circumstances he’d have considered himself very lucky to have her, but these circumstances were anything but normal.
His scowl deepened. One of his main sources of discontent was the fact that Sara had resisted all his efforts to find out why she stayed with her husband. She insisted that in a few more days she would have to go back, and that was the real cause of his writer’s block. Why did she feel any allegiance towards him? What twisted hold did the man have over her life?
Dammit! Leaving his desk, he walked to the windows, looking out on the scene that usually never failed to soothe his troubled psyche. The North Sea was grey today, reflecting the clouds that hovered over the headland. The mournful sound of a ship’s foghorn seemed to echo his mood, and he lifted both hands to massage the taut muscles at the back of his neck.
He had to stop this, he told himself savagely. He had to stop behaving as if he had any role to play in Sara’s future. Despite that emotional scene in her bedroom, when he’d made such a pathetic fool of himself, their association remained very much that of an employer and an employee. She’d accepted his excuse for staying on with obvious gratitude, but there’d been no further intimacy between them. Indeed, there were times when Matt wondered if he’d imagined the whole thing.
But then he’d remember the bruises he’d seen on her body and know he hadn’t.
He swore again, balling a fist and pressing it hard against the windowframe. He increased the pressure until all the blood had left his fingers and his hand was numb. And then, with an angry exclamation, he withdrew it and thrust it into his pocket, finding a masochistic pleasure in the pain he’d inflicted upon himself.
At least he’d done as he’d promised and let Bradbury know that his wife was safe and well. Or as safe and well as a woman who’d been brutalised could be, he amended grimly. He had a friend at the London Chronicle and he’d merely called in a favour by getting him to deliver the note Sara had written. Of course he hadn’t told her that he’d made the note public property, but there’d been no way he could have risked Max Bradbury burying it and continuing with his bogus concern.
As it was, there’d been a small item in yesterday’s papers. News of the letter had evidently circulated round the tabloid editors, as he’d hoped it would, and Bradbury had had to come up with a convincing explanation.
His story was that the blow he’d suffered to his head when he fell had temporarily robbed him of his memory. Thanks to Matt’s friend, he was able to claim that he’d contacted the Chronicle himself, as soon as he’d remembered that Victoria had told him she was going to visit a schoolfriend in the north of England. He’d had a letter from her now, he said, and all was well.
Until she went back, thought Matt, feeling his muscles tighten again. He’d probably done her no favours by holding Bradbury’s name up to possible ridicule, but it was too late now. It was just something else ‘Victoria’ would have to pay for.
Victoria!
His jaw clenched. One thing she had told him was that Victoria wasn’t her real name. She’d been christened Sara, she said, and Matt could only assume that it hadn’t been sophisticated enough for Max Bradbury’s wife. Not that she’d complained about it to him. Despite the fear she obviously had of her husband, she was absurdly loyal. Even though she must know that by changing her name he had removed another of the props that had made her who she was.
Matt had decided not to show Sara the article in the newspaper. He hadn’t wanted her to be concerned because Bradbury had implied that he knew where she was. The fact that he’d chosen to tell the media that she was in the north of England was just a coincidence. It had to be. But it was another example of how everything seemed to work to Bradbury’s advantage.
Sara’s rental car was no longer advertising her presence, at least. He’d had the garage in Saviour’s Bay pick it up and return it to the local franchise in Ellsmoor, and, although he’d been forced to admit that there’d been nothing wrong with it in the first place, Sara hadn’t complained. Whatever she chose to do after she left here, for the moment she seemed happy to be free of all obligations.
The phone rang before he could indulge in any further introspection, and, tamping down his resentment, he went to answer it.
‘Yeah?’
‘Matt?’
He recognised the voice at once. It was his agent, Rob Marco, and he pulled a wry face. He could guess what Rob wanted: some kind of timeframe for the completion of the new manuscript. The fact that he should have been in the final stages by now was just another cause for his tension.
‘Hi, Rob,’ he answered now, dropping down into his leather chair and propping his feet on the edge of his desk. He glanced at his watch. ‘How are things with you?’
‘They could be better,’ replied Rob, with just the trace of an edge to his voice. ‘How are things with you, Matt? When can I expect the new manuscript?’
Matt gave a sardonic snort. ‘I should have guessed this wasn’t a social call,’ he said, hooking the phone between his ear and his shoulder and pulling open the bottom drawer of the desk. ‘I don’t work well with deadlines, Rob. You know that.’
There was a moment’s silence while the other man considered his response and Matt used it to lift the half-empty bottle of whisky from the drawer. Unscrewing the cap, he treated himself to a healthy swig before setting it down beside the computer. He deserved some consolation, he told himself defensively. It was lunchtime, after all, and problems were assaulting him on all sides.
‘I’m not giving you a deadline,’ said Rob at last, his tone infinitely more conciliatory. ‘But, as you know, your next book is due for publication in the spring. Your publishers would just like to be able to announce the date of publication of the new novel on the flyleaf.’
‘What you mean is, they’re hoping I’ll sign a new contract,’ remarked Matt drily. ‘Have they come to you with any figures? I assume they’ve got an offer in mind?’
Rob sighed. ‘We haven’t gone into specifics, Matt. I wouldn’t do that without your say-so. But Nash is a good publisher. They’ve done pretty well by you in the past.’
‘In other words, you’re interested,’ said Matt, studying the toes of his loafers. Rob was a good agent, and if he was recommending another deal it meant Nash had come up with a pretty spectacular sum. Of course, the book Nash was hoping to negotiate for wasn’t his current work in progress. Their interest had been prompted by his next project, an outline of which had been with his publishers for the past three weeks.
‘It’s inviting,’ affirmed Rob. ‘I doubt if you’d get a better offer.’ He paused. ‘They’re hoping they can persuade you to sign a three-book deal this time. They’re talking seven figures. That’s as much as I’m going to say.’
Matt shook his head. ‘Seven figures,’ he echoed wryly, wishing he felt more enthusiasm for Rob’s news. But right now getting his current manuscript finished and ready for despatch seemed an insurmountable task. The idea of committing himself to writing three more books, even with a seven-figure advance, sounded almost impossible to achieve.
‘What’s wrong?’ Rob was nothing if not intuitive. ‘Isn’t it enough?’
‘More than enough,’ responded Matt, blowing out a breath. ‘Thanks, Rob. As I’ve said before, you’re the best agent in the business.’
‘But
