thereabouts, and it is not my intention to pursue them further, nor to speak of any living contemporaries who have not won their way to the classical. In writing of friends and teachers at Oxford, I have not ventured to express gratitude to those who still live, still teach, still are the wisest and kindest friends of the hurrying generations. It is a silence not of thanklessness, but of respect and devotion. About others—contemporaries, or juniors by many years—who have instructed, consoled, strengthened, and amused us, we must also be silent.
CHAPTER II: RECOLLECTIONS OF ROBERT LOUIS STEVENSON
TUSITALA
We spoke of a rest in a Fairy hill of the north, but he
Far from the firths of the east and the racing tides of the west
Sleeps in the sight and the sound of the infinite southern sea,
Weary and well content, in his grave on the Vaëa crest.
Tusitala, the lover of children, the teller of tales,
Giver of counsel and dreams, a wonder, a world’s delight,
Looks o’er the labour of men in the plain and the hill, and the sails
Pass and repass on the sea that he loved, in the day and the night.
Winds of the west and the east in the rainy season blow,
Heavy with perfume, and all his fragrant woods are wet,
Winds of the east and the west as they wander to and fro,
Bear him the love of the lands he loved, and the long regret.
Once we were kindest, he said, when leagues of the limitless sea,
Flowed between us, but now that no range of the refluent tides
Sunders us each from each, yet nearer we seem to be,
When only the unbridged stream of the River of Death divides.
Before attempting to give any “reminiscences” of Mr. Stevenson, it is right to observe that reminiscences of him can best be found in his own works. In his essay on “Child’s Play,” and in his “Child’s Garden of Verse,” he gave to the world his vivid recollections of his imaginative infancy. In other essays he spoke of his boyhood, his health, his dreams, his methods of work and study. “The Silverado Squatters” reveals part of his experience in America. The Parisian scenes in “The Wrecker” are inspired by his sojourn in French Bohemia; his journeys are recorded in “Travels with a Donkey” and “An Inland Voyage”; while his South Sea sketches, which appeared in periodicals, deal with his Oceanic adventures. He was the most autobiographical of authors, with an egoism nearly as complete, and to us as delightful, as the egoism of Montaigne. Thus, the proper sources of information about the author of “Kidnapped” are in his delightful books.
“John’s own John,” as Dr. Holmes says, may be very unlike his neighbour’s John; but in the case of Mr. Stevenson, his Louis was very similar to my Louis; I mean that, as he presents his personality to the world in his writings, even so did that personality appear to me in our intercourse. The man I knew was always a boy.
“Sing me a song of the lad that is gone,”
he wrote about Prince Charlie, but in his own case the lad was never “gone.” Like Keats and Shelley, he was, and he looked, of the immortally young. He and I were at school together, but I was an elderly boy of seventeen, when he was lost in the crowd of “gytes,” as the members of the lowest form are called. Like all Scotch people, we had a vague family connection; a great-uncle of his, I fancy, married an aunt of my own, called for her beauty, “The Flower of Ettrick.” So we had both heard; but these things were before our day. A lady of my kindred remembers carrying Stevenson about when he was “a rather peevish baby,” and I have seen a beautiful photograph of him, like one of Raffael’s children, taken when his years were three or four. But I never had heard of his existence till, in 1873, I think, I was at Mentone, in the interests of my health. Here I met Mr. Sidney Colvin, now of the British Museum, and, with Mr. Colvin, Stevenson. He looked as, in my eyes, he always did look, more like a lass than a lad, with a rather long, smooth oval face, brown hair worn at greater length than is common, large lucid eyes, but whether blue or brown I cannot remember, if brown, certainly light brown. On appealing to the authority of a lady, I learn that brown was the hue. His colour was a trifle hectic, as is not unusual at Mentone, but he seemed, under his big blue cloak, to be of slender, yet agile frame. He was like nobody else whom I ever met. There was a sort of uncommon celerity in changing expression, in thought and speech. His cloak and Tyrolese hat (he would admit the innocent impeachment) were decidedly dear to him. On the frontier of Italy, why should he not do as the Italians do? It would have been well for me if I could have imitated the wearing of the cloak!
I shall not deny that my first impression was not wholly favourable. “Here,” I thought, “is one of your æsthetic young men, though a very clever one.” What the talk was about, I do not remember; probably of books. Mr. Stevenson afterwards told me that I had spoken of Monsieur Paul de St. Victor, as a fine writer, but added that “he was not a British sportsman.” Mr. Stevenson himself, to my surprise, was unable to walk beyond a very short distance, and, as it soon appeared, he thought his thread of life was nearly spun. He had just written his essay, “Ordered South,” the first of his published works, for his “Pentland Rising” pamphlet was unknown, a boy’s performance. On reading “Ordered South,” I saw, at once, that here was a new writer, a writer indeed; one who could do what none of us, nous autres, could rival, or approach. I was instantly “sealed of the Tribe of Louis,” an admirer, a devotee, a fanatic, if you please. At least my taste has never altered. From this essay it is plain enough that the author (as is so common in youth, but with better reason than many have) thought himself doomed. Most of us have gone through that, the Millevoye phase, but who else has shown such a wise and gay acceptance of the apparently inevitable? We parted; I remember little of our converse, except a shrewd and hearty piece of encouragement given me by my junior, who already knew so much more of life than his senior will ever do. For he ran forth to embrace life like a lover: his motto was never Lucy Ashton’s—
“Vacant heart, and hand, and eye,
Easy live and quiet die.”
Mr. Stevenson came presently to visit me at Oxford. I make no hand of reminiscences; I remember nothing about what we did or said, with one exception, which is not going to be published. I heard of him, writing essays in the Portfolio and the Cornhill, those delightful views of life at twenty-five, so brave, so real, so vivid, so wise, so exquisite, which all should know. How we looked for “R. L. S.” at the end of an article, and how devout was our belief, how happy our pride, in the young one!
About 1878, I think (I was now a slave of the quill myself), I received a brief note from Mr. Stevenson, introducing to me the person whom, in his essay on his old college magazine, he called “Glasgow Brown.” What his real name was, whence he came, whence the money came, I never knew. G. B. was going to start a weekly Tory paper. Would I contribute? G. B. came to see me. Mr. Stevenson has described him, not as I would have described him: like Mr. Bill Sikes’s dog, I have the Christian peculiarity of not liking dogs “as are not of my breed.” G. B.’s paper, London, was to start next week. He had no writer of political leading articles. Would I do a “leader”? But I was not in favour of Lord Lytton’s Afghan policy. How could I do a Tory leader? Well, I did a neutral-tinted
