ethan Camp, the company’s comedian. He relished a good brawl.
‘I suppose we must,’ Anna said. ‘He owes us a new play, and we’ll never have it if his arms are broken.’
She spun round and hurried towards the narrow staircase, lifting her grey wool skirts as she dashed down the winding wooden steps past the lower galleries, empty and echoing so early in the day, and into the yard which was open to the sky above. The quarrel was louder there, as if the participants played to the groundlings.
But Anna knew too well that if any blood was shed it would not be from a burst pig’s bladder hidden under a costume.
Ancient Elias, the porter, was already unlocking the doors, the players drawing their daggers. Even Madge leaned on her broom, looking on with keen interest.
As if theatre life was not already unpredictable enough, Anna thought wryly. Robert Alden could always be relied upon to liven things up.
And that was why she was such a fool. She finally had her life orderly again, after the end of a most ill-advised marriage and a blessed widowhood. She helped her father with his many businesses, especially the White Heron, and she loved the challenge of it all. The fact that she was good at the work, and was needed, was something new and welcome. She could do her work and hide backstage. She had no more use for the perils of romance. Especially with an actor.
But when she looked at Rob Alden she felt like a silly girl again. A blushing, giggling clot-pole of a girl, just like all the legions of ladies who only came to the theatre to watch him on stage. To toss flowers at his feet and swoon. To lift their skirts for him in one of the boxes when they thought no one was looking.
He was a handsome, tempting devil, indeed. One with the magical gift of poetry in addition to his azure eyes and tight backside. Anna refused to be tempted. Refused to be another of his easy conquests. Her task was only to lure plays from him, those wondrous tales that drew vast crowds and great profits. A play by Robert Alden was always a great success, and ran for days and days to sold-out crowds.
But there would be no beautiful words if he killed himself in a brawl, which Anna feared he might. He had a reputation even in tumultuous Southwark for his temper.
As soon as the doors swung open she dashed through them, clutching the fearsome weapon of her sewing scissors even as she wished she had the short sword she carried when she collected her father’s rents. The actors were right behind her.
Southwark was fairly quiet in the morning hours. A district that made a living in dubious pleasures like bear pits, brothels and taverns—all the things that were banished from within the city walls and into the suburbs—could never easily rouse itself after a long night’s revelry. The thick pearl-grey mist drifting off the river hung over the shuttered, close-packed buildings and the muddy, mucky lanes.
But a few shutters were thrown open, sleepy faces peering down to see what the trouble was. Trouble always attracted attention in Southwark, no matter what the hour. But everyone soon melted away once it was over.
Anna first saw the woman—a buxom female clad in once-bright, now-dingy yellow satin, her matching yellow hair straggling over her shoulders. She was crying, the tears carving streaks in her thick face paint.
Anna’s gaze darted to the man who stood in front of the whore, waving a sword around wildly. A great, portly bear of a man, with a reddened
