Double Threat Christmas. Terri Reed

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Double Threat Christmas - Terri Reed Mills & Boon Love Inspired

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waved an impatient hand. “Yes, of course.”

      “Good. So you were working here alone. Is that correct?”

      “Yes. I mean no. I thought my boss was upstairs. I already went through all this with the other officer,” she huffed, and pushed a lock of hair back behind her ear to reveal sparkling stones. “And then again with those other people who practically strip-searched me.” A shudder rippled over her.

      The CSI team had performed a routine exam of her person for trace evidence, checking her hands for gunpowder residue, taking any out-of-place fibers off her clothing and looking for blood droplets that would match the victims. The team had done their job.

      Now it was his turn. Interviewing the suspects and witnesses was a vital aspect of any investigation, especially done as closely to the crime as possible while the person’s memory was fresh and they hadn’t had time to embellish or minimize any details.

      “I understand that, ma’am. Nevertheless, I need you to go through it again with me,” Paul explained.

      He’d look for inconsistencies in her account of the events and for ways to dig deeper and sift truth from lies.

      She blinked her long lashes. “Fine. My assistant had an appointment, so she’d left early. I was alone in the workroom preparing the Wahlberer painting for transport when Mr. Drake—” She gestured to one of the two dead men lying on the floor to the right.

      Ms. McClain seemed momentarily frozen as she stared at the dark-haired man sprawled on the shining cherrywood floor. A pair of long-handled sheers protruded from the man’s gut, and blood spilled out to stain the floor a deep crimson. The click and flash of the CSI tech’s camera documenting the death echoed in the room along with the hushed whispers of those working the scene.

      A stabbing indicated a crime of passion.

      “Mr. Drake came in…” Paul prompted, wondering if there was enough fire in her blood to make her commit murder.

      She turned sharply back to him, visibly refocusing, her breathing a bit irregular. “Mr. Drake arrived early. He wasn’t due for another fifteen minutes. I wasn’t ready. I asked him to wait in the red room.”

      Paul arched an eyebrow. “The red room?”

      She made a sweeping gesture with one elegant hand toward the doorways. “The different art collections are housed in separate rooms. Each room is color-coded.”

      “I see. So Mr. Drake went into the red room.”

      “No.” She pointed to the other vic lying a few feet away. “He—Mr. Vanderpool—stormed in even before Mr. Drake had taken five steps.”

      Vanderpool was as Nordic as they came with his white-blond hair and large features. His wounds were consistent with a gunshot wound. But they wouldn’t know for certain until the medical examiner did the autopsy.

      “You say he stormed in? Why do you say it like that?” Paul watched her closely, gauging her response.

      Would her gaze dart upward and to the right, searching for a fabrication, or would her eyes go up and to the left, recalling events and words of description?

      She stared straight at him with those eerily blue, sharply intelligent eyes, no shifting, no blinking. “Mr. Vanderpool and Mr. Drake both wanted the Wahlberer painting. At the auction last night both men created quite a stir when they tried to outbid each other. Mr. Vanderpool stormed in claiming the painting was supposed to be his.”

      She gave a look that spoke volumes of how dumbfounded she was by the men’s behavior. “I thought it strange that either would find the painting that valuable since Wahlberer is so new to the art world.” She gave a delicate shrug of her slim shoulders. “People who are passionate about art are an eclectic breed.”

      Paul wouldn’t know since he wasn’t much interested in art. His focus was on contributing to society by getting the job done and putting away the bad guys. “And where is this Wahlberer now?”

      The painting had not been found in the workroom as she’d claimed it should be.

      Her mouth pressed into a thin line. “I don’t know. I last saw it in the workroom on the table, wrapped in brown packaging. I hadn’t yet put the string across to secure it before I was interrupted.”

      “By Mr. Drake?”

      “Yes. By Mr. Drake.” Frustration clearly marked her words.

      “What was your relationship with Mr. Drake?”

      She stared at him aghast. “There was no relationship. He bought art through the gallery. That’s it.”

      Her denial rang true. “How much is the painting worth?”

      “Mr. Drake bought the painting for a hundred thousand dollars.”

      Ah. Motivation enough for someone to kill and steal. Even an art curator. He made a note to check into Megan’s finances. “Who knew that Mr. Drake was coming to pick up the painting?”

      “The staff. But none of them would do this,” she protested, her lip quivering.

      That remained to be seen. “You left the painting on the table.”

      “Yes.”

      He noticed she didn’t fidget or hedge.

      When she remained silent he pressed, “And then?”

      “I went to find my boss, Lester Sinclair. I thought he was in his office upstairs. But he wasn’t.”

      “Did you knock or just go in?” He’d have the CSI team check out the second floor and hall for any trace evidence.

      She folded her hands together in front of her. He noted her nails were short and her skin red and dry. As if she’d scrubbed at them. Possibly washing away blood? He made a note of his observation on his notepad.

      “I knocked first and then I went in. His office was empty,” she stated, her voice curiously flat.

      “Is there a back way from the offices upstairs to the gallery floor?”

      Two little lines appeared between her black arched eyebrows. “Yes. There’s another staircase that leads to the back of the gallery, near the restrooms.” Horror filled her expression. “But you can’t think Mr. Sinclair could have done this. He’s nearly seventy years old. Why would he commit such a heinous crime?” She tugged her bottom lip between her white, straight teeth.

      He arched his eyebrow. “If you’re sure he wasn’t in the building, then why’d you go looking for him?”

      “I didn’t know he wasn’t in the building at the time,” she replied, her eyes widening, expressing her agitation. “Only now I know.”

      “And you didn’t hear anything?”

      “I heard the gunshots.” She blinked rapidly as if to hold back tears. “I ran back downstairs and found them. My scissors were in Mr. Drake’s stomach.” She shuddered.

      Practiced

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