conducting of the piece was a march, a campaign, a house on fire, the race for the Derby, the forging of a hundred-ton gun, a display of fireworks, a mayoral banquet, and a mother scolding a numerous family.
It was colossal.
At the close, as sudden as the shutting of a door, there was a vast strange silence, and then the applause, as colossal as the piece, broke out like a conflagration.
Carpentaria bowed; the entire band bowed; Carpentaria bowed again. Lastly he indicated a flute-player with his baton, and the flute-player came forward and shared the glory of Carpentaria. Why a flute-player, no one could have guessed. Forty flutes could not have been heard in that terrific concourse of brass and drums. But Carpentaria was Carpentaria.
“Did any of you hear the sound of a shot?” Carpentaria said in a low voice to his band.
“Shot? No, sir. No, sir,” came from a dozen mouths. “Why, sir?”
“Because a bullet has just grazed my ear. It was in the fourth bar from the end.” He put his hand to his ear and showed blood on his finger. “It’s nothing, nothing,” he quieted them. “I shall expect you to behave as though nothing had occurred, as soldiers in fact.”
“Certainly, sir,” replied the intrepid band.
Carpentaria gazed at one of the iron supports of the roof of the bandstand. In a line with his head the surface of the pillar had been damaged and dented. He disturbed two trombone-players in order to search the floor, and in a few seconds he had found a flattened bullet, which he put in his pocket.
“Number two,” he said sharply, going to his desk and tapping it.
Number two was the lullaby. No more striking contrast to the march could have been found. It was so delicate, so softly stealing, that you could scarcely hear it; and yet you could hear it—you could hear it everywhere. Carpentaria drew sweetness out of his band with the gestures of a conjurer drawing an interminable roll of coloured paper from his mouth, previously shown to be empty. It was the daintiest thing, swaying in the air like gossamer. It brought tears to the orbs of mothers, and made strong men close their eyes. Such was the versatility of Carpentaria.
The applause amounted to a furore.
“I give you my word of honour, ladies and gentlemen,” said Carpentaria, coming to the rail of the stand and stilling the cheers with a gesture, “at halfpast three this afternoon not a note of the little piece was composed.”
His demeanour gave no sign of agitation. But at the close of the concert, no more bullets having arrived, he wiped his brow with relief. Most of the band did the same.
He walked about on the river terrace for over an hour, calming his spirit, which had been through so many excitements, artistic and otherwise, during the afternoon and evening. And he meditated, now on the bullet, and now on Ilam. He could scarcely realize how nearly he had escaped quarrelling with Ilam in the balloon; their relations hitherto had been invariably amicable, at any rate on the surface; and he had done so much for Ilam; he had put a second fortune in Ilam’s pocket. The dazzling success of the day of inauguration was the success of Carpentaria’s ideas. And yet Ilam hated him. He felt that Ilam hated him. He almost shuddered as he remembered the moment when he had sat on the dizzy edge of the balloon-car, and Ilam had threatened him, and then laughed.
The Oriental Gardens were empty and dark. The gay crowd had departed; the lights were extinguished. Only the light in Ilam’s drawing-room shone across the expanse as it had shone through all the evening. Carpentaria’s own bungalow was dark. He wondered what Juliette was doing.
At length he set off home through the gardens. And just as he was entering his front-door he recollected that he had given no instructions about the drunken man in the enclosure. He turned back down the steps, and went into the enclosure and struck a match. The man was lying on the ground, no doubt asleep.
“Well, this is a caution!” he muttered.
A notion occurred to him, one of his fanciful pranks. He picked up the unconscious man, who held himself stiff and did not even groan, and carried him, not with too much difficulty—for Carpentaria was extremely powerful—to the side-door of Ilam’s residence; he placed the form against the door. Every night for weeks past Ilam had come out by that door about midnight to take a final stroll of inspection. He felt that he owed Ilam a grudge. Then he retired into the shadow and waited.
Presently the door opened, and Ilam fell over the man, as Carpentaria hoped he would, and picked himself up with oaths and struck a match and gazed at the form.
At the same instant a woman’s figure passed Carpentaria in the dark. He was surprised to recognize Juliette. He touched her.
“Oh!” she cried softly, starting back.
“Why do you start like that?” he demanded.
“You—you—frightened me,” she said.
He escorted her into their house. When he came out again Ilam was descending the steps by the side door. Nothing lay near the door.
“Seen anything of a drunken man?” Carpentaria called out.
“No,” said Ilam, after a pause.
“Not near your door?”
“No. Why?”
“Oh, nothing. Only I thought I saw one.”
“Good night,” growled Ilam, but instead of taking the air he returned abruptly to the house.
CHAPTER VI—The Black Burden
Curious! Carpentaria meditated as he retired to his abode. “Having fallen over a man lying drunk on his steps, why should my friend and partner, Mr. Josephus Ilam, totally deny that he has seen a drunken man? With my own eyes I saw him tumble. Now this mishap must have made Mr. Josephus Ilam angry, because he is just the sort of person who does get angry upon the provocation of a pure accident. Yet, so far as I could judge in the gloom, there was no trace of anger in his demeanour when he answered my question. On the contrary, he appeared to be rather subdued.
“And further—what has become of my friend the drunken man? The drunken man must exist somewhere. Is he in Ilam’s house? And, if so, why is he in Ilam’s house? Neither Josephus nor his mother is precisely a type of the Good Samaritan. And if he is not in Ilam’s house, has he suddenly recovered and walked away on his legs unaided? Impossible! I was once drunk, and I say, impossible. Then, has Josephus carried him somewhere? And where has he carried him, and why?”
Carpentaria unlocked his front-door and entered the hall of his dwelling, and then locked and bolted the door. He was not in the habit of either locking or bolting his front-door; the idea of so securing a house which stood in the middle of half a square mile of private property, well guarded at all its gates, seemed ridiculous. Nevertheless he did it, and he could have given no reason for doing it. He imagined that he heard footsteps in the passage leading from the hall to the kitchen, and he quickly turned on the electric light and looked down the passage. But there was nothing. He decided that he was very nervous and impressionable that
