eye see. Let us think ourselves back six and eight and ten centuries. Let us enter upon a far and distant journey. Away we speed. Far, far across the wild Atlantic. We have reached the sunny land of Spain. Here let us pause for a hasty inspection. It will not take us long, for that country, that is among the poorest of all European countries to-day, whose reeking filth has recently made it a scene of revelry to the ravishing plague, whose stupendous ignorance, and appalling superstitions, have made it a by-word among the civilized people of the earth, that country, so backward now, will certainly have no attractiveness for us, ten centuries earlier in its history.
Lo! A miracle! The magic wand of some frolicksome fay must have suddenly transformed the land of expected filth and wretchedness into a beauteous fairyland. Amidst rapturous admiration of the indescribable beauties, which meet our gaze everywhere, we glide along upon the placid surface of the Guadalquivir, in which a wondrously clear blue sky glasses itself, and splendrous palaces and gorgeous parks are reflected. We have entered beautiful Andalusia. We glide along the southern declivity of the Sierra Morena. Suddenly there breaks upon our view a scene of beauty that mocks every attempt at description. We ask our black eyed, bronze complexioned and proud featured oarsman for the name of that magnificent city that lies stretched for miles along the right bank. He understands us not. We address him in French, in German, in Greek, in Latin. No answer. We are at our wits' end. We must know, and so we seek recourse, as a last resort, to our mother tongue, the language of the Hebrews, and his face brightens, and his tongue is loosened, and in accents as melodious and pure as it must have been spoken by David himself, when he sang to his harp, the words of his own heaven-inspired psalms he makes reply: "What ye behold, ye strangers, is the city of Cordova, the government seat of the valiant and chivalrous, and scholarly and liberal, and art-loving Caliph Abderrahman III."
We are burning with a desire to see that city, whose simple outlines display such bewildering elegance. With our courteous oarsman as guide, we advance along the street that leads from the river bank. We gaze and gaze in awe-stricken silence. Amazement is expressed on every countenance. Our eyes are dazzled with the enchanting magnificence that abounds. We have reached the palace of the Caliph. Are we dreaming? Are we under the power of some magic spell? Is this a whim of some sportive, mischief-loving fay? Have we not thought ourselves some ten centuries back? Are we in the midst of the Dark Ages; in European lands, and among the people of the tenth century, concerning whose stupendous ignorance and loathsome filth historians have had so much to say? Has history deceived us in its teaching that the people of Europe, six and eight centuries back had scarcely emerged from the savage state, that they inhabited floorless, chimneyless, windowless huts, those of princes and monarchs differing only in their having rushes on the floor and straw mats against the walls, that they fed on roots and vetches and bark of trees, clothed in garments of untanned skin which remained on the body till they dropped in pieces, that there existed scarcely a city, everywhere pathless forest and howling wastes?
It is not a dream. Neither has history deceived us. We are in European lands, but among Oriental people. We are in the midst of the prime of the dark ages, but we are in the Southern part of Spain, in Andalusia, in the city of Cordova, a city of 200,000 houses, and 1,000,000 inhabitants, of hundreds of parks and public gardens, of menageries of foreign animals, of aviaries of rare birds, of factories in which skilled workmen display their art in textures of silk, cotton, linen, and all the miracles of the loom, in jewelry and in filigree works, in works of art, and in scientific instruments and apparatus. We are in the city that, even then, could boast of a college of music, of libraries, of public schools, of universities in which instructions were given in the sciences and philosophies and languages, and literatures and arts. We are in the city of art and culture and learning, the city made famous and beautiful by the literary and cultured Moors and Jews, whose prosperity continued as long as the followers of Mohammed and the followers of Moses were permitted to dwell in peace side by side, but whose glory vanished as soon as Christianity banished the Jews and Moors from Spain. But we must not indulge in any reflections now. Our raven locked guide, whose beautiful form, and winning countenance, and melodious voice involuntarily remind us of the beautiful lover of the love-inflamed Shulamite in "Solomon's Song," beckons, and we must follow. On we march, and with every step new and matchless beauties unroll themselves before us. We know not what we shall admire first, and most, whether the polished marble balconies that overhang luscious orange gardens, or the courts with the cascades of water beneath the shades of the cypress trees, or the artificial lakes, supplied with water by hydraulic works, replete with fish; whether the shady retreats with inlaid floors and walls of exquisite mosaic, vaulted with stained glass and speckled with gold, over which streams of water are continually gushing, or the fountains of quicksilver, that shoot up in glittering globules and fall with a tranquil sound like fairy bells; whether the apartments into which cool air is drawn from the flower gardens, in summer by means of ventilating towers and in winter through earthen pipes or caleducts imbedded in the walls—the hypocaust, in the vaults below, or the walls adorned with arabesque and paintings of agricultural scenes and views of paradise, or the ceilings corniced with fretted gold, other great chandeliers with their hundreds and hundreds of lamps; whether the columns of Greek, Italian, Spanish and African marble, covered with verd-antique and incrusted with lapis lazuli, or the furniture of sandal and citron wood, inlaid with mother of pearl, ivory, silver, or relieved with gold and precious malachite, or the costume of the ladies woven in silk and gold, and decorated with gems of chrysolites, hyacinths, emeralds and sapphires; whether the vases of rock crystal, Chinese porcelains, the embroidered Persian carpets with which the floors are covered, the rich tapestry that hangs along the walls, or the beautiful gardens, profuse with rare and exotic flowers, winding walks, bowers of roses, seats cut out of the rock, crypt-like grottoes hewn into the stone; whether the baths of marble, with hot and cold water, carried thither by pipes of metal, or the niches, with their dripping alcarazzas, or the whispering galleries for the amusement of the women, or the labyrinths and marble play-courts for the children.
On and on we pass, and new beauties still. We pass mosques and synagogues whose architectural finish is still the admiration and model of the world, and our gentle guide informs us that a public school is attached to each, in which the children of the poor are taught to read and write. We pass academies and universities, and our guide assures us that many a Hebrew presides over the Moorish institutions of learning. He reads the expression of surprise on our countenance, for we think of the striking contrast between his Mohammedan liberality and the intolerance of the other European countries, from which they are scarcely weaned as yet, and he modestly informs us that the Mohammedan maxim is, that "the real learning of a man is of more importance than any particular religious opinions he may entertain." And as the famous scholars pass in and out, our guide mentions them by name, and speaks of their brilliant accomplishments, of professors of Arabic classical literature, of professors of mathematics and astronomy, compilers of dictionaries similar to those now in use, but of larger copiousness, one of these covering sixty volumes, he points out the lexicographers of Greek and Latin and Hebrew and Arabic, and the encyclopedists of the "Historical Dictionary of Sciences," the poets of the satires, odes and elegies, and the inventors of the rhyme, the writers of history, of chronology, of numismatics, mathematics, astronomy, of pulpit oratory, of agriculture, of topography, of statistics, of physics, philosophy, medicines, dentistry, surgery, zoology, botany, pharmacy, and of the numerous other branches of learning.
Night has set in. Men are gathering around their evening fires to listen to the wandering literati, who exercise their wonderful powers of tale telling, and edify the eager listeners by such narratives as those that have descended to us in the "Arabian Nights' Entertainments." The dulcet strains of the dreamy and love-awaking mandolin, accompanying the rapturous love song of some chivalrous knight to his lady fair, break on our ears. Soon all is silent. We fain would stay, but our guide is weary from his day's task. Perchance the sweet strains of the serenade have awakened within his bosom tender longings for his fair Shulamite, "whose eyes are as the dove's, and whose lips are like a thread of scarlet, and whose speech is comely," (Song of Solomon, chap. iv.) to whom he would eagerly speed. And so we retrace our steps. For miles we walk in a straight line, by the light of public lamps; seven hundred years after this time there was not so much as one public lamp in London. For miles we walk along solidly paved streets. In Paris centuries
