are you from?” Falana wanted to know. It was a question which Yomi did not think was unreasonable.
“I am from Ibadan and I have come to do some work here. I have just got a job to teach at a school in this town. I don’t know how long I am going to be here for, but it certainly will be for at least six months “, Yomi replied.
Falana sat with hands splayed over his face, and appeared for a long minute deep in thought, digesting the information before him. .
“I may have something for you but you will not be able to view it till tomorrow. However, before then you need to pay three thousand Naira as consultation fees”, Falana finally said. Yomi knew about these illegal fees. You had the choice of refusing to pay, and which translated to your being unable to find a place to rent.
“I will bring the money to you tomorrow, or whenever you are ready to take me to see the house”, Yomi offered. Falana seemed discomfited by this suggestion.
“I may even be able to let you see the house by this evening, if I can get the keys from the owner this afternoon”, he quickly said.
“In that case, I will bring the money this evening”, Yomi told him.
Yomi took Falana’s phone number and give him his own too, happy that Falana promised to give him a call before five in the evening. Till then he had nothing to do but explore the little town.
He drove aimlessly around the town .and even travelled as far to the nearby bigger town of Ilesha. He drove back again through Ijebu-jesha and took another turn westward down to Esa Oke where there was a small Polytechnic. The lonely road, which passed through pristine subsistence farmlands, flooded his mind with peace.
Yomi believed that Coming of the Drummer was the best play he wrote at the Heritage Theater. It was subsequently recorded for television. The fictional story was adapted from Yoruba traditional folklore about how drums and drummers came to be. Both stage play and film were so well praised that he was encouraged to do something similar.
It was shortly after, that he met Lamidi Ojedeji, whose Osumare Drum and Dance Troupe, was famous in the travelling entertainment circuit, far and wide. Yomi’s first contact with Baba Lamidi, as everyone fondly called him was about eight years ago. Together, Yomi and Debola ad travelled to Ijebu-Jesa to invite Baba Lamidi and his dance and drum troupe to the official opening event of the Heritage Theater. Baba, who was at that time in his sixties, could only participate in the rather strenuous dancing for a few minutes, but the encounter left a lasting impression on Yomi.
The meeting with Baba Lamidi planted a seed idea for a new stage play he planned one day in the future to write - a one-act monologue, which he titled The Bata Dancer. Yomi knew there would yet be a lot to do, because this new play project had all to do with a theme which he knew practically nothing about. Dance would be a major element of the new play, more specifically the Bata dance.
Now back again in Ijebu-Jesa, he hoped to be able to find the required presence of mind to concentrate on writing The Bata Dancer. Above all, Yomi hoped that Baba Lamidi Ojedeji was still alive, because he hadn’t seen him in eight years.
It wasn’t too difficult to locate Baba Lamidi’s house, in this small town. Yomi had been to visit twice before. It was a well-built storey building with a large front courtyard. The building showed signs that it was built by someone of more than average means. The tired brown paint however suggested that the owner was tired of beautifying a perpetual cost-centre
“Who are you looking for? “. Yomi was accosted at the gate by a lady as he entered Baba Lamidi’s compound. She looked about five years or so younger than him and had a deep voice, almost like a man’s voice. Her voice sounded rather nice and pleasant though. Yomi thought she looked nearly out of place in front of this house.
“I am looking for Baba Lamidi”, Yomi reciprocated her pleasantness.
“What do you want to see him about”, the lady persisted.
“I’ve been here before. I am from Ibadan and I just thought to drop in to say hello”, Yomi replied.
“He is not at home; he has travelled” the lady told him, regretfully.
“When do you think he will be back?” Yomi asked.
“He has travelled to Oyo for an event, and we are not expecting him till tomorrow or the day after”, she explained.
“That is disappointing. In any case, I am here for much longer and I will certainly return to see him “Yomi said.
“Okay then, you are welcome”, the lady replied.
Yomi turned and returned to his car. He thought he should have asked the lady what her name was, but refrained from going back to do that. The last thing he wanted at this time was to earn the distrust of a community in which he was yet a visitor. He noted nevertheless that she was quite attractive. She had an unusual deep voice, but the most beautiful smile he had ever seen.
Yomi found a buka restaurant and bought himself a meal of pounded yam and melon seed stew. He ate greedily; the stew was very spicy and just the way he loved his food. Afterward, he returned to the hotel and there sat in the lobby, listening to an aimless and lively debate between three employees, about the music and politics of the day. Falana eventually called at about a quarter to five. Yomi drove to Falana’s office, and together they went to the place which the estate agent was to show him. It was a nasty house; an unkempt tenement building with four dungeon-like rooms on either side of a dark corridor running the entire length of the house. Outside was filthy, with a green stream running right across the front yard. Goats, pigs and chicken roamed unhindered, and the ground all around was littered with their faeces .Yomi was very disappointed to have been brought here.
“This is not even a bit like what I hoped you would find for me. Not anywhere near what I described.” He spiritedly tried to mask his disappointment and anger.
“It is not expensive; you definitely said you are looking for a place that is not expensive”, Falana told him.
“Yes I did say that, but I certainly didn’t say I was looking to live in a dunghill”, Yomi affirmed.
“Okay, I will look for something else”, Falana told him as they returned to the car.
“How soon will this be? My need is rather urgent”, Yomi reminded.
“As soon as I am able to find another, I will let you know. I will need to talk to some landlords. But you know, because you are stranger in this place, the landlords may not be so willing, which makes my work much more difficult”, Falana told him, successfully making Yomi feel like he was the reason why he might not be able to find a house.
Falana promised to again call him next day as Yomi dropped him off at his office. Yomi knew of course that Falana was unlikely to call because next day was Sunday. He returned to the hotel, unable to get over the disappointment he felt. He sat for a while in the hotel bar, ordered a bottle of beer which he drank quickly. He fetched a book from the box in the boot of his car, and then bought another beer which he decided to take to his room.
The title of the book was Eegun Alare, and it was written in Yoruba. It told the story of an itinerant performing masquerade, an Eegun Alare , who left his town in search of fame and fortune; both of which he eventually found. However, he meets with disaster when a magic trick goes wrong and he find self unable to change back from the crocodile which he turned himself into, because
