Unveiling The Bridesmaid. Jessica Gilmore

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Unveiling The Bridesmaid - Jessica Gilmore Mills & Boon Cherish

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wouldn’t surprise me if you got your pick of roles at the end of this secondment here or back in London. After all, as you’ve probably heard by now, Kit Buchanan’s resigned from the London office inconveniently taking my assistant with him. Maybe we could arrange for you to stay here, if you wanted to, that is...’

      Hope’s breath caught in her throat. Keep him sweet? Did Brenda know just what he wanted her to do? Was she suggesting that nude modelling was part of her job description? Because Hope was pretty sure she’d missed that clause unless it fell somewhere under ‘any other business.’

      But Brenda had also tapped into a worry that Hope had been trying very hard not to think about. Her role in London had been working as a PA for the undoubtedly brilliant if often frustrating Kit Buchanan. Yet in less than three months he had fallen in love with Maddison Carter, her job-swap partner and owner of the tiny if convenient Upper East Side studio Hope was currently living in. And that had changed everything. She hadn’t expected to feel so lost when she’d heard the news, almost grief stricken. It wasn’t that she was jealous exactly. She wasn’t in love with Kit. She didn’t really have a crush on him either, although he had a nice Scottish accent, was handsome in an ‘absent-minded professor’ kind of way and, crucially, was the only single man under thirty she spent any time with. But Kit’s resignation meant that in three months she would be returning to a new manager—and possibly a different, less fulfilling role.

      It was a long time since Hope had dreamed of archaeology; she’d pushed those dreams and any thought of university aside after her parents died, starting instead as an office junior at a firm of solicitors close to her Stoke Newington home. But when she had moved to DL Media three years ago Kit had been quick to see potential in his PA and ensured there had been a certain amount of editorial training and events work in her duties. There was no guarantee a new manager would feel the same way. But if Brenda was impressed with her then who knew what opportunities would open up? Hope took a deep breath and tried to clear her head. ‘Why does Gael need an assistant from DL Media?’ And why me? she silently added.

      ‘Because Gael O’Connor is planning a retrospective of his photographs and the blog that catapulted him into the public eye and I want to make sure that he chooses DL Media as his partner when he does so. I’ve been courting him and his agent for nearly a year and got nowhere. They say that his archive is incredible, that he could bring down careers, end marriages with his photos,’ Brenda’s voice was full of longing. ‘I can smell the sales now. This could be huge, Hope, and you could be part of it straight from the start. I want you to get me those photos and the anecdotes that accompany them. Help him sort out his archive and make sure that at the end he is so impressed he signs on the dotted line of the very generous contract we offered him. Take as long as you need, do whatever you have to do but get that signature for me. You have an in. He asked for you, your sister is marrying someone he’s close to. Anyone would kill for that kind of connection. Exploit it. If you do then I guarantee you a nice promotion and a secure future here at DL Media...’

      Hope didn’t need to ask what would happen if she failed—or if she refused. Back to England in ignominy and coffee-making, minute-taking and contract-typing-up for the rest of her days. If she was lucky. But if she agreed then she was not only getting a huge boost up the career ladder but she would also be away from the office, out from under Brenda’s eye and could grab the time to sort out Faith’s wedding. Damn Gael O’Connor, he had her exactly where he wanted her.

      ‘Okay,’ she said, injecting as much confidence into her voice as she could manage. ‘I’ll do it. You don’t have to worry, Brenda. I won’t let you down.’

      * * *

      Gael couldn’t hear Hope’s conversation with her boss but he didn’t need to. Hope was as good as his. He’d met Brenda Masterson several times and he knew her type; her eyes were fixed firmly on the prize and she wasn’t going to let anything or anyone get in her way.

      The kitchen door opened and Hope stalked through, her colour high but her eyes bright with determination. ‘I suppose you think you are very clever,’ she said. ‘Of course some might call it blackmail...’

      ‘Call what blackmail? Your boss wants my archive and I need help organising it. Seems like a fair trade to me.’ But Gael couldn’t stop the smile playing around his lips. ‘You should thank me. I’m much less of a clock watcher than Brenda. You might even get some wedding organising done while you’re here. In fact you can have today to get started. Consider it my wedding gift to the happy couple.’

      ‘Is there even an archive or is this just some kind of ruse to keep me here?’

      Gael stilled. He was so used to people knowing who he was, what he was, that the scorn in her all too candid eyes took him back. Back to the days before Expose. The days when he was nothing. ‘I see. You think this is a ploy to get you to pose? Get real, princess. I may have asked you to sit for me but I don’t beg and I certainly don’t coerce. Every one of those women over there...’ He nodded over at the canvases. ‘They came to me freely.’

      Her forehead creased. ‘So why did you ask Brenda if I could work for you?’

      ‘Because I was planning on saying yes to Brenda’s offer anyway and this saves me the hassle of finding an assistant. Because I won’t mind how you organise your time as long as the archiving work gets done so this way you can pop out to look at venues or cakes or whatever else you need to do. Not to force you into anything. Nobody is keeping you here against your will, Rapunzel, there’s no escape ladder needed. You can leave at any time.’

      Hope looked over at the chaise, a frown still creasing her forehead. ‘I’m sorry, I just thought...you said you wouldn’t help me with the wedding and then this all happened so fast.’

      ‘I’m not helping you. I’m giving you time but that’s all you’ll get out of me. I have a model to find and paint, an exhibition to put on and an archive to explain to you and oversee. The wedding’s your problem, not mine. Unless you change your mind about the picture, in which case I’ll keep my end of the bargain and help you but, like I said, your decision. It’s not part of your duties here. I have no interest in a reluctant subject.’

      She took a visible deep breath, her eyes clouded, her forehead still wrinkled with thought. She was close to a decision but whether that decision was changing her mind and posing or walking out and telling him to go to hell he had no idea.

      It was intriguing, this unpredictability.

      ‘If I said yes...’ She stopped, her eyes wary again.

      He should be feeling triumphant. He almost had her, he could tell. But Hope McKenzie wasn’t like his usual subjects. They were all eager for him to tell their stories with his paintbrush—she was all secrets and disguises. ‘Before we go any further, I need you to know exactly what you’re getting into.’

      ‘I lie there and you paint me. Right?’ The words were belligerent but her eyes dark with fear.

      ‘It’s not easy being a life model. It’s a skill. You have to keep the same pose for hours. No complaining about being cold, or achy or hungry.’

      ‘Okay.’

      ‘I asked each model to wear some jewellery that meant something to them. Something very personal.’ He pointed over at one canvas. ‘That girl there, Anna? She’s wearing pins in her hair she wore on her wedding day. This lady, Ameena, she’s wearing gold necklaces and bangles gifted to her by her parents when she emigrated to the US.’

      ‘And they have to be naked. I mean, I would have to be. Totally. I couldn’t, instead of jewellery have a scarf

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