ection>
“Megan. Gently lower the painting
to the floor and back away.”
“Back away?” she repeated, her voice reedy.
He took her by the shoulders. “Lower the painting.”
Slowly, she let it fall, and the painting came to a rest on the floor of her closet. She stepped back, allowing him to propel her toward the front door. He captured her outstretched hand before she could touch the knob.
“We’ve contaminated the scene enough,” he said, and pulled out a pair of rubber gloves. He slipped one on and opened the door.
When they cleared the threshold, he used his cell phone to call dispatch.
Megan looked so small and vulnerable. He resisted the urge to take her in his arms. He had to stay objective. “We’ll wait for the CSI team.”
“And then?”
Regret lay heavy across his shoulders. “Then I have to take you in.”
MILLS & BOON
Before you start reading, why not sign up?
Thank you for downloading this Mills & Boon book. If you want to hear about exclusive discounts, special offers and competitions, sign up to our email newsletter today!
Or simply visit
Mills & Boon emails are completely free to receive and you can unsubscribe at any time via the link in any email we send you.
TERRI REED
At an early age Terri Reed discovered the wonderful world of fiction and declared she would one day write a book. Now she is fulfilling that dream and enjoys writing for Steeple Hill Books. Her second book, A Sheltering Love, was a 2006 RITA® Award Finalist and a 2005 National Readers’ Choice Award Finalist. Her book Strictly Confidential, book five of the Faith at the Crossroads continuity series, took third place in the 2007 American Christian Fiction Writers Book of the Year Award. She is an active member of both Romance Writers of America and American Christian Fiction Writers. She resides in the Pacific Northwest with her college-sweetheart husband, two wonderful children and an array of critters. When not writing, she enjoys spending time with her family and friends, gardening and playing with her dogs.
You can write to Terri at P.O. Box 19555, Portland, OR 97280, visit her on the Web at www.loveinspiredauthors.com, or leave comments on her blog at http://ladiesofsuspense.blogspot.com/.
Terri Reed
DOUBLE THREAT Christmas
Every good thing bestowed and every perfect gift
is from above, coming down from the Father of
lights, with whom there is no variation,
or shifting shadows.
—James 1:17
To my family, for putting up with the long hours
at the keyboard. I love you all.
CONTENTS
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
EPILOGUE
DISCUSSION QUESTIONS
ONE
“I didn’t kill those men!”
The declaration so angrily delivered by the petite curator of New York City’s Sinclair Art Gallery held more sincerity than most perps’.
Even so, homicide detective Paul Wallace barely managed to contain his scoff. He’d heard those exact words way too many times during the course of his law-enforcement career.
And denial was the fallback in every situation for most suspects.
Even suspects as lovely as Megan McClain.
Upscale all the way in her well-fitting, short-sleeved red dress and intricately patterned black pumps. Not exactly attire suited for the December snowstorm raging outside. She probably had a change of clothes stashed for the trek home—a planner.
Paul gauged her height at five feet five without the two-inch heels. She was about a hundred and ten pounds of slopes and angles. Raven-black hair fell past her shoulders, and her vivid blue eyes, the pupils dilated slightly, were set symmetrically within her pale, heart-shaped face.
The rapid beat of her heart was evident at the carotid pulse point on her graceful neck. Was she experiencing shock or remorse?
Paul glanced around, quickly assessing and cataloging the crime scene. Beyond the faintest trace of spent gunpowder and the coppery odor of blood, he detected a citruslike scent. On the yellow walls of the room they stood in, painted works of art were hung, and little display lights threw a glow on the framed pieces, creating a half circle of light on the floor beneath the bodies.
He noted that across the top threshold of each doorway, leading to other rooms full of artwork, a black seam hid a gate that would drop down if the security system was activated. Those gates were up. No alarm had been sounded. High in the corner of the room was a security monitor.
Pulling his focus back to Ms. McClain, he shrugged out of his overcoat and laid it across the crook of one arm.
“Did you hear me, Detective…?” she demanded, all spitfire and ready to explode. “Why would I call 911 if I’d killed them?”
Paul ignored her question as irrelevant, because too often the perpetrator of a crime was also the one to call 911 in an attempt to deflect the police from looking too closely at themselves. He would consider Megan McClain a suspect/potential witness, until he knew more.
“Detective
