The Provincial Lady Series. E. M. Delafield

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nice in Russian Peasant costume—and eventually dance with her husband. We see many of our neighbours, most of them not in fancy dress, and am astounded at unexpected sight of Blenkinsops' Cousin Maud, bounding round the room with short, stout partner, identified by Mary's husband as great hunting man.

      Lady B.'s house-party, all in expensive disguises and looking highly superior, dance languidly with one another, and no introductions take place.

      It later becomes part of Robert's duty to tell everyone that supper is ready, and we all flock to buffet in dining-room, and are given excellent sandwiches and unidentified form of cup. Lady B.'s expensive-looking house-party nowhere to be seen, and Robert tells me in gloomy aside that he thinks they are in the library, having champagne. I express charitable—and improbable—hope that it may poison them, to which Robert merely replies, Hush, not so loud—but should not be surprised to know that he agrees with me.

      Final, and most unexpected, incident of the evening is when I come upon old Mrs. Blenkinsop, all over black jet and wearing martyred expression, sitting in large armchair underneath platform, and exactly below energetic saxophone. She evidently has not the least idea how to account for her presence there, and saxophone prevents conversation, but can distinguish something about Maud, and not getting between young things and their pleasure, and reference to old Mrs. B. not having very much longer to spend amongst us. I smile and nod my head, then feel that this may look unsympathetic, so frown and shake it, and am invited to dance by male Frobisher—who talks about old furniture and birds. House-party reappear, carrying balloons, which they distribute like buns at a School-feast, and party proceeds until midnight.

      Band then bursts into Auld Lang Syne and Lady B. screams Come along, Come along, and all are directed to form a circle. Singular mêlée ensues, and I see old Mrs. Blenkinsop swept from armchair and clutching our Vicar with one hand and unknown young gentleman with the other. Our Vicar's wife is holding hands with Miss Pankerton—whom she cannot endure—and looks distraught, and Robert is seized upon by massive stranger in scarlet, and Cousin Maud. Am horrified to realise that I am myself on one side clasping hand of particularly offensive young male specimen of house-party, and on the other that of Lady B. We all shuffle round to well-known strains, and sing For Ole Lang Syne, For Ole Lang Syne, over and over again, since no one appears to know any other words, and relief is general when this exercise is brought to a close.

      Lady B., evidently fearing that we shall none of us know when she has had enough of us, then directs band to play National Anthem, which is done, and she receives our thanks and farewells.

      Go home, and on looking at myself in the glass am much struck with undeniable fact that at the end of a party I do not look nearly as nice as I did at the beginning. Should like to think that this applies to every woman, but am not sure—and anyway, this thought ungenerous—like so many others.

      Robert says, Why don't I get into Bed? I say, Because I am writing my Diary. Robert replies, kindly, but quite definitely, that In his opinion, That is Waste of Time.

      I get into bed, and am confronted by Query: Can Robert be right?

      Can only leave reply to Posterity.

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