Robert Elsmere. Mrs. Humphry Ward

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Robert Elsmere - Mrs. Humphry Ward

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have been waiting for me. But poor Mrs. Tyson wanted me so badly that I could not leave her. She had no one else to help her or to be with her till that eldest girl of hers came home from work.'

      'It doesn't matter,' said Rose, as Catherine put her arm round her shoulder; 'mamma hasn't been fidgeting, and as for Agnes, she looks as if she never wanted to move again.'

      Catherine's clear eyes, which at the moment seemed to be full of inward light, kindled in them by some foregoing experience, rested kindly, but only half consciously, on her younger sister, as Agnes softly nodded and smiled to her. Evidently she was a good deal older than the other two—she looked about six-and-twenty, a young and vigorous woman in the prime of health and strength. The lines of the form were rather thin and spare, but they were softened by the loose bodice and long full skirt of her dress, and by the folds of a large white muslin handkerchief which was crossed over her breast. The face, sheltered by the plain shady hat, was also a little spoilt from the point of view of beauty by the sharpness of the lines about the chin and mouth, and by a slight prominence of the cheekbones, but the eyes, of a dark bluish gray, were fine, the nose delicately cut, the brow smooth and beautiful, while the complexion had caught the freshness and purity of Westmoreland air and Westmoreland streams. About face and figure there was a delicate austere charm, something which harmonised with the bare stretches and lonely crags of the fells, something which seemed to make her a true daughter of the mountains, partaker at once of their gentleness and their severity. She was in her place here, beside the homely Westmoreland house and under the shelter of the fells. When you first saw the other sisters you wondered what strange chance had brought them into that remote sparely-peopled valley; they were plainly exiles, and conscious exiles, from the movement and exhilarations of a fuller social life. But Catherine impressed you as only a refined variety of the local type; you could have found many like her, in a sense, among the sweet-faced serious women of the neighbouring farms.

      Now, as she and Rose stood together, her hand still resting lightly on the other's shoulder, a question from Agnes banished the faint smile on her lips, and left only the look of inward illumination, the expression of one who had just passed, as it were, through a strenuous and heroic moment of life, and was still living in the exaltation of memory.

      'So the poor fellow is worse?'

      'Yes. Doctor Baker, whom they have got to-day, says the spine is hopelessly injured. He may live on paralysed for a few months or longer, but there is no hope of cure.'

      Both girls uttered a shocked exclamation. 'That fine strong young man!' said Rose under her breath. 'Does he know?'

      'Yes; when I got there the doctor had just gone, and Mrs. Tyson, who was quite unprepared for anything so dreadful, seemed to have almost lost her wits, poor thing! I found her in the front kitchen with her apron over her head, rocking to and fro, and poor Arthur in the inner room—all alone—waiting in suspense.'

      'And who told him? He has been so hopeful.'

      'I did,' said Catherine gently; 'they made me. He would know, and she couldn't—she ran out of the room. I never saw anything so pitiful.'

      'Oh, Catherine!' exclaimed Rose's moved voice, while Agnes got up, and Chattie jumped softly down from her lap, unheeded.

      'How did he bear it?'

      'Don't ask me,' said Catherine, while the quiet tears filled her eyes and her voice broke, as the hidden feeling would have its way. 'It was terrible! I don't know how we got through that half-hour—his mother and I. It was like wrestling with some one in agony. At last he was exhausted—he let me say the Lord's Prayer; I think it soothed him, but one couldn't tell. He seemed half asleep when I left. Oh!' she cried, laying her hand in a close grasp on Rose's arm, 'if you had seen his eyes, and his poor hands—there was such despair in them! They say, though he was so young, he was thinking of getting married; and he was so steady, such a good son!'

      A silence fell upon the three. Catherine stood looking out across the valley towards the sunset. Now that the demand upon her for calmness and fortitude was removed, and that the religious exaltation in which she had gone through the last three hours was becoming less intense, the pure human pity of the scene she had just witnessed seemed to be gaining upon her. Her lip trembled, and two or three tears silently overflowed. Rose turned and gently kissed her cheek, and Agnes touched her hand caressingly. She smiled at them, for it was not in her nature to let any sign of love pass unheeded, and in a few more seconds she had mastered herself.

      'Dears, we must go in. Is mother in her room? Oh, Rose! in that thin dress on the grass; I oughtn't to have kept you out. It is quite cold by now.'

      And she hurried them in, leaving them to superintend the preparations for supper downstairs while she ran up to her mother.

      A quarter of an hour afterwards they were all gathered round the supper-table, the windows open to the garden and the May twilight. At Catherine's right hand sat Mrs. Leyburn, a tall delicate-looking woman, wrapped in a white shawl, about whom there were only three things to be noticed—an amiable temper, a sufficient amount of weak health to excuse her all the more tiresome duties of life, and an incorrigible tendency to sing the praises of her daughters at all times and to all people. The daughters winced under it: Catherine, because it was a positive pain to her to hear herself brought forward and talked about; the others, because youth infinitely prefers to make its own points in its own way. Nothing, however, could mend this defect of Mrs. Leyburn's. Catherine's strength of will could keep it in check sometimes, but in general it had to be borne with. A sharp word would have silenced the mother's well-meant chatter at any time—for she was a fragile, nervous woman, entirely dependent on her surroundings—but none of them were capable of it, and their mere refractoriness counted for nothing.

      The dining-room in which they were gathered had a good deal of homely dignity, and was to the Leyburns full of associations. The oak settle near the fire, the oak sideboard running along one side of the room, the black oak table with carved legs at which they sat, were genuine pieces of old Westmoreland work, which had belonged to their grandfather. The heavy carpet covering the stone floor of what twenty years before had been the kitchen of the farmhouse was a survival from a south-country home, which had sheltered their lives for eight happy years. Over the mantelpiece hung the portrait of the girls' father, a long serious face, not unlike Wordsworth's face in outline, and bearing a strong resemblance to Catherine; a line of silhouettes adorned the mantelpiece; on the walls were prints of Winchester and Worcester Cathedrals, photographs of Greece, and two old-fashioned engravings of Dante and Milton; while a bookcase, filled apparently with the father's college books and college prizes and the favourite authors—mostly poets, philosophers, and theologians—of his later years, gave a final touch of habitableness to the room. The little meal and its appointments—the eggs, the home-made bread and preserves, the tempting butter and old-fashioned silver gleaming among the flowers which Rose arranged with fanciful skill in Japanese pots of her own providing—suggested the same family qualities as the room. Frugality, a dainty personal self-respect, a family consciousness, tenacious of its memories and tenderly careful of all the little material objects which were to it the symbols of those memories—clearly all these elements entered into the Leyburn tradition.

      And of this tradition, with its implied assertions and denials, clearly Catherine Leyburn, the elder sister, was, of all the persons gathered in this little room, the most pronounced embodiment. She sat at the head of the table, the little basket of her own and her mother's keys beside her. Her dress was a soft black brocade, with lace collar and cuff, which had once belonged to an aunt of her mother's. It was too old for her both in fashion and material, but it gave her a gentle, almost matronly dignity, which became her. Her long thin hands, full of character and delicacy, moved nimbly among the cups; all her ways were quiet and yet decided. It was evident that among this little party she, and not the plaintive mother, was really in authority. To-night,

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