F. Scott Fitzgerald: Complete Works. F. Scott Fitzgerald
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Not until noon could she bring herself to look into Harold’s room, but when she did it was to find him awake and staring very miserably at the ceiling. He turned blood-shot hollow eyes upon her. For a minute she hated him, couldn’t speak. A husky voice came from the bed.
“What time is it?”
“Noon.”
“I made a damn fool——”
“It doesn’t matter,” she said sharply. “Julie’s got blood-poisoning. They may”—she choked over the words—“they think she’ll have to lose her hand.”
“What?”
“She cut herself on that—that bowl.”
“Last night?”
“Oh, what does it matter?” she cried; “she’s got blood-poisoning. Can’t you hear?”
He looked at her bewildered—sat half-way up in bed.
“I’ll get dressed,” he said.
Her anger subsided and a great wave of weariness and pity for him rolled over her. After all, it was his trouble, too.
“Yes,” she answered listlessly, “I suppose you’d better.”
IV.
If Evylyn’s beauty had hesitated in her early thirties it came to an abrupt decision just afterward and completely left her. A tentative outlay of wrinkles on her face suddenly deepened and flesh collected rapidly on her legs and hips and arms. Her mannerism of drawing her brows together had become an expression—it was habitual when she was reading or speaking and even while she slept. She was forty-six.
As in most families whose fortunes have gone down rather than up, she and Harold had drifted into a colorless antagonism. In repose they looked at each other with the toleration they might have felt for broken old chairs; Evylyn worried a little when he was sick and did her best to be cheerful under the wearying depression of living with a disappointed man.
Family bridge was over for the evening and she sighed with relief. She had made more mistakes than usual this evening and she didn’t care. Irene shouldn’t have made that remark about the infantry being particularly dangerous. There had been no letter for three weeks now, and, while this was nothing out of the ordinary, it never failed to make her nervous; naturally she hadn’t known how many clubs were out.
Harold had gone up-stairs, so she stepped out on the porch for a breath of fresh air. There was a bright glamour of moonlight diffusing on the sidewalks and lawns, and with a little half yawn, half laugh, she remembered one long moonlight affair of her youth. It was astonishing to think that life had once been the sum of her current love-affairs. It was now the sum of her current problems.
There was the problem of Julie—Julie was thirteen, and lately she was growing more and more sensitive about her deformity and preferred to stay always in her room reading. A few years before she had been frightened at the idea of going to school, and Evylyn could not bring herself to send her, so she grew up in her mother’s shadow, a pitiful little figure with the artificial hand that she made no attempt to use but kept forlornly in her pocket. Lately she had been taking lessons in using it because Evylyn had feared she would cease to lift the arm altogether, but after the lessons, unless she made a move with it in listless obedience to her mother, the little hand would creep back to the pocket of her dress. For a while her dresses were made without pockets, but Julie had moped around the house so miserably at a loss all one month that Evylyn weakened and never tried the experiment again.
The problem of Donald had been different from the start. She had attempted vainly to keep him near her as she had tried to teach Julie to lean less on her—lately the problem of Donald had been snatched out of her hands; his division had been abroad for three months.
She yawned again—life was a thing for youth. What a happy youth she must have had! She remembered her pony, Bijou, and the trip to Europe with her mother when she was eighteen——
“Very, very complicated,” she said aloud and severely to the moon, and, stepping inside, was about to close the door when she heard a noise in the library and started.
It was Martha, the middle-aged servant: they kept only one now.
“Why, Martha!” she said in surprise.
Martha turned quickly.
“Oh, I thought you was up-stairs. I was jist——”
“Is anything the matter?”
Martha hesitated.
“No; I—” She stood there fidgeting. “It was a letter, Mrs. Piper, that I put somewhere.”
“A letter? Your own letter?” asked Evylyn, switching on the light.
“No, it was to you. ’Twas this afternoon, Mrs. Piper, in the last mail. The postman give it to me and then the back door-bell rang. I had it in my hand, so I must have stuck it somewhere. I thought I’d just slip in now and find it.”
“What sort of a letter? From Mr. Donald?”
“No, it was an advertisement, maybe, or a business letter. It was a long, narrow one, I remember.”
They began a search through the music-room, looking on trays and mantelpieces, and then through the library, feeling on the tops of rows of books. Martha paused in despair.
“I can’t think where. I went straight to the kitchen. The dining-room, maybe.” She started hopefully for the dining-room, but turned suddenly at the sound of a gasp behind her. Evylyn had sat down heavily in a Morris chair, her brows drawn very close together, eyes blinking furiously.
“Are you sick?”
For a minute there was no answer. Evylyn sat there very still and Martha could see the very quick rise and fall of her bosom.
“Are you sick?” she repeated.
“No,” said Evylyn slowly, “but I know where the letter is. Go ’way, Martha. I know.”
Wonderingly, Martha withdrew, and still Evylyn sat there, only the muscles around her eyes moving—contracting and relaxing and contracting again. She knew now where the letter was—she knew as well as if she had put it there herself. And she felt instinctively and unquestionably what the letter was. It was long and narrow like an advertisement, but up in the corner in large letters it said “War Department” and, in smaller letters below, “Official Business.” She knew it lay there in the big bowl with her name in ink on the outside and her soul’s death within.
Rising uncertainly, she walked toward the dining-room, feeling her way along the bookcases and through the doorway. After a moment she found the light and switched it on.
There was the bowl, reflecting the electric light in crimson squares edged with black and yellow squares edged with blue, ponderous and glittering, grotesquely and triumphantly ominous. She took a step forward and paused again; another step and she would see over the top and into the inside—another step and she would see an edge of white—another step—her hands fell on the rough, cold surface——